Music

Rock historian remembers the 1960s Boston band The Remains, whose music reflected the genre's growing depth and sophistication. Despite opening for the Rolling Stones and the Beatles, the group never caught on.

Artist-turned-musician Carl Finch discovered polka while working on an installation. He later started the new wave polka band Brave Combo.

Jazz critic Francis Davis says Nigel Kennedy avoids the dilettantism of other classical musicians who want to get down and dirty in other genres. Kennedy's new album features interpretations of Duke Ellington and Bela Bartok.

Guitarist Paul Burlison and drummer D.J. Fontana are two members of rockabilly sextet the Sun Rhythm Section. Both musicians were active in the 1950s and played with legends like Elvis Presley. They join Fresh Air's Terry Gross to share memories of their decades-long career.

Jazz guitar player Marty Grosz talks about the songwriter's lyrics, which he says are at once remorseful and exuberant. Grosz performs two of Waller's songs for Fresh Air listeners.

The performer, composer, and professor is one of bop's progenitors. He continues to innovate with his Double Quartet, which incorporates strings into a more conventional jazz combo. He became an activist during the civil rights movement, and often incorporated his politics into his music.

Rock critic Ken Tucker says Fleetwood Mac's records in the 1970s kept rock music vital. Their most recent effort feels uninspired by comparison.

Two new CDs from the CBS Masterworks series showcase conductor Pierre Boulez's interpretations of classic works by the 20th century composers. Critic Lloyd Schwartz recommends them both.

Rock historian Ed Ward remembers the brash and powerful blues "shouter" Wynonie Harris, whose raucous songs had a strong influence on early rock and roll.

The free jazz innovator remains both influential and controversial 30 years after he appeared on the scene. His new album is called In All Languages.

Sun Ra's recent releases reveal the pianists' enduring interest in free improvisation and spectacle. Jazz critic Francis Davis says one is a prime example of the musician's ensemble work; the other is unlistenable.

Accordion player William Schimmel examines the stylistic nuances that distinguish the genre.

Larry Adler grew up in Baltimore and started playing the Vaudeville circuit as a teenager. He later pursued classical music, even though no repertoire existed for his instrument. Blacklisted during the McCarthy era, Adler moved to England, but still returns to the States to perform.

June Carter Cash grew up singing in the illustrious Carter Family and later married and performed with Johnny Cash. Her new memoir is called From the Heart.

John Hiatt, now in his mid-thirties, has switched record labels several times, never finding the superstardom of Michael Jackson and Phil Collins. Rock critic Ken Tucker says Hiatt's new album deserves more recognition.

The singer-songwriter, known also for his acting and humor, recently turned 40. His new album, More Love Songs, features lyrics about getting older. He performs several of them on air.

Classical music critic Lloyd Schwartz reviews a new recording of Arnold Schoenberg's piano and violin concertos, both conducted by Pierre Boulez. Schwartz says listening to this music at home may be the best way for audiences to get accustomed to atonality.

Joe "King" Carrasco is a singer and guitar player who plays contemporary Tex-Mex music. Carrasco is of German descent, but celebrates the rise and innovations of Latino culture.

Adams is often associated with other minimalist composers like Philip Glass and Steve Reich. His new album, The Chairman Dances, features parts of his new opera-in-progress called Nixon in China.

Several bands were formed by art school students, like The Talking Heads and The Who. So were The Creation, a mostly-forgotten group who rock historian Ed Ward says deserves more recognition.