Counter tenor Anthony Ross Costanzo sings in what's considered a woman's range - in the range of the castrati, men who maintained their high voices by being castrated before puberty. He's about to star in the Philip Glass opera 'Akhenaten.'
At 44, the German tenor Jonas Kaufmann may be the most popular tenor of his generation in the international opera world, and one of the most versatile. Among his recordings this year are albums dedicated to both Verdi and Wagner, celebrating the bicentennials of their birth.
Critic Lloyd Schwartz welcomes the opera star's new album, Mission, which breathes new life into the work of Italian composer Agostino Steffani. Bartoli, he says, has an astonishing capacity for vocal fireworks and warm, delicate lyricism.
Classical music critic Lloyd Schwartz just attended two productions of Porgy and Bess: an operatic performance at Tanglewood and a musical-theater version in Cambridge, Mass. He says it can work either way, "as long as Gershwin's great score remains its heart and soul."
Fred Astaire and Ginger Rogers weren't the only famous Hollywood musical team of the 1930s. Jeanette MacDonald and Nelson Eddy also starred in a series of operettas. But classical music critic lloyd Schwartz says the couples achieved their success in quite opposite ways.
Mezzo-soprano Lorraine Hunt Lieberwson died a little more than five years ago at the height of her career. Classical music critic Lloyd Schwartz says that, just when it seemed we weren't going to hear her sing anything new, some fantastic live performances have been released for the first time.
Senso, a 1954 Italian political melodrama, and Two Sisters From Boston, a 1946 Hollywood comedy, couldn't be more different — except they're both set at the opera. Classical music critic Lloyd Schwartz says he loves them both.
From the late 1950s up until her last stage appearance in 1990, Australian soprano Dame Joan Sutherland was one of the world's most admired and celebrated opera stars. She died Sunday at age 83. Classical music critic Lloyd Schwartz looks back at the life and work of the singer known as "La Stupenda."
Classical music critic Lloyd Schwartz reviews a new CD of Scott Wheeler's opera, based on a hymn to Boston by the New York poet Kenneth Koch. The disc captures a live performance by the Boston Cecilia choral society.