Music

Rap star Kool Moe Dee. When he first started rapping on park benches in the lat 70s, rap was a fad few believed would stick. Now rap has gone mainstream. Kool Moe Dee is considered the dean of the old school.

Jazz singer Cassandra Wilson. When she moved to New York City in the early 80s, she decided to put her singing career behind her and concentrate on her family. She is now the best-known of several emerging female jazz singers. Her new album is titled "Days Aweigh."

Rock critic Ken Tucker reviews "Now and Zen," the new album by Robert Plant, former leader singer of the super group Led Zeppelin.

Classical music critic Lloyd Schwartz reviews a recording featuring famed Italian tenor Placido Domingo singing pop songs like "Yesterday" and "Maria."

Rock historian Ed Ward profiles the glitter rock band The New York Dolls. Their front man was David Johansen, who has since recast himself as the martini-swilling crooner Buster Poindexter.

Jazz Critic Kevin Whitehead reviews "Your Eyes," the second big band album by the Norwegian pianist and composer Per Husby.

Part two of an interview with singer and songwriter David Frishberg, who composed pop hits like "Peel Me a Grape" and "I'm Hip." He'll also perform on the piano.

A song about apartheid from Tony Bird, a white African singer who grew up in the country of Malawi.

Jazz singer, songwriter David Frishberg. This is the first part of two-part interview. Throughout the 60s, Frishberg wrote songs like "I'm Hip" and "Peel Me a Grape." Then in the early 70s, he started singing his own songs. Frishberg will also play a few songs throughout both parts of the interview.

Rock critic Ken Tucker reviews "Rock of Life," by Rick Springfield and "Til My Heart Stops," by Lisa Hartman, two TV stars trying to make the rock charts. Springfield plays a doctor on the daytime soap "General Hospital;" Hartman is a cast member of the evening soap "Knot's Landing."

Classical music critic Lloyd Schwartz reviews a new CD that captures the legendary maestro Arturo Toscanini leading the NBC Symphony Orchestra in rehearsals of the second and third acts of Verdi's "La Traviata."

Rock historian Ed Ward profiles the career of soul great Percy Sledge. Ed says there was much more to Sledge than his hit "When a Man Loves a Woman."

Gary Giddins, jazz critic for The Village Voice and author of the books Celebrating Bird: the Triumph of Charlie Parker, and Rhythm-a-ning: Jazz Tradition and Innovation in the 80s. He is the founder of the American Jazz Orchestra, which performs important and neglected jazz works of the past.

Jazz Critic Kevin Whitehead reviews "Easily Slip Into Another World," the latest album by saxophonist Henry Threadgill and his sextet. Whitehead says that more than any other current jazz composer, Threadgill mixes strains from all phases of jazz history.

Television Critic David Bianculli shares his favorite current TV themes, the music that helps establish a show's identity before anything happens on the screen.

Jazz composer and conductor Bill Lee. He composed the scores for the films "She's Gotta Have It" and "School Daze," both written and directed by his son, Spike Lee. "School Daze," Spike Lee's most recent film, is loosely based on his experiences at Moorehead College in Atlanta, the same college Bill Lee and his father attended.

Jazz pianist Sumi Tonooka plays an excerpt from "Out From Silence," a work inspired by her mother's internment in a camp for Japanese-American during World War II. Tonooka is joined by Ronnie Seldin, playing the shakuhachi, a traditional Japanese flute.

Bernice Johnson Reagon, singer, cultural historian and director of Smithsonian's Program in Black American Culture. Reagon sings contralto with Sweet Honey in the Rock, one of the country's leading a cappella groups. She's been described as a "song shaper and song preserver." In her work with the Smithsonian, Reagon tries to maintain obscure and dying Baptist choral traditions.

Rock critic Ken Tucker reviews "Globe of Frogs," the latest album from Robyn Hitchcock and the Egyptians. The group's enigmatic lyrics and strong pop melodies are a big hit on college radio stations. Ken says this English band's strongest moment comes when the listener figures out what the singers are trying to say.

Classical music critic Lloyd Schwartz reviews "Lutoslawki Conducts Lutoslawski," a new Phillips recording featuring Polish musician Witold Lutoslawski. The recording features Lutoslawski's Cello Concerto, with Heinrich Schiff as soloist.