Music

New Fresh Air performer-in-residence Dr. John performs a few of his favorite Hoagy Carmichael songs.

Rock critic Ken Tucker says the recent crop of comedy albums has the chaotic, aggressive spirit of rock music. They don't have the same structure and allure as LPs from the 60s and 70s, but new CDs from Sam Kinison, Will Durst, and Dennis Miller are worth checking out at least once.

The experimental composer, who just celebrated his 80th birthday, has largely abandoned conventional technique in his recent work. But after listening back to some of Carter's earlier songs, classical music critic Lloyd Schwartz says he can hear traces of melody in his more difficult pieces.

The songwriting team of David and Don Was comprise the dance rock band Was (Not Was). The brothers arrange and perform the songs, but feature a rotating lineup of vocalists to sing them. Their newest album is called What Up, Dog.

Songwriters Jerry Lieber and Mike Stoller formed the 1950s band The Coasters as a vehicle for some of their goofier work. Rock historian Ed Ward says they were some of the first to recognize the importance of rock music to teenagers.

Harnick collaborated with composer Jerry Bock on hit musicals like Fiorello! and Fiddler on the Roof. One of their earlier works, She Loves Me, has found newfound success; the original cast album has just been reissued on CD.

Trumpeter Jack Walrath played with Charles Mingus, and now leads his own band in the new album Wholly Trinity. Kevin Whitehead says the record is filled filled with variety and humor, and is Walrath's best yet.

Rock critic Ken Tucker reviews new albums by Crosby, Stills, Nash & Young and Little Feat. He says the former band's latest effort is dreadful, while Little Feat's Let It Roll stakes out new musical territory while retaining the group's original spirit.

Healey's organization works on behalf of prisoners of conscience around the world. His latest strategy to raise awareness for this issue is to stage rock concerts featuring politically-minded performers like Bruce Springsteen, U2, and Stevie Wonder. Healey was a Catholic priest in the 1960s, but found he had more opportunities to pursue humanitarian work in the secular world.

Classical music critic Lloyd Schwartz reviews a new PBS documentary about Maria Callas. He says it's not as well-organized or thoughtful as an earlier film about the opera star; the late singer would be better served by a complete broadcast of one of her performances.

Orbison had a legendary, operatic voice. He was shy by nature; years after weathering the tragic deaths of his wife and children, Orbison had recently started coming out of his shell, and joined the all-star band the Traveling Wilburys. He died of heart failure on December 6th.

Eddie Jones, who later performed as Guitar Slim, was an early pioneer of rock and blues guitar. He died in 1959. Rock historian Ed Ward says that, had Slim lived, he could have outshone Jimi Hendrix.

Jazz critic Kevin Whitehead says the movie star had a range of about six notes, but he had personality and a swinging house band. Yet Astaire deserves praise for making famous several songs which later became standards.

Critic Ken Tucker revisits the classic Jack Nicholson film, now on home video. He says the movie is idiosyncratic, but fizzles out by the end, after Nicholson's character has killed off so many of his emotions.

Pianist Harry Connick, Jr. makes his final appearance as Fresh Air's performer-in-residence. Today he examines the style of Thelonious Monk.

Former Monkees member Michael Nesmith helped pioneer the music video and created the blueprint for MTV. He now runs the home video production company, Pacific Arts Video, which he financed with an inheritance from his mother, who invented Liquid Paper.

Rock critic Ken Tucker says that the band's new album lives up to its name: 'Til Tuesday is now no longer a band, but a vehicle for singer and songwriter Aimee Man. Tucker says the heartbreak-riddled record has an elegantly formal structure.

Lloyd Schwartz says that Spanish cellist's renditions of Bach are unrivaled. He reviews Casals' complete performances the composer's cello suite, as well as a more recent recording of Beethoven's trios.

Rock historian Ed Ward profiles the career of the late musician, who, as a teenager, first plucked America's heartstrings on the TV show "The Adventure of Ozzie and Harriet."

Saxophonist Bobby Watson learned a lot about band dynamics from performing with the acclaimed drummer. Jazz critic Kevin Whitehead says Watson's new album, No Question About It, features excellent performances from all the players, but the arrangements go on a little too long before the improvising begins.