Music

Rock critic Ken Tucker reviews two new albums from Los Angeles groups. The first is the debut album from Mary's Danish, a band that Ken says combines the roughness of punk with a sense of melody and humor. The other is the latest solo album from Don Henley, a former member of the Eagles.

Bioacoustics researcher and field recordist Bernie Krause. Krause has a new album called "Gorillas in the Mix." It features selections from new age to dance tunes. What makes the album remarkable is that every sound on it is from nature. Krause recorded and mixed together whales, apes, insects, the sound of shifting sands, and hundreds of other natural sources. Krause was a Motown session musician in the 60s, before earning a Ph.D. in bioacoustics.

Classical Music Critic Lloyd Schwartz reviews the final three performances of the PepsiCo Summerfare Arts Festival at Purchase, New York. For ten years, the Pepsi-Cola company has underwritten an annual international arts festival that will best be remembered for its ambitious presentations of operas by Mozart and Handel that were directed by Peter Sellars. In this segment, Lloyd reviews performances of Mozart's three great Italian operas, "The Marriage of Figaro," "Don Giovanni" and "Cosi fan tutte."

Rock historian Ed Ward profiles Gene Vincent, an early rocker who, it has been said, "sounded more like Elvis than Elvis." After Elvis burst onto the scene, record companies scrambled to find Elvis look-alikes and sound-alikes. He became a bigger hit in England than America, but he's easily remembered for his hit "Be-Bop-A-Lula."

Musicologist David Lewiston. Since the early 60s, Lewiston has traveled the world collecting the music of the indigenous cultures. He's recorded the Andean music of Peru, the fiestas of southern Mexico and the marimba music of Guatemala. In addition, he's travelled extensively in the Himalayas and other remote, mountainous areas of the Far East. These recordings have been released as part of the Nonesuch Record Company's Explorer Series. Over the last few years, Lewiston has focused on the music and rituals of the people of Tibet, now living in exile in northern India.

Jazz critic Kevin Whitehead reviews a new reissue of the late tenor saxophonist Albert Ayler. A key part of the free jazz movement of the 1960s, Ayler's sound has been likened to speaking in tongues.

Book critic John Leonard reviews the memoir of rock musician Frank Zappa.

Blues musician John Hammond returns in Fresh Air's weekly performance segment with a demonstration of his slide guitar style. He plays songs by Son House and Big Bill Broonzey.

Joel Rosenman and John Roberts. Twenty years ago Rosenman and Roberts were in their 20s when they came into a large inheritance. They decided to take the money and promote a rock concert in upstate New York. What they ended up organizing was Woodstock, possibly the one event that best sums up an entire era of American history.

Rock critic Ken Tucker reviews two new reggae albums, "One Bright Day," by Ziggy Marley (son of the late Bob Marley) and "Cumbolo" by the Jamaican group Culture.

Classical music critic Lloyd Schwartz reviews two new compact discs of music conducted by Arturo Toscanini. Schwartz says these two discs are rare examples of Toscanini conducting live performances while still at the height of his powers.

Pianist Dubravka Tomsic. Tomsic came to the United States from her native Yugoslavia as a teenager. Her playing so impressed Arthur Rubinstein that he personally intervened with the Yugoslavian government to fund her music studies here. Tomsic returned to Yugoslavia after her graduation from Juilliard. She is now back in the United States for the first time in 30 years, for a small number of concerts and recording sessions.

Rock Historian Ed Ward traces the origin of the 60s psychedelic ballroom scene, not to San Francisco, but to Austin, Texas.

Jazz Critic Kevin Whitehead reviews "Goin' Home," the second album by tuba player and composer Bob Stewart. Stewart, who stresses that the tuba is a world instrument, heard everywhere from New Orleans to Surinam, mixes genres in this album, jumping from "Sweet Georgia Brown" to Thelonius Monk's "Bemsha Swing."

Critic-at-Large Laurie Stone reviews the work of the young singer Alva Rogers. Rogers has performed in clubs throughout the New York City area over the last several weeks.

Grammy Award-winning blues singer John Hammond performs two songs in Fresh Air's weekly performance segment. Hammond has performed for nearly twenty years, and in that time his style has evolved from straight-forward, rural blues to a harder-edged, urban style of blues. He is the son of music impresario John Hammond Sr. who helped launched and nurture the careers of Bob Dylan, Benny Goodman and Billie Holiday.

Rock Critic Ken Tucker reviews new albums by Marshall Crenshaw and Chris Isaak.

Vocalist Fred Schneider and singer/keyboardist Kate Pierson of the rock band The B-52's. In the late 70's, the group came to New York from Athens, Georgia and scored a hit with their song "Rock Lobster." Their danceable music and 60's style stood out among the new wave groups of New York's downtown music scene. They have a new album titled "Cosmic Thing."

Classical Music Critic Lloyd Schwartz reviews a new issue of a live recording of the opera "Adriana Lecouvreur" by the Italian composer Francesco Cilea. In this performance, Cilea's favorite soprano, Magda Olivero, sings the title role. This recording was made by a fan who snuck in a tape recorder to what turned out to be Olivero's farewell performance in the role.

Rock historian Ed Ward profiles Bobby "Blue" Bland, a blues performer who began as B.B. King's personal valet in the early 50s and who still performs today. His best-known hits include "I Pity the Fool," "Touch of the Blues," and his rendition of "Stormy Monday." Bland achieved his greatest success in the late 50s when he was teamed trumpeter and arranger Joe Scott.