Music

Musician Paul Shaffer. Shaffer is the ultimately hip leader of "The World's Most Dangerous Band," the house group on "Late Night with David Letterman." Previously, Shaffer was a session musician in New York, band leader on "Saturday Night Live," and music director for the Blues Brothers, the alter egos of Dan Ackroyd and John Belushi. Paul Shaffer has just put out his first album, called "Coast to Coast." It's a collection of tunes representative of the musical variety of the country, with legendary stars from those regions sitting in.

Music writer Peter Guralnick. His new book, "Searching For Robert Johnson," examines the brief life of perhaps the greatest blues musician of all time. In the 20s and 30s, Johnson was "King of the Delta Blues Singers," and a sensation throughout the South. Johnson died at age 27, shot to death by a jealous husband, but his music continued to be studied and copied by artists such as Eric Clapton and the Rolling Stones.

Rock critic Ken Tucker looks at three new albums by by performers who are relatives of the already famous--Lenny Kravitz (Lisa Bonet's husband), Michael Penn (Sean Penn's brother), and Jason Bonham (son of the late Led Zeppelin drummer John Bonham). Ken says in acting, there's no stigma in cashing in on fame by association, but rock and roll relations can have a hard time of it.

Classical music critic Lloyd Schwartz reviews a recording of two new works by the Soviet Union's leading female composer, Sofia Gubaidulina.

Record producer Arthur Baker. The eclectic Baker has produced or mixed for musicians as diverse as Bob Dylan, Jimmy Cliff, Cyndi Lauper, U2, and Bruce Springsteen. Now he's come out with his own album, "Merge." He's chief songwriter and plays keyboards as well as producing.

Rock and roll historian Ed Ward traces the development of the band "New Order." In 1977, a 21-year-old in Manchester, England saw the Sex Pistols and decided to form his own band. He called it "Joy Division." In the decade since, the band, now called "New Order," evolved to become one of the most influential of their time, with such hits as "True Faith" and "Bizarre Love Triangle."

Jazz critic Kevin Whitehead reviews the album, "Blue John," by organist Big John Patton. Paton cut a series of progressive jazz organ albums for Blue Note records in the 60s, then dropped out of sight for a decade, recently re-emerging on some of John Zorn's albums. Patton actually recorded "Blue John" in 1963, but it's just been released on CD and it's the only example of Patton's Blue Note work that's currently available.

World music aficionado Milo Miles explores the world of the new tango, and reviews the latest album from the new tango's leading proponent, Argentinian accordionist Astor Piazzolla.

Rock critic Ken Tucker reviews the new Neil Young album, "Freedom." He says it's Young's best album in a decade.

Film critic Stephen Schiff reviews the new movie, "The Fabulous Baker Boys," starring Jeff and Beau Bridges and Michelle Pfeiffer.

Classical music critic Lloyd Schwartz has a review of a never-before-recorded Kurt Weill (Vile) opera. Weill is best-known for his collaborations with playwright Bertolt Brecht, such as "The Threepenny Opera" and "The Rise and Fall of the City of Mahogany".

Rock and roll historian Ed Ward talks about what happened to the blues from 1966 to the present. They were supposed to be dead during this period, but he says there are some eternals that keep going on no matter what.

Jazz critic Kevin Whitehead tells us about a milestone in jazz history -- the 50th anniversary of tenor saxophonist Coleman Hawkins' recording of "Body and Soul." He says Hawkins was the best tenor saxophonist ever...and "Body and Soul" was his greatest masterpiece.

Rock critic Ken Tucker reviews a new David Bowie CD collection. The 46-song retrospective includes Bowie classics like "Space Oddity" and "Changes," as well as some music that's never been released before.

Classical music critic Lloyd Schwartz reviews a new RCA Victor recording called Marian Anderson: Bach, Brahms, Schubert. The album also includes a recording of Marion Anderson's 1955 debut performance at the Metropolitan Opera singing an aria from Verdi's "A Masked Ball".

Rock historian Ed Ward investigates the little known original versions of some of rock's most classic songs. Elvis Presley, Fats Domino, and Jerry Lee Lewis' covers are discussed.

Jazz critic Kevin Whitehead reviews "Straight, No Chaser", the new documentary on jazz pianist, Thelonious Monk.

Jazz pianist Kenny Barron pays tribute to jazz great Thelonious Monk.

Fresh Air's world music explorer Milo Miles introduces us to Soukous (sue-cooes), pop music from Zaire.

Rock Historian Ed Ward profiles Stu Sutcliffe, a forgotten early member of the Beatles.