Music

Record producer Daniel Lanois (len-wah). He's considered one of the premier record producers of the 80's. He produced U2'S "Joshua Tree," Bob Dylan's new record "Oh Mercy," the Neville Brother's "Yellow Moon," and Peter Gabriel's "So." He's currently on tour performing songs from his own first solo album, "Acadie" (ah-kah-dee). On it you can hear the influence of his own French-Canadian folk roots, and the atmospheric, ambient sounds he produced with Brian Eno.

Rock historian Ed Ward reacquaints us with the music of Louis Jordan. In the late 1940's he was one of the highest-grossing black acts in the country.

Classical music critic Lloyd Schwartz reviews the recordings of music by composer, Sofia Gubaidulina (So-FEE-ah Goo-bye-DOO-lee-na). She's the Soviet Union's leading female composer.

Rock critic Ed Ward profiles Miami's TK Studios. In the mid-70s, TK cranked out some of the biggest hits of the disco era, such as "Rock Your Baby" by George McCrae and "That's the Way I Like It" by K.C. and the Sunshine Band.

Classical music critic Lloyd Schwartz reviews a new recording of Ferruccio Busoni's (fe-ROOCH-ee-oh boo-SONY) piano concerto, performed by Garrick Ohlsson accompanied by the Cleveland Orchestra. Lloyd says the concerto is one of the most ambitious works ever composed, and this new recording should revive interest in it.

Rock critic Dave Marsh. Marsh is one of rock's most influential voices. He edited the Rolling Stone Record Guide and has written profiles of Bruce Springsteen and the Who. Marsh's new book is "The Heart of Rock and Roll: The 1001 Greatest Singles Ever Made."

Bandleader, singer, songwriter, and talent scout Johnny Otis. His musical career spans the big band era, rhythm and blues, and rock and roll. In the 40's he played and traveled with the big bands, with the Ink Spots and Louis Jordan. Later, with a pared down band, he was on the forefront of the rhythm and blues. He's credited with discovering Etta James, Big Mama Thornton, Jackie Wilson and Ernestine Anderson.

Rock historian Ed Ward looks back on Roy Orbison's early career at Sun Records. Ed says that early work shows that Orbison was a more versatile performer that his big hits would indicate.

Jazz critic Kevin Whitehead reviews the annual New Music America festival just completed in New York and sponsored by the Brooklyn Academy of Music and corporate donations. Whitehead questions the value of the 10 year-old festival.

Jazz vibraphonist Lionel Hampton. He introduced the vibes to the jazz world and remains one of it's undisputed masters. In the 1930's he played with the Benny Goodman's band -- being one of the first blacks to play with a white band. He's just written an autobiography, "Hamp." Al Capone and Louis Armstrong also play surprising roles in his life.

Brazilian singer/songwriter Caetano Veloso (kah-TAH-no vah-LOW-sah). He's revered as one of the primary architects of "tropicalismo," - a 1960's cultural and musical movement that reevaluated traditional Brazilian music and incorporated non-Brazilian musical styles. Leftist intellectuals denounced his music for it's use of foreign influences. In the late 1960's he was jailed and exiled from Brazil for his participation in the musical movement because the government feared the social force it might have.

Rock critic Ken Tucker reviews the new album from Los Angeles rapper Ice-T. The album's called "Freedom of Speech...Just Watch What You Say." It's a blast back at groups such as the Parents Music Resource Center, which has been pushing for a rating system similar to the one use in the movie industry.

Jazz composer/clarinetist John Carter. He has just completed a five part music series chronicling the black migration experience from Africa to America: "Roots and Folklore: Episodes in the Development of American Folk Music. The final program in the series, "Shadows on A Wall," premiered recently as part of the New Wave Festival at the Brooklyn Academy of Music. The festival celebrates performers working on the edge of classical, rock, and jazz styles. Carter's performances are also out on disc.

Classical music critic Lloyd Schwartz reviews a recording of 18th century flute quartets by the Mannheim Quartet. The group performs several of Mozart's quartets here on original instruments.

Musicologist H.C. Robbins Landon. His new book, "Mozart: The Golden Years," traces the most troubling and creative period of the composers life, the years 1781-91. During this period, Mozart completed three controversial operas, married and wooed his wife Constanze Weber, became entangled in financial difficulties, and lived through the death of his father. In this book, the second of two volumes on the life of Wolfgang Amadeus Mozart, Landon, further explores the link between Mozart's "manic depressive disorder" and his creativity.

Rock historian Ed Ward examines the performers that led the way for Jerry Lee Lewis. Lewis burst on the scene in the late 50s, but Ed shows that lots of other guys were pounding the keys way before the killer.

Jazz critic Kevin Whitehead reviews "Warm Evenings," the new album by cornet player Warren Vaché (pronounced va-SHAY). On this album, Vaché teams up with classical music's Beaux-Arts String Quartet.

World music commentator Milo Miles explains how Peter Gabriel transformed folk music of the Middle East into the world pop sound that became the soundtrack for Scorsese's film "The Last Temptation of Christ."

Rock critic Ken Tucker reviews two new albums: "Wild Weekend" by NRBQ and "The People's Republic of Rock n Roll" by Peter Stampfel and the Bottle Caps. Ken says while they may not have much in common, both are critically-acclaimed cult groups releasing albums after a long silence.

Songwriter/musicians Chris Difford and Glenn Tilbrook. They started the rock group Squeeze in the late 70s, broke up in 1982 as the band was about to make it big, and reformed 1985. Nevertheless, the band had a series of hits in their native England and have drawn critical praise in this country. The band's new album is called "Frank."