Music

Mary J. Blige has a classic R&B instrument: Her voice has that mixture of gospel assurance, soulful rawness and dynamic range that enables her to make her best performances into short stories with a beginning, a middle and an often cataclysmic end. Her ninth studio album, Stronger With Each Tear, is an uneven effort that finds Blige shifting her tactics between commercial calculation, gut-instinct music she just wants to sing the heck out of, and some ineffable combination of the two.

Kevin Whitehead reviews some recent jazz DVDs, featuring old and new artists, TV performances and documentaries.

Vic Chesnutt was paralyzed from the waist down at the age of 18, but he's still a massively productive songwriter. Chesnutt has fifteen albums under his belt and his songs have been covered by Madonna, Smashing Pumpkins, and R.E.M. His new album, At The Cut, is a collaboration with Guy Picciotto of the band Fugazi. (

Memphis music producer and musician Willie Mitchell started his career as a bandleader in the 1950s before working his way up to the highest courts of Memphis soul. Over the course of his rise, he released a number of solo records and produced hits that helped to define how we think of soul today.

With his wide leaps between long tones and a sometimes generous use of space, trumpeter Wadada Leo Smith nods occasionally to 20th-century European concert music. But he's also one of the modern improvisers most grounded in African-American vernaculars; he's the stepson of Mississippi bluesman Alex Wallace, and he played for a spell in Little Milton's blues band. Smith's projects are all over the map, but often have this much in common with the blues: the byplay between a strong voice — his horn, in this case — and percussive strings.

The veteran punk rocker John Doe embraced his inner mountain man on Country Club, an album of classic country covers he recorded with The Sadies. The Canadian rockers and the former X frontman joined Terry Gross in the Fresh Air studio for an interview and an intimate performance.

This interview was originally broadcast on May 19, 2009.

Vogue Magazine film critic John Powers talks about the year in media: the major events, the trending topics and the evolution of social networking.

Fresh Air's music critic Ken Tucker's picks for the best music of 2009 include songs by Taylor Swift, Billy Currington and Michael Franti as well as albums by Loudon Wainwright III, the Fiery Furnaces, and Bob Dylan.

Even before he had a band, Jon Bon Jovi delivered demos with the confidence of a superstar. He joins Terry Gross for a conversation about his new album, The Circle, and a companion book and movie.

Norah Jones became an immediate star after the release of her 2002 album Come Away With Me. Having sold more than 36 million records, Jones decided to move in a different direction with her new fourth album, titled The Fall. Rock critic Ken Tucker says it's an improvement over her last two.

In his new album, If It Wasn't For the Irish and the Jews, Irish musician and folklorist Mick Moloney celebrates the musical collaboration of the Irish and Jewish songwriters and performers of vaudeville and Tin Pan Alley.

German tenor Max Lorenz had a voice that could move millions — though Lorenz will be most remembered as Hitler's (and Wagner's) favorite. A new documentary about The Life and Times of Max Lorenz, chronicles the conflict and triumph of his unlikely voice and paints an intimate portrait, according to critic Lloyd Schwartz.

The 48-year-old Scotswoman became an overnight star after her April 2009 performance on Britain's Got Talent, singing a chestnut of a ballad from Les Miserables. With five million copies of her first album sold since Nov. 23, critic Ken Tucker says, it's clear she's delivered what her fans wanted.

Two kinds of people consume Christmas music: those who actually like the stuff, and folks who need something listenable on hand in case seasonal visitors insist on some ornamental mood music. For both groups, two new jazz brass albums should do the trick. Critic Kevin Whitehead reviews.

Jazz great Thelonius Monk had a unique sound that won him millions of fans — and it certainly stole the heart of the Baroness Nica de Koenigswarter. In a new documentary, The Jazz Baroness, filmmaker Hannah Rothschild explores the unusual friendship between the American jazz pianist and the Englishwoman, and the impact they made on modern music.

Robin D.G. Kelley's new book, Thelonious Monk: The Life and Times of an American Original, focuses on the career of the eccentric jazz pianist and composer. It reveals new details about Monk's life, music and mental health problems, and provides a glimpse into the New York jazz scene of the mid-twentieth century.

For decades, singer songwriter Geoff Muldaur has been reinterpreting blues and jazz of the '20s and '30s. Today, we'll play some of the tracks from Muldaur's new album, Texas Sheiks, and he'll perform some songs live. Muldaur's band, also called Texas Sheiks, is currently on tour.

Music critic Ken Tucker reviews Fearless the second studio album by country-music singer/songwriter Taylor Swift. It debuted as number one on Billbaord's Top Country Music Albums.

Texas Sheiks offers new versions of old blues, Western swing and ragtime music. The Sheiks are led by singer-songwriter Geoff Muldaur and the album features the guitar work of the late Steve Bruton.