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06:30

Working Toward "A Vision Shared"

To help fund the Smithsonian's purchase of the Folkways Records collection, a number of artists are raising money with an album of Woody Guthrie and Leadbelly covers. Rock critic Ken Tucker says Bruce Springsteen and Brian Wilson give standout performances.

Review
06:38

Rock's Boy Genius Peaks Early

Rock historian Ed Ward profiles singer-songwriter Alex Chilton, an American musician whose career began when he was still a teenager. His band Big Star was critically-lauded but short-lived.

Commentary
03:26

Bringing Back Fats

A revival of Ain't Misbehavin', featuring the original cast, is now playing on Broadway. Critic-at-large Laurie Stone says she jumped at the chance to see it. Overacting and exaggerated choreography plagued the first act, but the cast showed restraint during the last half.

Review
26:55

Ben E. King: The Fresh Air Interview

The hit songwriter sang bass with the doo-wop group The Crowns; he switched to lead vocals when they became The Drifters. King got his start at Harlem's Apollo Theater before finding national fame. As a solo performer, he had hits with original songs like "Stand by Me" and "Spanish Harlem."

Interview
07:00

The Evolution of Jazz Piano

New Fresh Air performer-in-residence Dick Hyman plays some of the music of Jelly Roll Morton. Hyman says the pianist and composer bridged the gap between ragtime and jazz, incorporating the phrasing and style of wind and reed players.

Commentary
06:58

Sounds of the Summer

Rock critic Ken Tucker remembers the songs that defined the season. Standouts for him were Steve Winwood's beer commercial anthem, Public Enemy's new album, and an edgy ballad by Crowded House.

Review
06:46

A Symphonic, American Collage

Classical music critic Lloyd Schwartz reviews the Chicago Symphony Orchestra's recording of Charles Ives' Holidays Symphony, which draws its inspiration from four different American holidays. Ives incorporates folks songs, traditional music, and the background noise of everyday life into his compositions, often to haunting effect.

Review
06:29

The Soundtrack of Summer "Scrunch"

Rock historian Ed Ward says "scrunch" is that romantic longing you feel as summer races toward its end. He talks about the songs that typified this phenomenon for him over the decades.

Commentary
06:46

Striving for Perfection When Perfection's Not the Point

Before his death, Benny Goodman gave Yale University five truckloads of his recordings, which are now being released on compact disc. Jazz critic Kevin Whitehead reviews the first volume, which he says blends the facile in Goodman's music with the raw.

Review
24:29

Old and New Songs "Live at the Whisky a Go-Go"

The punk band X returns with a live album recorded at the legendary L.A. rock venue. Rock critic Ken Tucker says it's a fitting testament to the group's decade-long career -- which, rumor has it, may soon come to an end.

Review
27:13

A Beach Boy's Comeback

Brian Wilson suffered a nervous breakdown and spent years in seclusion. Now he's back with a new solo album. He tells Fresh Air's Terry Gross about how he approached songwriting early in his career, the influence of drugs on his music, and the role the controversial Dr. Eugene Landy plays in Wilson's personal and professional life.

Interview
06:33

Celebrating Bernstein's 70th Birthday

Classical musical critic Lloyd Schwartz says the new CD, The Bernstein Songbook, avoids the composer's orchestral flops, instead featuring excerpts from his exuberant operas and musicals.

Review
09:29

Flutist Carol Wincenc

The musician is considered part of a recent flute revival. Wincenc joins Fresh Air to discuss the nature of the instrument and how she achieves her rich tone. Wincenc plays classic and contemporary pieces, including works she commissions from new composers.

Interview
07:00

From Nat Cole Imitator to Soul Original

Rock historian Ed Ward tells the story of how Ray Robinson--an obscure emerging R & B singer--broke away from his image as a Nat King Cole imitator, changed his name, his record label, and established his identity as Ray Charles.

Commentary
06:39

Bebop that Bears a Personal Stamp

Pianist Curtis Clark, who moved to Amsterdam from the United States, assembled a quintet of diverse musicians of to record his new album, Letter to South Africa. Clark, jazz critic Kevin Whitehead says, is unique in how he treats radical ideas as normal.

Review
03:33

Aretha Franklin: An "American Master"

The PBS series' latest episode is a documentary of the legendary soul singer. TV critic David Bianculli say the film gives viewers a chance to see rare interviews and concert footage, but glosses over much of Franklin's personal life.

Review
07:00

Pop Songs of the 1920s

Folk singer Michael Cooney says that several classic songs from the early 20th century have verses that never made it onto recordings or sheet music. He joins Fresh Air to sing some of those forgotten words.

Commentary
06:47

Bolet Plays Ballades

Cuban-born pianist Jorge Bolet was a mainstay of the concert circuit; only recently have his recording garnered much attention. Classical music critic Lloyd Schwartz says that some of his performances of classic Chopin pieces have interpretive nuance, while others -- white pretty -- lack depth.

Review
09:36

Restoring Classic Jazz Recordings

Jack Towers worked for the Department of Agriculture before pursuing his new career as an audio engineer. He finds and restores classic and little-know jazz albums and concerts, including an upcoming collection of Dean Benedetti's recordings of Charlie Parker. Towers hopes advances in digital technology will make his sometimes tedious methods obsolete.

Interview
05:41

The Frank Zappa Paradox

Rock critic Ken Tucker says that the talented musician often subverts his often good music to make dumb, dirty jokes. Whether you think Zappa is a genius or a jerk will determine whether you'll invest in Rykodisc's new collections of his live performances.

Review

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