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06:40

Revisiting Early Gilbert and Sullivan Recordings

Classical music critic Lloyd Schwartz reviews reissues of the songwriting team's music, recorded in the early 20th century. Schwartz praises the performers' precise renditions of these classic compositions.

Review
06:25

The Rise and Fall of Chuck Berry

The blues and rock guitar player's career was put on hold when he was arrested and imprisoned for charges that may have been racially motivated. Rock historian Ed Ward reflects on some of Berry's post-prison work, which never matched his earlier success.

Commentary
06:40

An Orchestra's Worth of Sound from a Single Instrument

Bassist Eberhad Weber's new album, on the ECM label, is airy, effects-laden, and often devoid of blues-inflected harmony. Jazz critic Kevin Whitehead says it's the kind of thing he usually hates -- but he still likes Weber's music.

Review
06:02

Tom Petty Without the Heartbreakers

Ken Tucker says Petty's first album without his backing band, Full Moon Fever, makes him proud to be an American -- it's a fine, mainstream rock album.

Review
27:45

Catching Up with Mercer Ellington

Band leader and composer Mercer Ellington is the son of Duke Ellington, and leads the Duke Ellington Band. As a young man, Mercer Ellington played trombone, French horn and trumpet in his father's ensemble. Two recent Mercer Ellington albums have won wide acclaim: "Digital Duke" and "For Ellington," performed by the Modern Jazz Quartet.

Interview
06:41

Can Movie Music Be Good Music?

Classical music critic Lloyd Schwartz says that some composers elevate film scores, including Bernard Hermann, who wrote the music for several Alfred Hitchcock movies. A new collection of those compositions is now out on CD.

Review
06:34

The History of Folk-Rock

Rock historian Ed Ward says the term has been mis-applied, often describing bands that record labels saw as commercially viable, rather than the kind of music they played. He says that Bob Dylan pioneered the folk-rock sound; British bands like Fairport Convention and Steeleye Span helped it evolve.

Commentary
06:32

Time Again for the Tucker Top Five

Ken Tucker returns with his latest countdown of noteworthy songs. His list features Roachford, Peter Case, Tim Finn, The Fabulous Thunderbirds, and Elvis Costello.

Review
06:57

Irma Thomas at the Wrong Place and Right Time

The queen of New Orleans soul would have been a bigger star if she had moved to New York or Los Angeles earlier in her career, argues rock historian Ed Ward. Despite her local success, Thomas only had a few national hits. But by all accounts, she's happy now, performing in regional blues circuits and raising her four children.

Commentary
06:44

Four Up-and-Coming Women Country Singers

Rock critic Ken Tucker says that, with the rise of bad boys and neo-traditionalists in country music, fans and critics have overlooked several accomplished women artists. He reviews new albums by four singers worth checking out.

Review
27:31

Talking Heads' Rhythm Section's Side Career

Drummer Chris Frantz and bassist Tina Weymouth are a married couple who comprise the Talking Heads' rhythm section. Despite the band's success, they found it hard to support their two children. To make ends meet, Frantz and Weymouth started a new band called Tom-Tom Club. Their new album is called Boom Boom Chi Boom Boom.

03:40

Zemeckis Capatures the Camaraderie of Rock and Roll Fandom

Ken Tucker reviews the home video release of I Wanna Hold Your Hand, about a group of teenage Beatles fans in New Jersey. The film, directed by Robert Zemeckis, was a commercial fop, but Tucker, who says it's insightful without indulging in cliches, hopes it will find a new audience on tape.

Review

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