Music

The west coast jazz trumpeter is known for his big band recordings in the 1950s. But he also made records with several smaller ensembles. Jazz critic Kevin Whitehead reviews a new box set collecting those little-heard tracks.

Staples' new album, Time Waits for No One, was produced by Prince. Early in life, she was discouraged from singing secular music, and later co-founded the gospel group The Staples Singers with members of her family.

After a series of flops, David Bowie returns with a new band called Tin Machine. Rock critic Ken Tucker says they've succeeded in making some very dumb music. He suggests passing on their debut album and checking out the Royal Crescent Mob's Spin the World instead.

Classical music critic Lloyd Schwartz reviews a new live recording of composer Bedrich Smetana's patriotic music, including his oft-performed "Ma Vlast."

Joel Forrester and Phillip Johnston founded the NYC-based jazz combo. The group had trouble finding an audience early on, in part because of their unique blending of styles. Forrester and Johnston join Fresh Air to talk about their influences, and the logistics of keeping such a large group together.

The saxophonist's latest album, Nightingale, features sensitive interpretations of spirituals and ballads. Jazz critic Kevin Whitehead calls it Adams' most commercial effort yet -- and that's not a bad thing.

Rock critic Ken Tucker says the group's first collaboration with country artists, Will the Circle Be Unbroken, breathed new life into their music. The second volume of that effort is less focused, with a strange and haphazard assortment of collaborators.

The former Steve Miller Band guitarist took a break from the music industry, but is back with a new album called Other Roads. He joins Fresh Air to talk about his early albums and the evolution of his music over the decades.

Classical music critic Lloyd Schwartz reviews a CD of Olaf Bar's performances of selections from Mozart's operatic oeuvre. Schwartz says Bar's lower range is limited, causing him to growl and bark. It's an affect that might work for a full production, but is distracting in a recital setting.

Rock historian Ed Ward says that the 1970s were a wasteland for rock music. But two notable, experimental bands emerged from the era. The Residents' music was bizarre and hollow sounding, while Pere Ubu sought to bring an experimental edge to rock and roll.

Jazz critic Kevin Whitehead says many other critics don't know what to make of the jazz pianist's percussive, atonal playing. Cecil Taylor doesn't improvise using standard jazz changes or harmonies, yet he says his biggest influence is the blues. Whitehead reviews a reissue of Taylor's album Indent, and explains what to listen for.

Critic Ken Tucker, a big fan of rap music, missed the theatrical release of Run D.M.C.'s film. He had high hopes it might capture the spirit of black action movies of the 1970s; but after watching the home video release, Tucker says the movie failed to live up to its promise.

Rock critic Ken Tucker says the pop star rails against commercialism -- despite the fact that his success depends on it. But it's the music on Big Daddy -- moreso than the lyrics -- that best coveys Mellencamp's anti-pop message.

The San Francisco-based Graham organized and promoted concerts for several important bands in the 1960s. He worked hard to create diverse lineups, and balance the needs and desires of artists and record labels. Graham closed his iconic Fillmore Theater in 1971.

Rock historian Ed Ward says that several 1950s and '60s bands associated with San Francisco actually came from nearby cities and towns. He looks at some of the over looked, truly local, drug-fueled bands of that era.

Mickey Hart says his travels around the globe with the Grateful Dead have given him the chance to meet several accomplished musicians from non-Western cultures. He's produced several recordings of their performance, many of which have been released on the Rykodisc label.

Author and poet Al Young reads some of his autobiographical writing about the African American experience in the 1930s, and the cultural impact Coleman Hawkins' recording of "Body and Soul" had on his family.

Baker made a career as a trumpet player and jazz singer. Known for his struggles with his addition, Baker recently died after falling from his window; drug paraphernalia was found in his room. Bruce Weber's new documentary about the musician has just been released. Jazz critic Kevin Whitehead has this review.

There has been spate of recent albums from artists who've long been out of the public eye. Rock critic Ken Tucker reviews new efforts by Dion, Phoebe Snow, and Donny Osmond.

Hoffman is one of the primary composers for the unusual ensemble The Ordinaires, which features rock instrumentation along with reeds and strings. The band formed in 1982 in New York City.