Music

Overlooked albums by Chick Corea and Pat Metheny are now on CD. Jazz critic Kevin Whitehead says both reveal the musicians' more experimental sides.

Greg Ford and Hal Willner produced of a new album of live, orchestral performances of the composer's music, which helped defined the the classic Warner Bros. cartoons.

Rock historian Ed Ward is one of the privileged few who can vote for this year's inductees. He thinks the artists who really shaped rock and roll are underrepresented. Miles runs through the ballot, weighing each musician's merits, before choosing his top five.

Film critic Stephen Schiff has no taste for the high school movies that proliferated in the 1980s. But he likes films that celebrate youthful energy and rebellion against authority, like Pump Up the Volume. The movie, about a teenage radio DJ, features an excellent performance by star Christian Slater.

Rock critic Ken Tucker reviews new albums by Was (Not Was) and Too Much Joy, both of which incorporate humor and rap influences into their rock sound.

Music journalist Charles Shaar Murray is the author of Crosstown Traffic, about how fans and critics have defined the groundbreaking African American guitarist in relation to white culture. The tension between black musicians and white audiences continues today, particularly with the rise of rap music.

The Sony Classical label has begun issuing 50 CDs of the works of composer and conductor Pierre Boulez. Classical music critic Lloyd Schwartz reviews three offerings, with Boulez conducting works by Varese, Ravel, and Schonberg.

Tucker wrote Brown's memoir, The Godfather of Soul, which was recently reprinted. He joins Fresh Air to talk about Brown's rise as a soul singer, the evolution of his stage persona, and his recent conviction and imprisonment, a punishment which Tucker believes is too severe based on the charges.

Rather than shop around their works to established big bands, the New York Composers Orchestra founded their own ensemble. Jazz critic Kevin Whitehead is impressed by their self-titled debut.

Near gained national attention when she joined Jane Fonda in antiwar protests. She joins Fresh Air to talk about developing her skills as a performer, her early acting career, and how she defines her sexuality. Her new memoir is called Fire in the Rain--Singer in the Storm.

In the 1950s, Elvis Presley encouraged Jackson to sing rockabilly. She was notable for writing and performing her own independent and forceful songs, says rock historian Ed Ward. Her sexual persona matched Presley's, but proved to be a detriment to her career -- so she returned to country music.

Rock critic Ken Tucker reviews two new country albums by women singers. Carlene Carter's I Fell in Love features her first hit song; Kelly Willis's Well Traveled Love showcases her rich voice. Both records are uneven but satisfying.

Badalamenti composed the music for David Lynch's Twin Peaks, Blue Velvet, and Wild at Heart. Before writing film scores, he had a workaday musician's life, arranging and playing piano in bands.

Artists like Bonnie Raitt and Bob Dylan had hits with songs by John Hiatt. Despite Hiatt's success as a songwriter, he hasn't yet topped the charts as a performer. He joins Fresh Air to talk about his career, quitting drinking, and his new album, Stolen Moments.

Classical music critic reviews Creators' Records, which compiles historic recordings from 1877-1903 of legendary operas sung by the original performers.

Was is half of the rock group Was (Not Was). They have a new album called Are You Okay?. Was, who is white, has also become an in-demand producer who is heavily influenced by black music. He helped make Bonnie Raitt's comeback album, Nick of Time.

Vaughan recently died in a helicopter crash. Milo Miles joins Terry to discuss the late musician's legacy.

Fred Ho is a first-generation Chinese immigrant sax player who incorporates Asian melodies into his ensemble work. Carlo Actis Dato's music has a distinct Italian folk flare. Jazz critic Kevin Whitehead says their recent albums are irresistible.

Hidalgo and Perez's Los Angeles-based band fuses traditional Mexican music with more straightforward rock. Their new album is called The Neighborhood, which is inspired by the different cultural communities of their home city.

Rock critic Ken Tucker says that the album Graffiti Bridge, which is also the soundtrack for an upcoming film, is a return to form for the artist, with simple, straightforward songs with strong hooks.