Music

Jazz tenor saxophonist Dexter Gordon was one of the creators of bop and one of the most influential players of the 1940s and 1950s. Gordon received a Best Actor Academy Award nomination for his role in the 1986 film Round Midnight. He died this morning of kidney failure. Jazz critic Kevin Whitehead joins the show to remember Gordon.

Writer and critic Nelson George. George is one of this county's most prominent chroniclers of black music. He's the black music editor at Billboard, is a columnist for Playboy, and regularly writes for the Village Voice and Essence. George was the editor of a new book called, "Stop the Violence," a collaboration of today's top rappers working to end black on black violence. George's earlier books include a history of Motown called "Where Did Our Love Go?" and "The Death of Rhythm and Blues."

Jazz critic Kevin Whitehead reviews "That's a Serious Thing," a new reissue featuring trombonist Jack Teagarden. Kevin says the album shows how Teagarden brought a country influence into jazz. The album's on the RCA/Bluebird label and it features Teagarden performances from 1929 to 1957.

World Music Critic Milo Miles reviews music of Chicano bandleader and accordionist Steve Jordan. The eclectic performer's recorded almost 40 albums and has provided music for films like, "Born in East L.A." and "True Stories."

Classical music critic Lloyd Schwartz reviews a new CD collection of songs by the late Roland Hayes. Hayes was the first major black concert singer, and paved the way for performers such as Marion Anderson. (It's issued by the Smithsonian).

Poet ALLEN GINSBERG and composer PHILLIP GLASS. The pair have collaborated on a interpretation of Ginsberg's poem, "Hydrogen Jukebox." The work gets it's premiere April 26th at the American Music Theatre Festival in Philadelphia, and features six singers, a five piece orchestra, and a mix of songs, chants, and the spoken word.

Rock and roll historian Ed Ward explores the roots of doo-wop from jazz harmonists the Cats and the Fiddle to groups such as the Ravens and the Orioles.

Jazz critic Kevin Whitehead reviews a couple of Ornette Coleman reissues from 1968: "New York is Now," and "Love Call." (Both on the Blue Note label). They include some alternate takes of tunes never before released in the U.S.

British singer-songwriter John Wesley Harding. Born in the historical seaside town of Hastings, Harding has looked to the United States for his creative influences--from his Cambridge doctoral dissertation on the role of Jimmy Stewart in American films--to the songs of bluesman Robert Johnson, and folksingers John Prine and Jim Croce. His new album is called, "Here Comes the Groom."

Rock critic Ken Tucker reviews "Stolen Wishes," the new album by a band called Shoes, a little-known group from Zion, Illinois, who happen to write great, and we mean GREAT, pop songs. (The record's on Black Vinyl Records, 2269 Sheridan Road, Zion, IL, 60099).

Classical music critic Lloyd Schwartz reviews conductor and cellist Pablo Casals' recording of Mozart's Sinfonia Concertante.

Jazz critic Kevin Whitehead reviews a new reissue, "Uptown," featuring the Gene Krupa Orchestra with Roy Eldridge and singer Anita O'Day. It's on Columbia.

Jazz pianist Dave McKenna plays an April medley.

Ken Tucker reviews "I Do Not Want What I Haven't Got," the new album from Irish singer/songwriter Sinead (shh-NAY) O'Connor. (It's on Chrysalis records).

Pianist Jimmy (or Jimmie) Rowles joins the show to discuss Sarah Vaughan, who recently died of lung cancer.

Classical music critic Lloyd Schwartz reviews a new reissue featuring Czech conductor Vaclav Talich (VATZ-lahf TAH-litch). Talich led the Czech Philharmonic off and on from the 20s to 1961. Lloyd says this recording shows Talich's national flavor, a trait that's lost in this modern world of globe-hopping star conductors. This recording features performances of Dvorak's 8th Symphony, and Smetana's "Moldau" and "From Bohemian Woods and Fields." (the recording is on Supraphon).

A cappella vocalist Bobby McFerrin. He's best known for his recording, "Don't Worry Be Happy," one of several records that's earned McFarrin Grammy awards. Another was for the title track from the film "Round Midnight," in which he used his voice to sound like a trumpet. McFerrin's newest project is "Voicestra," a 10 member vocal ensemble, with a background that ranges from classical music and jazz to theatre and dance. The group has its debut in Los Angeles, April 10-15.

Rock historian Ed Ward examines the second chapter in Liverpool's rock and roll history. After the Beatles, Liverpool became the focus of the emerging punk scene, with bands such as the Deaf School, Teardrop Explodes, and Echo and the Bunnymen.

World music commentator Milo Miles talks about compas (or kompa, or konpa), the popular music of Haiti. He shows how the roots of compas are in the eclectic musical influences Haiti has absorbed over the years.

Rock critic Ken Tucker compares two new solo albums by Dave Edmunds ("Closer to the Flame") and Nick Lowe ("Party of One").