Music

The record producer is best known for propelling Elvis Presley to stardom; but Phillips founded his label in part to give African American musicians in the South a place to record their songs. Rock historian Ed Ward tells his story.

Jazz critic Kevin Whitehead says critical darling's piano music is often considered dark and heavy. But Blake's new album, Painted Rhythms Volume II, also has a sharp wit.

Barron was part of the Sphere jazz ensemble and records for the ECM label. He joins Fresh Air to perform some of the songs that influenced his playing.

The husband and wife duo Ashford & Simpson wrote hits for other artists before striking out on their own. Rock critic Ken Tucker says that their focus on contented, monogamous life may seem bland to many listeners, but their soulful pop make their bourgeois values seem sexy.

Lloyd Schwartz says that the classical pianist, like Glenn Gould, died too young. But unlike Gould, Lipatti's interpretations of canonical works were more traditional, evoking the way the pieces may have originally been performed. Schwartz reviews two recent re-releases of the musician's recordings.

Buell Neidlinger is a session musician who has recorded with several pop, folk and jazz musicians. He leads a string band on his new album, performing the music of Duke Ellington and Thelonious Monk. Jazz critic Kevin Whitehead says it breaks down the barrier between serious art and raucous fun.

Patinkin had no formal training as a singer, but he's found fame starring in musicals like Evita and Sunday in the Park with George. He's also appeared in the films Yentl, Ragtime, and The Princess Bride, among others. Patinkin has a new self-titled album of songs from the stage and screen.

Rock historian Ed Ward says there were actually several women who could fit the bill, all of whom recorded and performed at the same time a Presley. These artists included Wanda Jackson, Janis Martin, and Lonnie Mack -- none of whom endured, according to Ward, because of restrictive expectations of women's roles.

Raitt's album "Nick of Time," features an eclectic mix of blues, rock, folk, and ballads. She talks about how her musical career has affected her personal life as a woman.

Jazz critic has this profile of Roy Eldridge, an early pioneer of the jazz trumpet, whose style departed from greats like Louis Armstrong in several important ways.

Ken Tucker is, as usual, disappointed by the winners of this year's Grammy Awards. But he's also dismayed by reader and critic polls which, according to him, celebrate dolorous and purposeless artists. New Order's recent album, Technique, could be described the same way, but Tucker appreciates its charm and accessibility.

Classical music critic Lloyd Schwartz reviews a new recording of Harold Shapero's symphony, conducted by Andre Previn and performed by the Los Angeles Philharmonic.

Costello's first album, My Aim Is True, showcased his tough but emotional songwriting and his classic rock star persona. He joins Fresh Air to discuss his growth as a singer, and to perform a few of his songs.

Rock historian Ed Ward says there was talent all over the state during the 1950s and '60s. Despite their excellent music, most of the recording artists of this era faded into obscurity. But contemporary musicians like Willie Nelson and Elvis Costello are rediscovering Louisiana's soulful, forgotten legacy.

Jazz critic Kevin Whitehead says much of saxophonist Ahmed Abdullah's new album, Liquid Magic, takes its cues from South African musical traditions. Whitehead says that the international influence on a style already born of African traditions proves that jazz is in no danger of stagnating.

Rock critic Ken Tucker says there has been a long-running tradition of artists performing the hits of past performers, some of whom radically reinterpret the original song. But the success of these efforts is mixed. Tucker considers some recent examples by performers like Kylie Minogue, Cowboy Junkies, and the Dirty Dozen Brass Band.

The thirty-year-old saxophonist leads a new big band that performs pieces from the classic swing era. He formed a professional and personal relationship with Benny Goodman, and now stewards the archive of the jazz legends' recordings.

Classical music critic Lloyd Schwartz reviews new reissues of performances conducted by the British maestro and London Philharmonic founder.

Rock historian Ed Ward says the Manhattans developed their energetic soul sound while staying true to their doo-wop roots.

Jazz critic Kevin Whitehead says the saxophonist, often associated with the avant-garde, can't easily be pigeonholed. Lake's big band album takes its cues from Eric Dolphy, blues, and gospel. The ensemble may be loose, but the soloists shine.