Music

Classical music critic Lloyd Schwartz reviews two new compact discs of music conducted by Arturo Toscanini. Schwartz says these two discs are rare examples of Toscanini conducting live performances while still at the height of his powers.

Pianist Dubravka Tomsic. Tomsic came to the United States from her native Yugoslavia as a teenager. Her playing so impressed Arthur Rubinstein that he personally intervened with the Yugoslavian government to fund her music studies here. Tomsic returned to Yugoslavia after her graduation from Juilliard. She is now back in the United States for the first time in 30 years, for a small number of concerts and recording sessions.

Rock Historian Ed Ward traces the origin of the 60s psychedelic ballroom scene, not to San Francisco, but to Austin, Texas.

Jazz Critic Kevin Whitehead reviews "Goin' Home," the second album by tuba player and composer Bob Stewart. Stewart, who stresses that the tuba is a world instrument, heard everywhere from New Orleans to Surinam, mixes genres in this album, jumping from "Sweet Georgia Brown" to Thelonius Monk's "Bemsha Swing."

Critic-at-Large Laurie Stone reviews the work of the young singer Alva Rogers. Rogers has performed in clubs throughout the New York City area over the last several weeks.

Grammy Award-winning blues singer John Hammond performs two songs in Fresh Air's weekly performance segment. Hammond has performed for nearly twenty years, and in that time his style has evolved from straight-forward, rural blues to a harder-edged, urban style of blues. He is the son of music impresario John Hammond Sr. who helped launched and nurture the careers of Bob Dylan, Benny Goodman and Billie Holiday.

Rock Critic Ken Tucker reviews new albums by Marshall Crenshaw and Chris Isaak.

Vocalist Fred Schneider and singer/keyboardist Kate Pierson of the rock band The B-52's. In the late 70's, the group came to New York from Athens, Georgia and scored a hit with their song "Rock Lobster." Their danceable music and 60's style stood out among the new wave groups of New York's downtown music scene. They have a new album titled "Cosmic Thing."

Classical Music Critic Lloyd Schwartz reviews a new issue of a live recording of the opera "Adriana Lecouvreur" by the Italian composer Francesco Cilea. In this performance, Cilea's favorite soprano, Magda Olivero, sings the title role. This recording was made by a fan who snuck in a tape recorder to what turned out to be Olivero's farewell performance in the role.

Rock historian Ed Ward profiles Bobby "Blue" Bland, a blues performer who began as B.B. King's personal valet in the early 50s and who still performs today. His best-known hits include "I Pity the Fool," "Touch of the Blues," and his rendition of "Stormy Monday." Bland achieved his greatest success in the late 50s when he was teamed trumpeter and arranger Joe Scott.

Jazz Critic Kevin Whitehead continues his review of "Private Collection," the ten-volume set of Duke Ellington compositions. In this review, Kevin focuses on one of Ellington's major suites - and a highlight of the collection - "Black, Brown and Beige."

Musician Lucinda Williams. She's been playing the folk and country scenes for most of the 80s, but her new album, titled "Lucinda Williams," is a type of straight-ahead story telling that crosses genres. Many listeners think of Williams as a folk singer, but in this album, Williams fronts a rock band.

Rock critic Ken Tucker reviews the new albums from singer/songwriters Jackson Browne and Loudon Wainwright III. Browne, though he's recorded infrequently over the last eight years, is still very popular, while Wainwright, who plays in small folk clubs and on college campuses, is little noticed. Ken explains why it's Wainwright that deserves the attention.

Classical music critic Lloyd Schwartz reviews a new release of piano works by the French composer Alkan. Although he's little known now, Lloyd says during the 19th century, Alkan reputation, both as a composer and as a performer, rivaled that of Liszt.

Rock historian Ed Ward examines glam rock, the 70s movement that glorified glitter, fashion. The two best examples are David Bowie and T. Rex.

Jazz Critic Kevin Whitehead reviews volumes 6 through 10 of Duke Ellington's "Private Collection," a series featuring previously unreleased Ellington compositions. Kevin says when the first five volumes were released it was a revelation. This new collection isn't quite as brilliant, but it's still a must have for any serious Ellington fan.

Popular music critic Ken Tucker delves into the controversy over the rap group Public Enemy. Public Enemy's first album sold over 800,000 copies and their new song "Fight the Power," (featured in the movie "Do the Right Thing") is climbing the charts. The band however, recently fired its so-called "minister of information," Richard Griffen, for making anti-Semitic statements. In the ensuing political storm, Public Enemy has disbanded for an indefinite period of time.

Classical music critic Lloyd Schwartz reviews the latest recording of Yugoslavian pianist Dubravka Tomsic. Tomsic launched her career in America as a teenager, was a student of Arthur Rubinstein, played with the New York Philharmonic, and made her debut at Carnegie Hall before returning to Yugoslavia. Last year she was rediscovered in America on a number of critically acclaimed compact discs. On July 10 she returns to America to open the Newport Festival.

Pennebaker, who died Aug. 1, pioneered a cinéma vérité style of filmmaking in documentaries like Bob Dylan: Don't Look Back and The War Room. Originally broadcast in 1989.

Filmmaker D.A. Pennebaker. One of America's foremost documentary producers, Pennebaker has brought his cinéma verité approach to subjects ranging from Castro's Cuba, to Jimmy Carter's energy policy, to Bob Dylan's first tour of Britain. Music has been the source of much of Pennebaker's work. His films have featured the likes of Pablo Cassals, Van Cliburn, jazz singer Dave Lambert, rocker David Bowie, John Lennon and Yoko Ono.