Music

Rock and roll historian Ed Ward explores the roots of doo-wop from jazz harmonists the Cats and the Fiddle to groups such as the Ravens and the Orioles.

Jazz critic Kevin Whitehead reviews a couple of Ornette Coleman reissues from 1968: "New York is Now," and "Love Call." (Both on the Blue Note label). They include some alternate takes of tunes never before released in the U.S.

British singer-songwriter John Wesley Harding. Born in the historical seaside town of Hastings, Harding has looked to the United States for his creative influences--from his Cambridge doctoral dissertation on the role of Jimmy Stewart in American films--to the songs of bluesman Robert Johnson, and folksingers John Prine and Jim Croce. His new album is called, "Here Comes the Groom."

Rock critic Ken Tucker reviews "Stolen Wishes," the new album by a band called Shoes, a little-known group from Zion, Illinois, who happen to write great, and we mean GREAT, pop songs. (The record's on Black Vinyl Records, 2269 Sheridan Road, Zion, IL, 60099).

Classical music critic Lloyd Schwartz reviews conductor and cellist Pablo Casals' recording of Mozart's Sinfonia Concertante.

Jazz critic Kevin Whitehead reviews a new reissue, "Uptown," featuring the Gene Krupa Orchestra with Roy Eldridge and singer Anita O'Day. It's on Columbia.

Jazz pianist Dave McKenna plays an April medley.

Ken Tucker reviews "I Do Not Want What I Haven't Got," the new album from Irish singer/songwriter Sinead (shh-NAY) O'Connor. (It's on Chrysalis records).

Pianist Jimmy (or Jimmie) Rowles joins the show to discuss Sarah Vaughan, who recently died of lung cancer.

Classical music critic Lloyd Schwartz reviews a new reissue featuring Czech conductor Vaclav Talich (VATZ-lahf TAH-litch). Talich led the Czech Philharmonic off and on from the 20s to 1961. Lloyd says this recording shows Talich's national flavor, a trait that's lost in this modern world of globe-hopping star conductors. This recording features performances of Dvorak's 8th Symphony, and Smetana's "Moldau" and "From Bohemian Woods and Fields." (the recording is on Supraphon).

Rock historian Ed Ward examines the second chapter in Liverpool's rock and roll history. After the Beatles, Liverpool became the focus of the emerging punk scene, with bands such as the Deaf School, Teardrop Explodes, and Echo and the Bunnymen.

A cappella vocalist Bobby McFerrin. He's best known for his recording, "Don't Worry Be Happy," one of several records that's earned McFarrin Grammy awards. Another was for the title track from the film "Round Midnight," in which he used his voice to sound like a trumpet. McFerrin's newest project is "Voicestra," a 10 member vocal ensemble, with a background that ranges from classical music and jazz to theatre and dance. The group has its debut in Los Angeles, April 10-15.

World music commentator Milo Miles talks about compas (or kompa, or konpa), the popular music of Haiti. He shows how the roots of compas are in the eclectic musical influences Haiti has absorbed over the years.

Rock critic Ken Tucker compares two new solo albums by Dave Edmunds ("Closer to the Flame") and Nick Lowe ("Party of One").

Classical music critic Lloyd Schwartz examines some recordings in which the worlds of classical and popular music combine. The most recent example is "Anything Goes: Stephane Grappelli and Yo-Yo Ma play (mostly) Cole Porter." Schwartz looks at other recordings that bring together Jascha Heifetz and Bing Crosby; Paul McCartney and George Mason of the New Philharmonia Orchestra; and Frank Sinatra and the Hollywood String Quartet.

Rock historian Ed Ward profiles the Red Bird record label and its soul subsidiary Blue Cat. They were the creations of the 60s songwriting and producing team, Jerry Leiber and Mike Stoller. The labels' hits include "Going to the Chapel," and "Boy From New York City."

Jazz critic Kevin Whitehead reviews a new album and a reissue of an old album by tenor saxophonist Sony Rollins. The new recording is "Falling in Love with Jazz" on the Milestone Label; the reissue is "The Freedom Suite," on Fantasy Records' Original Jazz Classics. It was first recorded in the late 50's and featured bassist Oscar Pettiford and drummer Max Roach.

Commentator Maureen Corrigan checks out "Sucker." It's a rock band made of four guys who grew up and got real jobs a long time ago, but still keep their rock and roll dreams alive. "Sucker" consists of: David McCormick (now an editor for the New Yorker) on drums, Wardell Sanders (now a law student) on guitar and bass, Ed Kaiser (who now works in the labor movement in Washington, D.C.) on guitar and bass, and Tim Frueh (now a writer in New York) on guitar, bass, and vocals.

A spring medley from stride pianist Dave McKenna. The tunes are: "Spring Can Really Hang You Up the Most," "Spring is Here," and "It Might as Well Be Spring."

Rock historian Ed Ward plays some of the lessor known, but more effecting, protest songs about the Vietnam War. Artists include: Charlie and Inez Foxx, Jimmy Cliff, Freda Payne, and Grand Funk Railroad.