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51:58

Musical Theater Lyricist Sheldon Harnick

Sheldon Harnick spent years building his reputation as a lyricist before he began collaborating with composer Jerry Bock. He talks to Terry Gross about honing his craft and two of his most significant works, Fiorello! and Fiddler on the Roof.

Interview
52:46

Lyricist Sammy Cahn

Sammy Cahn is a prolific lyricist who wrote countless classic songs, including for musicals and films. He explains how he hears words in melodies and shares anecdotes about his many collaborations over the years.

Interview
21:01

Jazz Pianist McCoy Tyner

The Philadelphia-born musician made his mark performing with John Coltrane before striking out as a band leader. He explains the continual evolution of his approach to the piano.

Interview
48:40

Rock Critic Lester Bangs

The music writer sees a populist potential in rock music. If anyone can pick up a guitar, he claims, then anyone can make something full of emotion, regardless of their technical abilities. He recently published a book about the band Blondie.

Interview
50:48

Vernel Bagneris and His Jazz Musical "One Mo' Time."

Vernel Bagneris is a playwright, actor, and dancer. He wrote, directed, and acts in the musical "One Mo' Time," now playing in Philadelphia. The musical is set in 1920s' New Orleans and draws heavily on the jazz from that time and place. It centers around a touring group of vaudevillians performing at the segregated Lyric Theater. Bagneris describes it as a "piece on Black theater history." He joins the show to discuss the musical, the black vaudeville circuit, black face, and the benefits of live performance.

Interview
49:17

In-Studio Concert with Vernel Bagneris and Morten Larsen.

Vernel Bagneris is a playwright, actor, and dancer. He wrote, directed, and acts in the musical "One Mo' Time," now playing in Philadelphia. The musical is set in 1920s' New Orleans and draws heavily on the jazz from that time and place. It centers around a touring group of vaudevillians performing at the segregated Lyric Theater. Bagneris describes it as a "piece on Black theater history." Bagneris and pianist Morten Larsen give an in-studio concert sharing music from the show's time period.

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