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07:18

Buck Owens: Finding His Voice In 'Bakersfield'

Owens may be best known as the smiling country singer who co-hossted Hee Haw, but he also sang original tunes. A new collection, Buck Owens: Bound for Bakersfield, goes back to the days before Owens made it big.

Review
07:25

Iron Butterfly Stretches Its Wings On 'Fillmore East'

The psychedelic band has a complex legacy that goes beyond its big hit, "In-A-Gadda-Da-Vida," critic Milo Miles says. A newly released concert recording from 1968 provides the best chance in decades for a fresh look at Iron Butterfly.

Review
05:06

Harold O'Neal: 'Whirling' Jazz Moves

O'Neal's Whirling Mantis is named for a defensive move in karate. The martial-arts reference suggests one way to look at how O'Neal's music operates: The players react to each other's moves, deflecting one another in stylized interaction.

Review
07:21

David Lynch Dreams Up 'Crazy Clown Time'

Director David Lynch -- the man who made Blue Velvet, Twin Peaks and Eraserhead -- has released his first solo album, titled Crazy Clown Time. Rock critic Ken Tucker says it's a strange trip that ends up making a lot of sense.

Review
04:59

Scott Colley: An 'Empire' On The Prairie

Colley's not from Kansas, but his music fits the wide-open flatlands, where you can see the weather coming on. Bill Frisell, Brian Blade and Ralph Alessi breathe life into the frameworks the bassist builds on Empire.

Review
06:33

The History Of Hillbilly Boogie's Earliest Days

Boogie-woogie was a piano style that began in the early 20th century and later became a huge fad. Rock historian Ed Ward explains how the genre re-emerged as an important precursor to rock 'n' roll.

Commentary
20:09

Joe Henry: An Eclectic And Raucous 'Reverie'

Joe Henry has produced albums by Solomon Burke, Allan Toussaint, Hugh Laurie and others. The versatile singer, songwriter and producer has just released Reverie, his 12th album. It features acoustic performances from a three-day jam session in his basement.

Interview
06:18

'Four The Record,' Lambert Comes To Terms With Herself

Four the Record is Miranda Lambert's first new collection of songs after her 2009 album Revolution. Since then, Lambert has quickly become one of Nashville's most prominent stars. But rock critic Ken Tucker says Lambert is still not a typical country act.

Review
06:57

Kelly Clarkson's Vocals Keep Getting 'Stronger'

The former American Idol winner has just released her fifth album, Stronger. Rock critic Ken Tucker says the record doesn't contain Clarkson's strongest material, but still shows off her powerful vocal cords.

Review
06:37

The SMiLE Sessions: A Window Into The Beach Boys

SMiLE may be the most famous unreleased album of all time, but it's not really unreleased: bits and pieces of it wound up on other Beach Boys albums. Now that EMI has assembled a definitive collection of the session tracks, Ed Ward has listened to them -- and wonders what the shouting was about.

Review
50:04

Waits: Paying Homage To Outcasts On 'Bad As Me.

The darkness of Tom Waits' lyrics is accentuated by the rumble and rasp of his voice, which sounded old even when he was young. On Bad As Me, Waits reflects on loneliness, life, death and heartbreak. Here, he talks to Terry Gross about performing, being a father and writing his haunting melodies.

Singer and musician Tom Waits sings into a mic on stage with a hat tipped back on his head
05:48

Shelby Lynne: A 'Revelation' With An Exceptional Voice.

Lynne's new album Revelation Road contains both a torchy pop ballad and a startlingly direct song about her parents' murder-suicide. Rock critic Ken Tucker says the album is an excellent showcase for Lynne's sharp songwriting and fantastic voice.

Review

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