Music

Alchemy is a step forward in defining and refining the trumpeter's mix of jazz and Iraqi rhythms.

Ken Tucker calls the country singer-songwriter's new 12 Stories a "modestly amazing album." Every song is striking, textured and finely detailed.

"In Lou Reed's world, when you were Lou's friend you knew it," his longtime publicist Bill Bentley tells Terry Gross. Fresh Air dedicates an entire hour to the transgressive and transcendent Velvet Underground co-founder, with music and commentary by original Velvets John Cale and Maureen Tucker.

What had been an infrequent novelty — mixing electronic and '30s beats with scat and big band-ish horn solos — has become more and more common among European dance musicians and producers. Critic Milo Miles looks at two compilations that highlight this European dance trend.

The singer-songwriter's new album sounds like a collection of songs that could have been sung a hundred years ago, or written and recorded just a few weeks ago. She's joined on the album by her ex-husband, Richard Thompson, and their three children.

Set in London in the early 1930s, the five-part miniseries is about a black jazz band trying to crack the dance halls and radio playlists. Critic David Bianculli says this music-centered show features full, unpredictable characters and some exceptionally intriguing performances.

As part of Crosby, Stills & Nash, the British singer-songwriter helped define a West Coast sound. Here, he discusses the influence of Buddy Holly, The Everly Brothers and marijuana on his career, as well as his new memoir, Wild Tales: A Rock & Roll Life.

Musical duo The Blow, in which the singing of Khaela Maricich meets the mixing of Melissa Dyne, has just released a new eponymous collection. Critic Ken Tucker says the electro-pop on the album is self-aware, sexy and smart — and, while informed by the art world, never dips into "art-rock" territory.

On Three Chords and the Truth, bluegrass musician James King picks from the canon of country music to rearrange its songs as bluegrass. On The Bluegrass Album, country star Alan Jackson has recorded his first collection of bluegrass music — some classics, some originals.

The jazz pianist uses his new record to recall works of yesteryear and simultaneously illustrate his new sense of direction. Jamal isn't playing the way he did 60 years ago, now that he's finished warming up.

In few operas does all the mayhem express what underlies George Benjamin's Written on Skin. The work conveys a profound awareness of human cruelty and its inextricable connection to passion and art.

Can the highly publicized band turn its hype into hits? Ken Tucker wants to join the fan club.

Prism features one of the loudest bands of the bassist's career. The pleasures of the groove here are complex and deep — it's not just about moving feet.
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Schneider's Burden of Proof is frequently beautiful, often morose, downcast album. You get the sense that, when he sings about not connecting with someone he loves, he's also singing about not connecting with a bigger audience.

When record producer and songwriter George "Shadow" Morton died on Valentine's Day this year, he left behind a legacy as murky as his nickname, which he got from disappearing on long benders. A new compilation collects Morton's hits for The Shangri-Las, Iron Butterfly and Janis Ian.

Frequently on her new album Timekeeper, Schwartz sounds like a throwback to another era. Her singing sometimes possesses the spirit of a more lighthearted Laura Nyro, and she has a heathy fondness for The Beatles.

The pop star has a flair for the extravagant, to say the least, but his new album is stripped down. He tells Fresh Air's Terry Gross about the "Elton John excess," his fear of sex as a young man, and how Liberace's example encouraged John to make the piano a star instrument.

The singer's new album is a work of great, accomplished craft about the pointlessness of crafting anything you care about, because the world is just going to ruin it on you.

The jazz pianist's powerful 1976 album I Remember Bessie conveys a profound sense of loss.