Music

Critic-at-large Laurie Stone reviews the revival of Cole Porter's musical "Anything Goes," currently on stage at the Vivian Beaumont Theater at Lincoln Center. The production stars Patti LuPone.

Jazz critic Kevin Whitehead reviews the latest album from avant-garde saxophonist and composer John Zorn, in which Zorn plays homage to the detective writer Mickey Spillane.

Rock Critic Ken Tucker reviews new albums by George Strait and Steve Wariner. Their music is marketed as country, but Ken says their style is similar to that of singer-songwriters of the late '60s and early '70s, like James Taylor and Bonnie Raitt.

Classical guitarist David Tanenbaum. Tanenbaum is chairman of the guitar department at the San Francisco Conservatory of Music. While he is best known for his interpretations of early music for the guitar, his interpretations of 20th Century works have won wide praise. His new album is a collection of lute music adapted for the classical guitar. (Interview with Faith Middleton)

Classical music critic Lloyd Schwartz reviews the recorded work of the Tallis Scholars, a group of eight British singers who specialize in unaccompanied Renaissance choral music. The group will be touring the country throughout April.

Humorist Alice Kahn shares her fantasy about being a singer, a fantasy that survives despite the fact that she's tone deaf and can't carry a tune.

Rock historian Ed Ward gets a jump on April Fool's Day by sharing what he classifies as "the worst music ever recorded."

Violinist Yehudi Menuhin (Ya-hoo-dee Men-you-in). Menuhin's career began early: he was a child prodigy and made his debut in 1924 when he was seven. Since then, he has toured extensively and developed into one of America's most celebrated violinists. In recent years, he has become almost as well known for his deep interest in art, politics, psychology and philosophy. (Interview by Faith Middleton).

Jazz critic Kevin Whitehead reviews the new album "Whatever Next!," from Wally Fawkes and his Soho Shakers. Fawkes is an English clarinetist who has been a part of the British traditional jazz scene since its beginnings in the 1940s.

Pianist and conductor Leon Fleisher. After a neurological disorder disabled his right hand, he turned to piano works written for the left hand alone, and also began a successful career conducting. (Interview by Faith Middelton).

The second in a seven-part series of performance pieces with Mac Rebbenack, better known as Dr. John. Today he pays tribute to Hoagie Carmichael.

Rock Critic Ken Tucker reviews "Chalk Mark in a Rainstorm," the new album from Joni Mitchell.

Arthel "Doc" Watson, one of America's premier acoustic folk guitarists. His flat-pick style of playing traditional folk and bluegrass has made his sound one of the most distinctive of any folk artist. His 24 albums have earned him four Grammys. In the folk music community, Watson is best known for his part in preserving the traditional ballads and melodies of southern Appalachia.

Pianist and bandleader Paul Weston and singer Jo Stafford. They're better known as Jonathan and Darlene Edwards, satirists of inept musicianship.

Classical music critic Lloyd Schwartz reviews a recording featuring British conductor Simon Rattle and his City of Birmingham Symphony Orchestra in Mahler's "Resurrection Symphony," with contralto Janet Baker and soprano Arlene Auger.

Singer and actor Kris Kristofferson. His hit songs "Me and Bobby McGee," and "Help Me Make it Through the Night," earned him acclaim as a country singer. His musical success led him to films, and he went on to act in westerns ("Pat Garrett and Billy the Kid"), comedies ("Semi-Tough"), and musicals ("A Star is Born"). In the past few years, he's appeared in the TV mini-series "Amerika" and "Blood and Orchids."

Rock historian Ed Ward profiles the band Brinsley Schwarz. During the 70s, this band started the pub rock scene, where people put off by the glamour posturing of popular rock stars could hear rock-n-roll in informal and inexpensive surroundings.

The first in a seven-part series of performance pieces with Mac Rebennack, better known as Dr. John. Today, a tribute to legendary New Orleans pianist Professor Longhair.

Rock Critic Ken Tucker reviews "Naked," the long-awaited album from The Talking Heads. The album experiments with a variety of genres, including Funk, African Pop and Salsa.

Classical music critic Lloyd Schwartz reviews the career of British conductor Jeffrey Tate. Tate has been crippled since birth. His first career was medicine. Lloyd reviews a new recording featuring Tate and the English Chamber Orchestra playing Haydn's Military Symphony No. 100 and the Drum Roll Symphony.