Music

Rock critic Ken Tucker review the new albums from Janet Jackson and Laurie Anderson. Ken says the two performers are seemingly miles apart...Jackson's the sister of Michael Jackson and her albums are huge urban contemporary hits, and Anderson's a product of the New York performance scene...but there is common ground. Both albums (Jackson's is called "Rhythm Nation 1814" and Anderson's is titled "Strange Angels") have unifying themes and draw heavily on the latest technology.

Classical music critic Lloyd Schwartz reviews a new compact disc of Beethoven sonatas played by renowned Irish pianist John O'Conor.

Songwriters Hugh Martin and Ralph Blane. They wrote the songs for the 1944 Judy Garland film classic, "Meet Me in St. Louis," including "The Trolley Song" and "Have Yourself a Merry Little Christmas." A musical based on the film is opening on Broadway this week.

Jazz critic Kevin Whitehead reviews two new albums by composer, saxophonist and clarinetist Anthony Braxton. Although Braxton's music has been much criticized, Kevin calls him one of his heroes. Braxton's new albums are "19 Solo Compositions 1988" and "Seven Compositions (Trio) 1989."

Rock historian Ed Ward looks at rock's fascination with teen death and suicide, an influence that led to hits like "Teen Angel" and "Leader of the Pack."

Rock critic Ken Tucker reviews the new albums from singers Linda Ronstadt and Kate Bush. Ronstadt's is called "Cry Like A Rainstorm, Howl Like The Wind," and Ken says it's a return to her early pop-rock sound. Bush's new work, "The Sensual World," continues what Ken calls her "lulling loopiness."

Classical music critic Lloyd Schwartz reviews a new recording of works by Sir Michael Tippett. Tippett is generally considered the greatest living British composer. He's in the U.S. for the world premiere of his fifth opera, "New Year," in Houston on October 27.

Singer Deborah Harry. She was lead singer of the group "Blondie," which started out in the late '70's as a punk band and by the early '80's was topping the charts. Since the breakup of "Blondie," Harry has gone on to a solo career and several film and TV roles, most recently in "Wiseguy." Her latest album is called, "Def, Dumb and Blonde."

Jazz critic Kevin Whitehead reviews reissued 1957 recordings by acoustic guitarist Eddie Condon. Condon was a fine musician, and also promoted the music from the 20s to his death in the early 70s. Condon organized early recording sessions that brought black and white musicians together, promoted concerts at New York's Town Hall, and ran a famous club.

Dutch recorder player and conductor Frans Brüggen (BROO-gen). He's one of the world's preeminent recorder players. In 1981, he formed the Orchestra of the Eighteenth Century which uses period instruments for its repertoire of Renaissance and Baroque music.

Musician Paul Shaffer. Shaffer is the ultimately hip leader of "The World's Most Dangerous Band," the house group on "Late Night with David Letterman." Previously, Shaffer was a session musician in New York, band leader on "Saturday Night Live," and music director for the Blues Brothers, the alter egos of Dan Ackroyd and John Belushi. Paul Shaffer has just put out his first album, called "Coast to Coast." It's a collection of tunes representative of the musical variety of the country, with legendary stars from those regions sitting in.

Music writer Peter Guralnick. His new book, "Searching For Robert Johnson," examines the brief life of perhaps the greatest blues musician of all time. In the 20s and 30s, Johnson was "King of the Delta Blues Singers," and a sensation throughout the South. Johnson died at age 27, shot to death by a jealous husband, but his music continued to be studied and copied by artists such as Eric Clapton and the Rolling Stones.

Rock critic Ken Tucker looks at three new albums by by performers who are relatives of the already famous--Lenny Kravitz (Lisa Bonet's husband), Michael Penn (Sean Penn's brother), and Jason Bonham (son of the late Led Zeppelin drummer John Bonham). Ken says in acting, there's no stigma in cashing in on fame by association, but rock and roll relations can have a hard time of it.

Classical music critic Lloyd Schwartz reviews a recording of two new works by the Soviet Union's leading female composer, Sofia Gubaidulina.

Record producer Arthur Baker. The eclectic Baker has produced or mixed for musicians as diverse as Bob Dylan, Jimmy Cliff, Cyndi Lauper, U2, and Bruce Springsteen. Now he's come out with his own album, "Merge." He's chief songwriter and plays keyboards as well as producing.

Rock and roll historian Ed Ward traces the development of the band "New Order." In 1977, a 21-year-old in Manchester, England saw the Sex Pistols and decided to form his own band. He called it "Joy Division." In the decade since, the band, now called "New Order," evolved to become one of the most influential of their time, with such hits as "True Faith" and "Bizarre Love Triangle."

Jazz critic Kevin Whitehead reviews the album, "Blue John," by organist Big John Patton. Paton cut a series of progressive jazz organ albums for Blue Note records in the 60s, then dropped out of sight for a decade, recently re-emerging on some of John Zorn's albums. Patton actually recorded "Blue John" in 1963, but it's just been released on CD and it's the only example of Patton's Blue Note work that's currently available.

World music aficionado Milo Miles explores the world of the new tango, and reviews the latest album from the new tango's leading proponent, Argentinian accordionist Astor Piazzolla.

Rock critic Ken Tucker reviews the new Neil Young album, "Freedom." He says it's Young's best album in a decade.

Film critic Stephen Schiff reviews the new movie, "The Fabulous Baker Boys," starring Jeff and Beau Bridges and Michelle Pfeiffer.