Music

Music archivist Joseph Weiss recently wrote the liner notes on "An Evening With Frank Loesser," a CD featuring the late Broadway composer performing his own songs.

Strauss talks about the revival of the Broadway classic. A new cast album has just been released. Strauss has worked as musical director in numerous off-Broadway and Broadway productions, including "Drood," "Evita," and "Very Good Eddie."

We broadcast a song from Vernel Bagneris and Morten Gunnar Larsen's November 12th performance of selections from their biographical musical. Because of time constraints, this tune never made it on air -- until now.

Music critic Ken Tucker says the artist's new album smartly explores familial strife, including the troubles he's had with his ex-wife Kate McGarrigle -- who sings on the record.

Classical music critic Lloyd Schwartz reviews "X," the opera by composer Anthony Davis, about the life and times of Malcom X. It's just came out on CD. The opera is Wagnerian in scale and style, but it also has allusions to the music of Duke Ellington, Charles Mingus, Fats Waller, Cab Calloway, and John Coltrane, and others.

Composer Anthony Davis's opera "X" based on the life of Malcolm X, and has just come out on CD. It premiered in 1986. Terry talks with David about what Malcolm X meant to him and why he decided to compose an opera on his life. Davis has received international recognition for his compositions as well as his performances as a solo pianist and the leader of the ensemble Episteme.

World music critic Milo Miles reviews "Mambo" by Remmy Ongala, which features polyrhythmic folk sounds and smart lyrics about the social issues affecting his home country of Tanzania.

Newman joins Terry in the studio for music and conversation. Known for his satiric songs, he has sung from the perspective of a racist, a rapist and even God in songs like "Suzanne" and "Rednecks." He is currently working on a musical based on "Faust."

Rock critic Ken Tucker reviews Madonna's new release, "Erotica," and Prince's latest effort, who's title is a symbol blending the signs for male and female.

Actor and playwright Vernel Bagneris and pianist Morten Gunnar Larsen perform selections from their show, "Jelly Roll Morton: A Me-morial," with music written by Morton, and a script taken from Library of Congress tapes of Morton from 1938. The New Yorker calls it, "an experimental study, done within a traditional Broadway-musical framework, of the life and death of a black misanthrope. . . a psychomusical."

Classical music critic reviews a new reissue of recordings by the late contralto Kathleen Ferrier, compiled into a 10-CD box set.

In 1966, Young joined L.A. rock band Buffalo Springfield; they split up 3 albums later due to inter-band fighting and a lack of commercial success. He later joined Crosby, Stills, Nash, and Young, and pursued a solo career. After embracing a loud, grungy sound for years, he's recorded a new folk album, called "Harvest Moon."

Music critic Kevin Whitehead reviews Tony Bennett's new release, "Perfectly Frank," which features fresh interpretations of classic Sinatra songs.

Classical music critic Lloyd Schwartz reviews a new recording of the London Symphony Orchestra playing the composer's Adagietto, from his Fifth Symphony.

Rock critic Ken Tucker reviews "Us," the singer's new album. Tucker says it's a little too emotionally revealing, which comes across as insincere.

Jazz critic Kevin Whitehead reviews "The Art of Ike Quebec," a new reissue by the late tenor saxophonist Ike Quebec.

Rock critic Ken Tucker reviews the singer's new album "99.9 F," which he says is a "welcome departure" for Vega.

Rock historian Ed Ward concludes his profile of the pop and soul record label, founded on a whim by Florence Greenberg.

Rock and roll historian Ed Ward gives us the first part of a two part history of Scepter Records, which--led by Florence Greenberg--discovered and produced the Shirelles and Dionne Warwick, and helped bring black music into the mainstream.

Classical music critic Lloyd Schwartz reviews a new box set of Cole Porter's music--which Schwartz says remains fresh all these years later.