Music

Rock critic Ken Tucker reflects on some recent songs that have come out in favor of or against U.S. involvement in Iraq, including those by Sean Lennon, Hank Williams, Jr., Andrew Tippin, and Randy Newman.

After seeing a performance the night the Gulf War began, classical music critic Lloyd Schwartz tells us about how music can be a poignant response to war.

Cellist Yo-Yo Ma talks about how the Gulf War has affected him as an individual and as a musician.

Rock and roll historian Ed Ward looks back on the music of 1981 -- a year he says was great for black musicians in particular, including Prince, Rick James, and Grandmaster Flash. British bands like Duran Duran dominated, too.

Bernstein has composed the scores for around 80 films, including "The Man With the Golden Arm," "The Magnificent Seven," and "The Ten Commandments. He's done the scores for 2 new films -- "The Field" and "The Grifters." He joins Fresh Air to talk about how he works with directors to write his music.

Jazz critic Kevin Whitehead reviews the soundtrack from the movie "Tune in Tomorrow" composed by Wynton Marsalis and recorded by Marsalis and his band. Whitehead says it makes good use of the trumpeter's conservative, backward-looking approach.

Classical music critic Lloyd Schwartz reviews some commemorative recordings of the late Swiss composer and conductor Frank Martin, who isn't well known in the U.S. His music was often moody and unsettling, and religious in nature.

Rock critic Ken Tucker comments on the success of white rapper Vanilla Ice's debut, To the Extreme, and The Simpsons Sing the Blues, a compilation performed by the voice actors of the popular animated show.

Pizzarelli's new album, "My Blue Heaven," features his interpretations of some great songs from the swing era. He is the son of noted jazz guitarist Bucky Pizzarelli, and often performs in the New York cabaret scene.

Magnuson starred in the movies, "Making Mister Right," and "A Night in the Life of Jimmy Reardon," and on the TV series, "Anything But Love." She's had numerous one woman monologue shows in Manhattan. She joins Fresh Air for an interview, and shares an excerpt of one of her life performances, about groupies following Doors' frontman Jim Morrison.

World music commentator Milo Miles examines the genre, which was developed in the Caribbean, developed in France, and was influenced by African and American traditions.

The Fresh Air rock critic gives us his ten best for 1990 and his thoughts on the music scene over the year.

Rock critic Ken Tucker reviews the new collaboration between composers and musicians Brian Eno and John Cale. Tucker says it's a gentle, pleasant departure from their more avant-garde work.

A live concert with Evan Lurie on piano, Alfredo Pedernera on bandoneon, and Jill Jaffe on violin. Lurie's music draws on the inspirations of the New Tango movement. Lurie is also a member of the the Lounge Lizards.

Jazz critic Kevin Whitehead talks about his favorite releases in 1990.

Rock historian Ed Ward plays some of the worst in Christmas music. He says it's almost enough to make him convert to another religion.

Ken Tucker reviews new albums by Guy and LeVert. He says they're updating the R&B sound for the '90s.

Classical music critic Lloyd Schwartz reviews the new (and first) recording of John Harbison's cantata "The Flight into Egypt," which won the 1987 Pulitzer Prize. The CD also includes two additional works by the composer.

Cerf writes children's songs for Sesame Street and helped launch the humor magazine the National Lampoon. In 1978 he co-edited the journalistic parody "Not the New York Times." His most recent humor book is "The Book of Sequels," a spoof of current trends in the publishing and film industries.

Rock and roll historian Ed Ward profiles pioneering rhythm and blues artists Joe and Jimmy Liggins. Joe recorded one of the the genre's first hits,"The Honeydripper" in 1945. Jimmy was a lesser musical figure, but also enjoyed success with his more rough and ready style.