Music

Performer-in-residence Harry Connick, Jr. performs to two tunes about his hometown.

Rock critic Ken Tucker reviews his favorite songs of the moment, performed by Annie Lennox and Al Green, Lucinda Williams, Shinehead, Billy Bragg, and Fairground Attraction

Composer Lou Harrison studied with Arnold Schoenberg and Henry Cowell, and collaborated with John Cage. But classical music critic Lloyd Schwartz says that a new recording of his music reveals an Asian influence. It's a calming addition to the late-20th century repertory.

Rock historian Ed Ward profiles New Orleans rocker Lloyd Price was one of the earliest black rock 'n rollers. He first recorded on the Special T label, and had hits with the songs "Personality" and his version of the old folk tale "Stagger Lee." He adopted a pop sound after New York City, started a few record labels, and owns several nightclubs.

The critically-acclaimed jazz artist is known for her use of electronics in her performances. She joins Fresh Air to discuss musical development and her experience as a woman in a male-dominated scene.

Jazz critic Kevin Whitehead says that jazz evolved in hubs throughout the United States -- not just in New Orleans, Chicago, and New York. The new big band Dreamland Syncopators resurrects some lesser known compositions from the 1920s that came from other parts of the country. Whitehead says their album Territory Jazz is a good history lesson.

Performer-in-residence Harry Connick, Jr. plays songs by Matt Dennis and Cole Porter.

Film critic Stephen Schifff says that the Irish rock band's new concert film, Rattle & Hum, exaggerates U2's abilities, importance, and depth. The movie follows them during a U.S. tour; in between performances, the band visits landmarks of American music, and share their superficial insights into their significance.

Rock critic Ken Tucker reviews new albums by two British bands. He says the Pet Shop Boys' Introspective lives up to its name, with tight, understated songs. Eighth Wonder's Fearless is commercial and accessible, yet emotionally distant.

Classical music critic Lloyd Schwartz reviews a series of recordings of pianist Artur Schanbel's performances of Mozart's music. Schwartz also shares some personal stories which illustrate why this music is so important to him.

Rock historian Ed Ward says rock programming in the 1960s had a big effect on the culture of the time -- even during the commercial breaks.

Jane Ira Bloom recorded her first album when she was still a student at Yale; she later was invited to compose music for NASA. Critic Kevin Whitehead says her latest album features tasteful electronics and a sensitive, spare accompaniment.

Accordionist and composer Guy Klucevsek joins Fresh Air to perform a solo arrangement of a new work, and to play a recording of a recent musical collaboration. He's slated to perform at the Brooklyn Academy of Music's Next Wave Festival.

Sondheim briefly wrote for the television show Topper before becoming the lyricist for the Broadway hits West Side Story and Gypsy. A trained composer, he later began writing his own musicals which, Sondheim says, continued in the Rogers and Hammerstein tradition. They include Sweeney Todd, A Funny Thing Happened on the Way to the Forum, and Into the Woods.

The Traveling Wilburys comprises Bob Dylan, Roy Orbison, George Harrison, Jeff Lynn, and Tom Petty. Rock critic Ken Tucker says their first album, Volume 1, is a true collaboration. Unlike the self-indulgent supergroups of the 1960s and 1970s, he says the Wilburys' music is an unexpected pleasure.

The Mexican-American rock group Los Lobos, who wrote the soundtrack for the recent Ritchie Valens biopic, has a new album, comprising mostly regional Mexican music. Drummer and songwriter Louie Perez joins Fresh Air to talk about how they discovered those songs.

Critic Lloyd Schwartz says recordings of Gyorgy Kurtag's music are few, but he was able to track down a recent LP of some of the composer's song cycles -- several of which are full of humor.

Rock historian Ed Ward profiles the Kaleidoscope, a psychedelic band who incorporated Middle Eastern sounds into their eclectic songs.

The saxophonist and composer brings back the large ensemble sound on his new album. Jazz critic Kevin Whitehead says the performances are energetic but a often a little too loose. Hemphill's own playing steals the show.

Arnold Rampersad's biography of the African American poet has been called "a literary event." Despite dedicating his writing to the black experience, Hughes grew up in a largely white community. His more radical work didn't find much of an audience, which led to him adopting a more social-realist style later in his career.