Music

The pop star has a new direct-to-video collection of short films featuring songs from throughout his career. Rock critic Ken Tucker says its artistic value is almost nil, but it's worth watching at least once to marvel at the spectacle of it all.

Rock critic Ken Tucker says that few comeback albums from aging rock stars in the 1980s have been good. The late Roy Orbison's Mystery Girl is an exception.

Classical music critic Lloyd Schwartz says he actively seeks out performances and recordings of the orchestra, which has been revitalized by conductor Christoph von Dohnányi. Schwartz reviews two new CDs Dohnányi helmed, featuring symphonies by Mendelssohn and Schumann.

Rock historian Ed Ward says the 1960s Mod movement started in working-class London, and was rooted more in fashion than rock music. But the amphetimine-fueled subculture was short-lived, and many Mods became hippies. The re-emergence of Mods in the 1970s didn't last long, either.

Jazz critic Kevin Whitehead says Carla Bley is an exceptional composer and piano player, but he's frustrated by how uneven her output has been throughout the 1980s. Her new album, Duets, with bassist Steve Swallow is a reminder of how good her music used to be. A reissue of an excellent, earlier record, Social Studies, is also available.

Rock critic Ken Tucker says Reed's new record, New York, doesn't live up to the artist's claim. But it may be his most sincere in its examination of contemporary, social issues.

Classical music critic Lloyd Schwartz praises two volumes of the composer's chamber music, performed expertly and honestly by the Arditti Quartet.

Rock historian Ed Ward remembers pub rock, a British style of music from the 1970s that resurrected the spirit of early rock and roll. He says the unpretentious approach paved the way for punk rock.

Zappa's avant-garde band, the Mothers of Invention, failed to get much airplay, in part because of their explicit lyrics. Zappa now divides his time between studio composition and live performance. He is politically active, and has fought against censorship and encouraged his fans to register to vote.

Koglmann plays both composed classical and improvised music. Jazz critic Kevin Whitehead says the unconventional approaches on his new album, About Yesterdays Ezzthetics, may not be be new, but they succeed in making a unique record.

Watson is often called the greatest flat-picker in the world. He joins fellow guitarist Jack Lawrence for an in-studio performance.

Country musician Buck Owens is back and as corny as ever. Rock critic Ken Tucker says his new album, Hot Dog!, successfully incorporates the sound and spirit of early rock and roll. A reissue of live recordings is also worth checking out.

Conductor John McGlinn says that his decision to bring back the controversial language of Jerome Kern's classic musical posed some challenges, but was necessary to recapture the poignant and insightful nature of the work. McGlinn's efforts can be heard on a new CD on the EMI label.

New Orleans-based musician Dr. John, aka Mac Rebennack, performs a few songs by one of the greats from his home city.

Gordon's band, founded in 1981, recently released the critically-acclaimed double album Daydream Nation. Gordon joins Fresh Air to discuss her experience as a woman rock musician in a male-dominated scene, playing concerts, and her desire for a larger audience.

Music scholar Barry Cooper discovered Ludwig van Beethoven's outlines for a final symphony, and decided to complete the work himself. Classical music critic Lloyd Schwartz has a review of the premiere recording, on the MCA label.

Together, brothers Brian and Eddie Holland, along with Lamont Dozier, wrote dozens of hits for the Detroit label. They worked with other record companies in the 1970s, but, says rock historian Ed Ward, they never their earlier success with Motown.

Jazz critic Kevin Whitehead reviews Hoagy Sings Carmichael, which features the songwriter's performances with an excellent jazz ensemble. Whitehead says their contributions make this album Carmichael's best.

Rock critic Ken Tucker is only now fully absorbing Sonic Youth's 1988 album Daydream Nation. The band makes use of alternate guitar tunings, and takes its lyrical cues from sci-fi writers like Philip K. Dick. Tucker says that, while the record may be band's most accessible to date, no one could accuse Sonic Youth of playing standard rock and roll.

Tuckwell doesn't see his shift from French horn performance to orchestra conducting as a career change -- it's all music to him. He joins Fresh Air to talk about his experiences as a soloist and working with other conductors.