Music

Rock critic Ken Tucker looks at the "New Traditionalism" in country music as performed by such singers as Randy Travis and Rodney Crowell, and with a unique twist by the Jayhawks.

Writer Timothy Ryback. He's just written a book chronicling the history of rock music in eastern Europe and the Soviet Union. In the book, "Rock around the Bloc," RYBACK shows how rock music has been a presence there from the mid-1950's beginning with the Elvis Craze, and continuing with Beatlemania, and punk and heavy metal music. The rock movement spawned officially sanctioned bands as well as underground groups. Ryback says the recent events in Eastern Europe were foreshadowed in 1988 when government policy on rock bands were loosened there.

Classical music critic Lloyd Schwartz reviews the soundtrack of the new Broadway revival of Anything Goes.

Rock historian Ed Ward takes us back to 1980 for the birth of rap music.

Composer John Adams. Although he comes out of the classical tradition, Adams is not afraid to use drum machines, synthesizers and silent-movie chord progressions in his music. His latest work, "The Wound Dresser", is a setting of a poem by Walt Whitman about the experience of tending wounded soldiers during the Civil War. For Adams, the work has connections to both the AIDS crisis and his father's recent battle with Alzheimer's disease. Adams also talks about his best-known work, the opera "Nixon in China".

Terry talks with Fresh Air's rock critic, Ken Tucker, about rock in the 80s.

Rock critic Ken Tucker gives his picks for the best albums of 1989.

Rock historian Ed Ward look back ten years, to what was happening in music in 1980.

Jazz critic Kevin Whitehead looks back on jazz in the 80s...the big figures, the big trends, the big albums, and he takes a guess as to what the 90s will bring.

Milo Miles plays some international dance singles, and speculates on their chances to make it as hits in America.

Jazz guitarist Jim Hall. In the 50s, Hall was part of the West Coast jazz scene. Several years later he was touring South America with Ella Fitzgerald when the Bossa Nova craze hit. That music's been a lasting influence on Hall. In the 70s, Hall recorded with free-jazz player Ornette Coleman and made several albums with jazz's best bassists. In all, Hall's made more than 100 albums, his latest, with his quartet, is called "All Across The City." It's on the Concord jazz label.

Rock critic Ken Tucker reviews Quincy Jones' new album "Back on the Block." Jones produced the album, co-wrote some of the numbers and performs a bit, but mainly it's a showcase for some of his favorite performers, ranging from Dizzy Gillespie to the rapper Ice-T.

Classical music critic Lloyd Schwartz reviews a new album of contemporary American music by pianist Ursula Oppens. It has music both commissioned and performed by Oppens. It's "Ursula Oppens Plays American Piano Music of Our Time" on the Music & Arts label.

Film director Jim Jarmusch. After his first feature, "Permanent Vacation," gained a cult as well as a critical following in Europe, Jarmusch made "Stranger Than Paradise," which won the Camera d'Or at the 1984 Cannes Film Festival. Jarmusch's third feature was "Down By Law." His new film is called "Mystery Train." It's set in a seedy hotel in Memphis, Tennessee and tells the story of two young Japanese tourists.

Rock historian Ed Ward plays a retrospective of Santa Claus songs by black popular musicians from Charles Brown singing "Merry Christmas, Baby" in the 1940's to James Brown's "Santa Claus Goes Straight to the Ghetto" in the 1960's. Also features songs from: the Pilgrim Travelers, Roy Milton, Oscar McLollie and His Honey Jumpers, the Voices, the Marquees (not the Stax group), andClyde Lasley.

Jazz critic Kevin Whitehead reviews a reissue of music by singer and pianist Fats Waller from 1940-1943, the years just before his death. Although this period is considered by many to be his least productive, Kevin says Waller was great at any time.

Arranger and baritone saxophonist, Gerry (pronounced "jerry") Mulligan. He's been an innovator in modern jazz orchestration. Early in his career he was staff arranger for Gene Krupa's big band. In 1949 he collaborated with Gil Evans and Miles Davis in the Nonet. The nine-piece band shook up jazz arrangers and launched the era of so-called cool jazz. He achieved international acclaim when he started a "pianoless" quartet with trumpeter Chet Baker in the early 1950's.

World Music critic Milo Miles takes a look at the music of two Latin American singers who live as ex-patriots: Celia Cruz and La Lupe. And he considers how being an ex-patriot can influence a singer's work.

Rock critic Ken Tucker reviews albums by women singers who sound like Joni Mitchell.

Classical music critic Lloyd Schwartz reviews recent recordings of three Mendelssohn string symphonies, all written in Mendelssohn's teens. They're performed by William Boughton and the English String Orchestra.