Music

Classical music critic Lloyd Schwartz reviews the world-premiere recording of Kurt Weill’s opera Die Buergschaft—The Pledge (on EMI). It’s one of Weill’s most neglected works first performed in Berlin in 1932, and was revived last year during the Spoleto Festival USA.

Rock critic Ken Tucker reviews two new albums: “Broke Down” by singer-songwriter Slaid Cleaves, and “Toad of Titicaca” by Gurf Morlix.

Jazz critic Kevin Whitehead reviews “Dusk” (Palmetto) the new CD by pianist Andrew Hill.

World music critic Milo Miles reviews some funny rap music, “Carpal Tunnel Syndrome” (Nijatunes) by the Canadian DJ Eric San, MC Paul Barman’s “It’s Very Stimulating” (WordSound), and “Green Velvet” (F-111) by the DJ Green Velvet.

Jim DeRogatis is the author of “Let it Blurt: The Life & Times of Lester Bangs, America’s Greatest Rock Critic” (Broadway Books). Bangs wrote about rock ‘n’ roll for the Rolling Stone, Cream, and The Village Voice. DeROGATIS describes him as, “the great gonzo journalist, gutter poet, and romantic visionary of rock writing—its Hunter S. Thompson, Charles Bukowski, and Jack Kerouac all rolled into one.”

Classical music critic Lloyd Schwartz talks about making the familiar fresh and the unfamiliar accessible. He has a review of two recent concerts.
Description (Program)

Rock critic Ken Tucker reviews “Figure 8” by Elliott Smith, and “Allow Me” by Jules Shear.

In this program we hear selections of his music performed by singers Vernel Bagneris and Terry Burrell, and pianist Dick Hyman. We also hear from Marva Carter who is writing a biography of Cook. She is the director of Graduate Studies at the School of Music at Georgia State University.

Conductor Maurice Peress. He specializes in reconstructing historic American concerts. He’s worked with Ellington and Bernstein, and is the author of the forthcoming book, “Living With American Music: Dvorak to Duke Ellington.”

Performances continue and we hear from Tom Riis who compiled and edited a book containing the complete score of “In Dahomey.” Riis directs the American Music Research Center at the University of Colorado and is the author of “Just Before Jazz.”

Our guest pianist tomorrow will be Dick Hyman. One of our guest singers will be Vernel Bagneris who has explored this period in his own musical revues. To give you a preview, we asked him to sing a sing that he's performed on stage, which was originated by Bert Williams. It's called "Somebody Lied."

Jazz critic Kevin Whitehead reviews “Sonny Rollins: The Freelance Years: The Complete Riverside & Contemporary Recordings” (Riverside)

Singer/guitarist Alex Chilton has been playing music for decades. As a teenager he was a member of the Memphis Band Box Tops. He was 16 years old when they recorded their hit, the R&B song “The Letter.” Later with the band “Big Star” he became a underground hero. After dropping out of sight to kick an alcohol addiction, Chilton returned to performing. By then many younger bands, REM and The Bangles, considered him a legend. Chilton’s new release (as a part of a trio) “Set” (bar-none) was recorded on the spur of the moment, and without overdubbing.

Andrew Ward is the author of “Dark Midnight When I Rise: The Story of the Jubilee Singers, Who Introduced the World to the Music of Black America” (Farrar, Strauss & Giroux). The Jubilee singers were nine former slaves who who set off from Nashville in 1871 to raise money to rescue their school, Fisk University, from bankruptcy. They toured the U.S., Britain, and Europe introducing audiences to African-American spirituals. The Jubilee singers are also the subject of an upcoming American Experience documentary on PBS. (Monday, May 1, 2000 at 9:00)

Rock historian Ed Ward remembers the pioneering Bluegrass group of the 1950s Reno & Smiley and the Tennessee Cutups.

Rock critic Ken Tucker reviews “Ecstasy” the new collection by Lou Reed.

Jazz critic Kevin Whitehead reviews “Too Much Coffee Man” (Blue Note) by singer-songwriter Bob Dorough.

Contributing editor for Vanity Fair David Margolick. In his new book “Strange Fruit: Billie Holiday, Café Society, and an Early Cry for Civil Rights” (Running Press), Margolick traces the history and impact of the song “Strange Fruit,” a ballad about lynchings which became Billie Holiday’s signature song. It was written by a Jewish school teacher who was inspired to write the song after seeing a newspaper photograph of a lynching.

Jazz critic Kevin Whitehead reviews Monk's Dream (Verve records), the new record from soprano saxophonist Steve Lacy and trombonist Roswell Rudd.

Rock critic Ken Tucker reviews two new CDS from two Southern hip hop groups: "Tha G-Code" (Cash Money) by Juvenile and "World Party" (Arista) by Goodie Mob.