Music

Singer-songwriter Shelby Lynne. We will listen to her songs and talk to Lynne in studio. Her new CD, “I Am Shelby Lynne” (Universal/Island) is part country and part soul. This is the 6th album for this Alabama-born singer, but it is the first album in which Lynne writes most of the songs. Her other albums were products of the Nashville country music scene. With this new album, Lynne has won over critics and fans alike. Lynne is currently touring the US.

Jazz critic Kevin Whitehead reviews “The Complete Blue Note Horace Parlan Sessions” (Mosaic).

Husband and wife song writing team, Barry Mann and Cynthia Weil, the duo responsible for such songs as “You’ve Lost that Loving Feeling,” “On Broadway,” “We Gotta Get Out of This Place,” “Here You Come Again,” “Don’t Know Much,” and more. The two met when they were both working in the famous songwriting landmark, the Brill Building— Mann as a composer and Weil as a lyricist. The two have been writing ever since. In edition to their many pop hits, Mann and Weil have also written songs for films.

Pop Music Critic Ken Tucker reviews the newest CD by rapper Eminem. It’s called The Marshall Mathers LP.

Classical Music Critic Lloyd Schwartz reviews this year’s Music Festival in Dresden, Germany.

Jazz critic Kevin Whitehead reviews the reissue “Louis Armstrong: Satch Plays Fats” (Columbia/Legacy).

Rock historian Ed Ward continues his retrospective of The Clash

Rock historian Ed Ward begins his two-part series on the British punk band, “The Clash.”

Senior vice president and editorial director of VH1, Bill Flanagan. He’s the author of “A&R” (Random House) a satirical novel about the music industry. Prior to this, Flanagan wrote extensively about the business for “Vanity Fair,” “Rolling Stone,” “Esquire,” and “Spy.” He’s also the author of “Written in My Soul” a collection of conversations with songwriters.

An in-studio concert and interview with guitarist Bill Frisell. His latest recording is “Ghost Town” (Nonesuch).

Editor Tom Kuntz and reporter Phil Kuntz. Their new book “The Sinatra Files: The Life of an American Icon Under Government Surveillance” (Three Rivers Press) excerpts and analyzes portions of the FBI’s massive file on Frank Sinatra. The file is 1,275 pages long and was begun in the mid 1940s and lasted until 1972. Tom Kuntz is the editor of “Word for Word,” a column in The New York Times Week in Review section. Phil Kuntz is a staff reporter for The Wall Street Journal.

Jazz critic Kevin Whitehead reviews “Mood Indigo” (Milestone) the new CD by singer Jimmy Scott.

Also star Vernel Bagneris who also wrote, directed and starred in the hit show, “One mo’ Time’ and the sequel “Further Mo.’

The 1946 Harold Arlen/Johnny Mercer musical St. Louis Woman is being revived at the Prince Music Theatre in Philadelphia. (thru June 25th) The musical – which was written for and features an African-American cast –features the songs “Come Rain or Come Shine,” “I Had Myself a True Love,” and “Anywhere I Hang My Hat is Home.” We talk with two individuals, first: Larry Maslon who rewrote the libretto for the show. Maslon is professor of theatre at New York University.

Rock critic Ken Tucker reviews Britney Spears “Oops! Did It Again” and Hanson’s “Third Time Around.”

Jazz critic Kevin Whitehead reviews “Hollywood Swing & Jazz: Hot Numbers from Classic MGM, Warner Bros., and R.K.O. Films” (a Rhino box).

Ex-co-leader of the septet Squirrel Nut Zippers, Tom Maxwell. His new recording as a solo artist is “Samsara” (Samsara Ltd.) On the album he continues the work he started with the Zippers, harkening the sound of hot jazz, but also blues and gospel, Country and Western, and even Chinese opera.

Singer/Songwriter Aimee Mann. She’s best known for her work on the soundtrack for the film “Magnolia.” Her song “Save Me” from the film was nominated for an Oscar. Her new release is “Bachelor No. 2.” Previously the album was available over her website (Aimeemann.com) and at her concert performances. Now it is available in stores. Mann and her manager had bought the master tapes from her record label in an effort to retain creative and marketing control. It’s the first recording to be released on Mann’s Superego Records.

Rock critic Ken Tucker reviews Billy Bragg and Wilco's album Mermaid Avenue, Volume 2.

Nadine Cohodas is the author of “Spinning Blues into Gold: the Chess Brothers and the Legendary Chess Records” (St. Martin’s Press). It’s the story of brothers Leonard and Phil Chess, Jewish immigrants from Poland, who knew little about music, but somehow created the influential blues label, Chess Records. Muddy Waters helped them see the potential in the music and they went on to record Waters, Howlin’ Wolf, Willie Dixon, Chuck Berry, and others. Chess Records was located in Chicago.