Television

In the late 1960s, Tommy and Dick Smothers challenged those who tried to tame their wildly popular show, The Smothers Brothers Comedy Hour. TV critic David Bianculli joins host Terry Gross to talk about the legendary comedy duo who tackled political issues and censorship.

The seventh season finale of Curb Your Enthusiasm capped a year-long storyline about Larry finally agreeing to a produce a reunion episode of Seinfeld when he co-created with Jerry Seinfeld. TV critic David Bianculli explains how both programs -- the show and the show within the show -- were a comedic cop and a perfect end to the season.

This month Woody Harrelson stars plays Capt. Tony Stone in a new movie about the costs of war. His character notifies the families of fallen soldiers. Harrelson's performance is already generating Oscar chatter.

AMC's newest miniseries is an ill-advised attempt at a reboot of the cult-hit '60s spy series: A man known as Six (Jim Caviezel) finds himself trapped in a strange desert village, dogged b y a mysterious watcher (Ian McKellen's elusive Two). Critic David Bianculli says that despite McKellen's captivating performance, the remake has none of the curious genius of the original.

Four decades after its premiere, Sesame Street is the same happy neighborhood it always was. TV critic David Bianculli takes a look at the newest episode -- which features special guest Michelle Obama -- and assesses the show's enduring legacy.

Tracy Morgan, a Saturday Night Live alumnus and one of the stars of NBC's 30 Rock, has a new memoir — I Am the New Black — about growing up in what he calls "Ghetto, USA."

Twenty-two years after its debut on ABC, the iconic TV drama about yuppie family life is back — in DVD form. Critic David Bianculli reviews the first season of thirtysomething, and reflects on what made the show both infuriating and fascinating.

The Emmy-darling AMC TV series devotes an almost fetishistic attention to style. But is there any substance beyond the surfaces? Critic-at-large John Powers goes looking — and comes back with one especially well-rounded answer.

TV critic David Bianculli reviews last night's Emmy awards — and considers the future of broadcast television in light of what the results revealed.

In remembrance of M*A*S*H creator Larry Gelbart, we listen back to a 1996 interview with the comedy writer. Gelbart died Sept. 11, 2009 at the age of 81.

The TV star has been captivating audiences for over 20 years — ever since he ran a little bar called Cheers on the famous TV sitcom of the same name. This fall, the actor stars as an aging hotshot in need of a little spice in the new HBO series Bored to Death.

For all the claims to the contrary, The Jay Leno Show is as close to a clone of The Tonight Show as it can get without being sued.

Writer-director Mike Judge — the creator of Beavis and Butt-Head and King of the Hill, and the director of the cult-classic workplace comedy Office Space — has a new movie out. It's another satirical look at life on the job; called Extract, it stars Jason Bateman, Ben Affleck and Kristen Wiig.

When last we saw the ad men and women of AMC's Mad Men, the firm had just been bought by a British company and the Cuban missile crisis was underway. Critic David Bianculli offers a sneak peak at what additional drama the new season might hold.

There are two types of history to consider when trying to put CBS News anchor Walter Cronkite into context. There's the history of broadcast news and there's history itself. TV critic David Bianculli offers an appreciation of the venerable newsman.

Michael Ian Black and Michael Showalter are creators and stars of Michael and Michael Have Issues — a series about two neurotic sketch-comedy writers who can't stand each other.

Colette Burson and Dmitry Lipkin are the writers behind HBO's series Hung, about a hapless schoolteacher — with one substantial asset — who finds an unorthodox way to make ends meet.

Playing Shakespeare, a 1984 series in which actors dissect some of the Bard's most famous works, shows how crucial an understanding of Shakespeare's language and versification are to conveying the meaning — and power — of his scenes.

Allison Silverman, the executive producer and head writer of The Colbert Report, discusses the show's recent broadcasts from the combat zone in Iraq.

TV historian David Bianculli worries that the death of analog television isn't politically neutral: It threatens to leave the neediest viewers in the Dark Ages.