Society & Culture

Karen Joy Fowler's haunting novel, We Are All Completely Beside Ourselves, draws on arguments she used to have with her father, a psychology professor, over how closely connected humans and animals are. Fowler is also the author of the 2004 best-seller The Jane Austen Book Club.

Show creator Mitch Hurwitz advises against binge-watching the new season, but TV critic David Bianculli begs to differ. He says hidden identities and perplexing mysteries unfold slowly, and watching everything in one sitting helps make those connections ever clearer.

In her new memoir, Fairyland, Alysia Abbott describes her childhood as the daughter of an openly gay father in San Francisco while the gay liberation movement was gaining strength. Her book is based largely on her father's journals, which she found after his death in 1992.

Recently, Fresh Air contributor Maureen Corrigan found a letter from then-Secretary of War James Forrestal that had been sent to her father after he had been honorably discharged from the U.S. Navy in 1945. In that letter, she found an expression of gratitude that could serve us well today.

In What Maisie Knew, Moore plays a troubled rock star who might initially seem like a rotten person, but Moore's performance humanizes the character, highlighting her human frailties — something Moore has done in many parts.

After years trying to conceive, novelist Jennifer Gilmore and her husband decided to adopt. What they thought would be a relatively simple process was instead a long and painful one. In her latest novel, Gilmore channels these autobiographical experiences into fiction.

In a striking documentary, Sarah Polley turns the camera on her own family. The director and actor, known for films such as Away from Her and The Sweet Hereafter, was teased growing up about not looking like her actor father. At 27, she discovered that it wasn't a joke.

The new book from Nigerian writer Chimamanda Ngozi Adichie is a knockout of a novel about immigration that transcends genre. It's everything from a coming-of-age novel to a romance to a comic novel of social manners to an up-to-the-minute meditation on race.

In her new novel, Emperor's Children author Claire Messud explores the complicated relationship between two women: Nora, who longed to be an artist and have a family but failed, and the woman Nora befriends, who puts her art first and built a family as well.

Even as a child, Patricia Volk knew she would never measure up to her strikingly beautiful mother. But after reading the memoir of fashion designer Elsa Schiaparelli, Volk found a new understanding of beauty that had more to do with personality than a pretty face.

In her classic '60s documentary, Shirley Clarke profiles a loquacious 33-year-old gay hustler who dreams of having a nightclub act. Her subject could hardly be more complex — and in examining him, she raises important questions about the relationship between fact and fiction.

Since a garment factory collapsed last month in Dhaka, killing more than 400 people, ethical fashion has been in the spotlight. Elizabeth Cline, author of Overdressed: The Shockingly High Price of Cheap Fashion, explains the economy that created this tragedy and what we can do to fix it.

The comedian turned his life around when he started "WTF with Marc Maron" out of his garage in 2009. He has parlayed the popularity of the podcast into a new television show called Maron, based on his life, as well as a new memoir.

After more than a week of gruesome media coverage, linguist Geoff Nunberg takes a close look at the words we use to describe events that mesmerize and horrify, that sensitize and desensitize, that transfix and repel us at the same time.

The creator of the acclaimed AMC series talks about his protagonist -- Don Draper -- as an aging existentialist looking for meaning in a chaotic world. He says the show's sixth season, set in 1968, is situated in that historical meaning for a reason: to reflect a traumatic passage in Don's life.

Known for rom-coms, the actor, currently starring in Mud, is taking on more dramatic roles.

In a cover story for The New Republic, journalist Jonathan Cohn examines the conundrum of day care in the United States. "On the one hand," he says, "improving the quality of child care ... is going to take more money. On the other hand, it already costs more than many families can pay."

A documentary airing tonight on PBS tells the story of the five young black and Latino men wrongly convicted of the 1989 assault and rape of a white female jogger in Manhattan's Central Park. Ken Burns made the film with his eldest daughter, Sarah Burns, and David McMahon.

In The Child Catchers, Kathryn Joyce explores the outsized influence of evangelical Christian groups on the overseas adoption industry. The adoption movement has orchestrated a boom-and-bust market that can exploit poor families in countries where regulations are weak and "orphans" may not actually be orphans.

The director's latest cinematic meditation on the meaning of life stars Ben Affleck, Rachel McAdams, Olga Kurylenko and Javier Bardem and revolves around the question of how we might locate the presence of God in the everyday and how we can accommodate ourselves to our expulsion from the Garden.