Pop

Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.

Saadiq has become one of the leading lights in the "neb-soul movement." Rock critic Ken Tucker says the singer's new album, Stone Rollin', broadens his canvas to take on other soulful styles, as well.

The Canadian singer-songwriter discusses the death of her sister and singing partner Kate McGarrigle, who died in 2010. Their early albums have been remastered and are part of a new collection, which also includes previously unreleased songs.

Wainwright has just released an elaborate box-set career retrospective called 40 Odd Years -- and the pun in the title is definitely intended. Rock critic Ken Tucker says it presents the singer-songwriter just the way his music does, artful warts and all.

Roy Orbison didn't really find his identity until he signed with a small Nashville label, Monument, in 1959. Ed Ward looks at the 17 singles that put him, and the Monument label, on the map.

Diamond has sold 128 million records and written and recorded 37 Top 40 songs. But in the early 1960s, rock historian Ed Ward says, Diamond was writing songs for other musicians while struggling to get his own career off the ground.

Paul Simon has again teamed up with producer Phil Ramone for his new album So Beautiful or So What, the first since 2006's Surprise. Rock critic Ken Tucker says the album succeeds in blending elements of Graceland and Simon's self-titled 1972 solo album.

Songwriter Hugh Martin, who co-wrote the classic song "Have Yourself a Merry Little Christmas" for Judy Garland's 1944 movie, Meet Me in St. Louis died on Friday. He was 96. Fresh Air remembers Martin with highlights from a 1989 interview.

Frank Loesser wrote the musicals Guys and Dolls and How to Succeed in Business Without Really Trying — in addition to over 700 other songs. On today's Fresh Air, we discuss Loesser's musical legacy.

In 1942, the founders of Capitol Records were in urgent need of a hit. It came from a most unlikely place: a young woman named Ella Mae Morse, whose place in pop-music history has never really been given its due. Rock historian Ed Ward shares her story.

Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis.

Dan Auerbach and Patrick Carney of The Black Keys join Terry Gross for a discussion of their musical influences, their recent album Brothers and why Stephen Colbert recently accused them of "selling out."

A recent 13-CD box set called Next Stop Is Vietnam: The War on Record 1961-2008 documents the music that dominated the airwaves during the Vietnam War. Rock historian Ed Ward says the compilation could have used some "conscientious curation."

Guitarist and composer Marc Ribot's latest album, Silent Movies, pays tribute to film scores. The creation of the album, he says, allowed him to express his more lyrical side.

Fresh Air's pop music critic, Ken Tucker, picks the best music of 2010, including albums by Tracey Thorn, Kanye West and Arcade Fire. He also pays tribute to Kate McGarrigle, the Canadian singer who died of cancer last January.

West's new album, My Beautiful Dark Twisted Fantasy, both chastises and praises the hip-hop singer for being an arrogant perfectionist. Rock critic Ken Tucker says it may be an example of "egregious self-aggrandizement," but it's also "superb music-making."

Sloan and Barri were the songwriters behind "Eve of Destruction" and wrote hits for Herman's Hermits, The Mamas and the Papas and The Turtles. Critic Ed Ward examines their career and their many successful songs.

Bruno Mars is a 25-year-old singer, songwriter and producer who's worked on hit singles for numerous hip-hop and soul artists. Rock critic Ken Tucker says Mars' new album, Doo-Wops and Hooligans, is "an impressive, varied and intense experience."

The Dwight Twilley Band scored its biggest hit, "I'm on Fire," in 1975, and then struggled for years to achieve stardom that never arrived. Now the band's lead singer, Twilley, is back. Rock critic Ken Tucker reviews his new album Green Blimp, which also features vocals by Susan Cowsill.