African-American Issues

Actor Tom Hulce. He was nominated for an Oscar for his portrayal of Mozart in the movie "Amadeus," and for a Golden Globe for his role as brain-damaged garbage man in "Dominick & Eugene." More recently, Hulce played the black-sheep of the family in "Parenthood." Next week, Hulce stars in "Murder in Mississippi," a made-for-TV movie about the freedom summer.

Television critic David Bianculli reviews Part 2 of "Eyes on the Prize," the award-winning documentary series on the civil rights movement in America. Part 2 picks up in 1964 where Part 1 left off.

Journalist Eddy L. Harris. Harris' book, "Mississippi Solo," is Harris' chronicle of his 23-hundred mile journey down the Mississippi by canoe. This was by no means an idyllic voyage for a black man traveling alone, and Harris faced racism and the threat of violence, in addition to the normal problems of such a lengthy journey. (Interview by Sedge Thomson)

Photographer Bert Andrews. Since the early '50s, Andrews has been photographing the African-American theatre. There's now a collection of Andrews' photos, called "In The Shadow of the Great White Way: Images From the Black Theatre."

Jazz critic Kevin Whitehead reviews clarinetist John Carter's new album, "Shadows on a Wall." The album concludes Carter's 5 album musical saga of the African-American experience. Kevin says the series doesn't recreate history, but it DOES reimagine it.

Rock historian Ed Ward reacquaints us with the music of Louis Jordan. In the late 1940's he was one of the highest-grossing black acts in the country.

Bandleader, singer, songwriter, and talent scout Johnny Otis. His musical career spans the big band era, rhythm and blues, and rock and roll. In the 40's he played and traveled with the big bands, with the Ink Spots and Louis Jordan. Later, with a pared down band, he was on the forefront of the rhythm and blues. He's credited with discovering Etta James, Big Mama Thornton, Jackie Wilson and Ernestine Anderson.

Jazz vibraphonist Lionel Hampton. He introduced the vibes to the jazz world and remains one of it's undisputed masters. In the 1930's he played with the Benny Goodman's band -- being one of the first blacks to play with a white band. He's just written an autobiography, "Hamp." Al Capone and Louis Armstrong also play surprising roles in his life.

Jazz composer/clarinetist John Carter. He has just completed a five part music series chronicling the black migration experience from Africa to America: "Roots and Folklore: Episodes in the Development of American Folk Music. The final program in the series, "Shadows on A Wall," premiered recently as part of the New Wave Festival at the Brooklyn Academy of Music. The festival celebrates performers working on the edge of classical, rock, and jazz styles. Carter's performances are also out on disc.

Rock historian Ed Ward profiles Leon Huff and Kenny Gamble, creators of the Philadelphia International label -- one of the great black pop record labels of the early '70's.

Writer Marita Golden. Her new novel, "Long Distance Life," examines half a century in the life of a black middle-class family in the other Washington, D.C., the one not filled with shiny buildings and corridors of power. Previously, Golden published a widely acclaimed memoir, "Migrations of the Heart."

Poet and essayist June Jordan. In her poems and political essays, she addresses issues of racism, oppression and dispossession. She was born in Harlem and grew up in the Bedford-Stuyvesant area of Brooklyn. She currently teaches English at the University of California at Berkeley.

Rock and roll historian Ed Ward talks about what happened to the blues from 1966 to the present. They were supposed to be dead during this period, but he says there are some eternals that keep going on no matter what.

Classical music critic Lloyd Schwartz reviews a new RCA Victor recording called Marian Anderson: Bach, Brahms, Schubert. The album also includes a recording of Marion Anderson's 1955 debut performance at the Metropolitan Opera singing an aria from Verdi's "A Masked Ball".

Author Terry McMillan. She's a black writer whose first novel was "Mama." Her new novel, "Disappearing Acts," is set in Brooklyn in 1982 and takes a look at what makes a relationship work. It's about an educated black man who falls in love with an uneducated black woman.

Actor AVERY BROOKS. He reached stardom with his TV portrayal of "Hawk," the strong, almost silent partner in the detective series "Spenser for Hire." He took that character into its own series last season. Brooks brings to his TV work the same concern for African-American culture that has marked his stage career and his life. He won acclaim for his reinterpretation of the Harriet Beecher-Stowe character "Uncle Tom" in a production on the Showtime cable channel, and for his stage portrayal of Paul Robeson.

Popular music critic Ken Tucker delves into the controversy over the rap group Public Enemy. Public Enemy's first album sold over 800,000 copies and their new song "Fight the Power," (featured in the movie "Do the Right Thing") is climbing the charts. The band however, recently fired its so-called "minister of information," Richard Griffen, for making anti-Semitic statements. In the ensuing political storm, Public Enemy has disbanded for an indefinite period of time.

Critic-at-Large Laurie Stone reviews the work of four black women comics who recently shared the bill at New York City's New Professional Theater. They are: P.J. Jones, Kim Coles, Robin Montague, and Beverly Mickens.

Spike Lee's new movie, about a neighborhood's response to the murder of a black man, climaxes in a violent ending that many believe sends an ambiguous message about race relations in the U.S. Lee disagrees, and tells Fresh Air's Terry Gross that the movie's intent is clear.

Author and poet Al Young reads some of his autobiographical writing about the African American experience in the 1930s, and the cultural impact Coleman Hawkins' recording of "Body and Soul" had on his family.