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06:59

The History of Funkadelic.

Rock historian Ed Ward profiles The Funkadelic, a black psychedelic band whose big hit was the 1978 song "One Nation Under A Groove." Several members of the band, including leader George Clinton, started out with The Parliaments, a fifties Doo-Wop group.

Commentary
06:59

The Time Finally Catch Up With The Velvet Underground.

Rock historian Ed Ward profiles The Velvet Underground. Sponsored by Andy Warhol, the band was a favorite of the jet-set crowd but reviled by the hippie culture that couldn't comprehend their music. The band featured Lou Reed and violist John Cale. Their best known songs include "Waiting for the Man," "Heroin" and "Sister Ray."

Commentary
06:48

Midwestern Band Shoes Releases a Compilation of Their Best Work.

Rock Critic Ken Tucker reviews "Shoes Best," a collection of 22 songs by Shoes, a grass-roots band from Zion, Illinois that is still trying to make it in the rock world on their own terms, without glitz and hype. They grant few interviews, never tour, and insist on complete control of their image.

Review
06:58

The Last Gasp of A Cappella Singing.

Rock historian Ed Ward profiles the brief regional revival of a cappella singing in the mid-60s. Some of the groups included The Five Fashions from Stanford, Conn., The Q-Tones from Philadelphia, and the Zircons from the Bronx.

Commentary
06:54

Britian's Bonzo Dog Doo-Dah Band.

Rock historian Ed Ward profiles one of the most eccentric rock groups from the other side of the Atlantic - the Bonzo Dog Doo-Dah Band (circa late 1960s). They infused their music with a typically British brand of humor, such as that associated with Monty Python's Flying Circus.

Commentary
06:54

Early Rock and Roll With a Message.

Rock historian Ed Ward takes on the notion that old-time rock and roll had no message or meaning, that it was simply fun. This is the message that the purveyors of collections of 50s and 60s hits are conveying in ads that recall the "fun" of the era without also evoking the harsher realities.

Commentary
09:59

Sandra Bernhard's New One-Woman Show.

Comic Sandra Bernhard. She's best known for her appearances on "Late Night With David Letterman" and in the Martin Scorsese film "The King of Comedy." She's now starring in the Off-Broadway one-woman show "Without You I'm Nothing," that is part stand-up comedy, part satire on the "women of rock and roll."

Interview
06:53

Disc Jockey Alan Freed Brought Black Music to the Radio.

Rock historian Ed Ward profiles Alan Freed, one of the most famous, and most notorious, disc jockeys of the 50s and 60s. Freed was one of the first disc jockeys on a mainstream station (WJW in Cleveland) to play the black rhythm and blues that was the foundation of early rock and roll.

Commentary
10:04

Irish Musician Pierce Turner.

Irish rock musician Pierce Turner. His first band, The Major Thinkers, became popular with New York's East Village crowd and had a hit song in "Avenue B." Turner's debut album, "It's Only a Long Way Across," was produced by minimalist composer Phillip Glass.

Interview
06:54

The Parallel Careers of Nick Lowe and Elvis Costello.

Rock Critic Ken Tucker reviews two albums by Nick Lowe and Elvis Costello featuring previously unreleased material. The two have been longtime colleagues and collaborators. Lowe has been the producer of many of Costello's albums.

Review
06:59

The Singer-Songwriter Finds Refuge in Country Music.

Rock Critic Ken Tucker reviews new albums by George Strait and Steve Wariner. Their music is marketed as country, but Ken says their style is similar to that of singer-songwriters of the late '60s and early '70s, like James Taylor and Bonnie Raitt.

Review
06:54

British Band Brinsley Schwarz.

Rock historian Ed Ward profiles the band Brinsley Schwarz. During the 70s, this band started the pub rock scene, where people put off by the glamour posturing of popular rock stars could hear rock-n-roll in informal and inexpensive surroundings.

Commentary
06:59

The Surprising Roots of Rap.

Rock historian Ed Ward profiles Louis Jordan. Between 1930 and 1950, Jordan spearheaded the rhythm and blues sound. He was one of the very first crossover artists, appealing to both blacks and whites. Ed focuses on the Louis Jordan who pioneered rap music.

Commentary

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