Jazz

In 2008, jazz pianist Fred Hersch slipped into an AIDS-related coma for more than two months. When he came out of the coma, he couldn't walk, eat or play piano. Hersch explains how he rebuilt himself after his illness and composed music for his latest album, Whirl.

Dutch composer, saxophonist, bass clarinetist and bandleader Willem Breuker died in Amsterdam last Friday. He was 65. Breuer led his own big band while also composing music for films, theater and classical ensembles. Jazz critic Kevin Whitehead looks back at Breuker, who he says helped shape and define modern Dutch music.

From one engagement to the next, saxophonist Lee Konitz rarely uses the same combination twice. But a few years ago, he began collaborating with a young trio known as Minsarah, which he invited to join him at the Village Vanguard last year. Three new knot recordings radiate the joy of making music in every note.

Moran's new album, Ten, is like a stack of progress reports -- on his personal growth as pianist and as a composer, on the development of a trio with stable personnel for a decade, and on how jazz itself has progressed over the last 10 years.

A regular performer at the Village Vanguard, Anat Cohen paid tribute to her early clarinet hero Benny Goodman in 2009, in honor of his 100th birthday. On Clarinetwork, her quartet plays tunes associated with Goodman, or at least songs he recorded while backing Billie Holiday.

The pianist, a member of one of the most remarkable families in jazz history, died Sunday. He was 91. Fresh Air remembers the jazz legend with highlights from an interview conducted in 2005.

In a transitional period between different groups with Miles Davis and Anthony Braxton and his fusion band, Return to Forever, Chick Corea recorded a series of solo piano improvisations in 1971. Those recordings and a 1983 follow-up have been reissued in a three-CD box set.

Nakasian left Wall Street to pursue her dream of becoming a professional jazz singer. The alto, who has recorded seven albums, including tributes to June Christy and Billie Holiday, describes her path from investment banking to touring internationally with Jon Hendricks and Company.

Dedicated and curious music fans are regularly finding new chapters in rock history from around the globe. Critic Milo Miles reviews one recent collection, a series of anthologies focusing on the lively story of vintage pop in Panama.

Soprano saxophone can be an unforgiving instrument. It's hard to play in tune, and many players get a pinched or nasal tone like it has a bad cold. Its biggest proponents — Steve Lacy, Lol Coxhill — do influence Sam Newsome, but he stakes out his own turf with eerie-sounding, hoarse and hollow split-tones.

Jazz drummers leading their own bands often feature intricate rhythms and brisk, driving momentum. Paul Motian, with his slow tempos, loose timing and tunes that go with rainy days, is so self-effacing, he's almost an anti-drummer. A little rustle of brushes and the faint boom of a bass drum may be all he'll use to nudge the music on.

The Grammy-winning country-music fiddler is still recording new tracks 70 years after he picked up his first instrument. Gimble's new album, Playing With Friends, features Vince Gill, Merle Haggard, Willie Nelson and Garrison Keillor.

David Simon and Eric Overmyer met when they worked on the TV series Homicide: Life on the Streets. They also worked together on Simon's acclaimed HBO series The Wire. Now they have a new series called Treme — about the musicians and other locals rebuilding their lives after Hurricane Katrina.

After profiling Baltimore's citizens, politics and problems in the HBO series The Wire, David Simon heads south to New Orleans — to look at the city three months after Hurricane Katrina. TV Critic David Bianculli reviews the series, which he says is "like a haunting piece of jazz from the French Quarter."

In addition to newsreels, cartoon and coming attractions, movie studios used to show musical shorts before feature films. Warner Brothers has just released a six-DVD set of these shorts called Big Bands, Jazz and Swing. Classical musical critic Lloyd Schwartz says the new set is wroth checking out.

Hall doesn't often hog the spotlight on his debut album, Into the Light. He doesn't need to; he plays more stuff behind other musicians than some drummers do in a solo. Hall stays busy back there, exhorting and swinging the band, playing contrary rhythms, shifting his patterns and punctuating everybody else's solos.

Blending funk, hip-hop, and jazz sounds, the New Orleans-based band Galactic combines musical genres to create a new sound that they make their own. Critic Ken Tucker says heir newest album Ya-Ka-May is a true rhythmic pleasure.

Out 'n' In, the latest album from Empirical, is a tribute to the late musician Eric Dolphy. The record contains six original pieces that adopt Dolphy's style and adaptations of two songs from his album Out to Lunch!

Mary J. Blige has a classic R&B instrument: Her voice has that mixture of gospel assurance, soulful rawness and dynamic range that enables her to make her best performances into short stories with a beginning, a middle and an often cataclysmic end. Her ninth studio album, Stronger With Each Tear, is an uneven effort that finds Blige shifting her tactics between commercial calculation, gut-instinct music she just wants to sing the heck out of, and some ineffable combination of the two.

Kevin Whitehead reviews some recent jazz DVDs, featuring old and new artists, TV performances and documentaries.