Jazz

When Monk's band arrived late in San Francisco, it inspired a solo album recorded in 1959.

Taborn's solo album is full of wide-open spaces between notes, and very quiet dynamics.

Akinmusire would rather fit into a cohesive band and spread the solos around than put himself way out front.

The Impulse jazz label, famous for its fold-out black and orange album covers, turns 50 this year. To celebrate, the label has released a box set featuring its early releases. Jazz critic Kevin Whitehead says the set showcases the diversity and talent of the musicians Impulse recorded.

Saxophonist Tim Berne came up on New York's so-called "downtown scene" 30 years ago. That scene is known for postmodern jump-cutters like John Zorn, who'd leap from one style to another in the space of a beat. But Berne went another way; he's fascinated by gradual transitions.

Singer-songwriter Brian Carpenter has cited places like Coney Island and the Florida Panhandle as inspiration for his work. On his latest album, Hothouse Stomp, Carpenter musically travels back to the jazz scene in 1920s Harlem and Chicago.

Brazilian percussionist Cyro Baptista has played with everyone from Paul Simon to Hervie Hancock to Yo-Yo Ma. On his album Caym, Baptista and his band interpret the music of John Zorn. Music critic Milo Miles says the album "avoid the typical downfalls of eclectic world-music albums."

Before he was famous for popularizing bossa nova with "The Girl from Ipanema" in the early 1960s, saxophonist Stan Getz recorded with small jazz groups all through the '50s. Jazz critic Kevin Whitehead says a new reissue shows Getz was one of the best a playing pretty.

Marcus Printup isn't the first trumpeter to combined the trumpet and the harp. It's long been an instrument where jazz women could make their mark. A Time for Love is a quiet and cozy album with Printup's wife, harpist Riza Hequibal, but it's never dull.

The classic 1957 film about the gossip industry has been remastered and rereleased on DVD and Blu-Ray. Critic John Powers says the movie's Manhattan is a "seamy, deglamorized world in which small men destroy lives to make themselves big."

In the 1940s, Charlie Parker, nicknamed "Bird," was a prime mover behind the new style of bebop, with its refined harmonies, offbeat rhythms and abstract melodies played at breakneck speed. On Bird Songs, Joe Lovano looks for new ways into Parker's material.

George Shearing, the jazz pianist who wrote the standard "Lullaby of Birdland" and amused audiences for decades on both sides of the Atlantic, died Monday. Fresh Air remembers Shearing with excerpts from a 1986 interview.

Guitarist and composer Marc Ribot's latest album, Silent Movies, pays tribute to film scores. The creation of the album, he says, allowed him to express his more lyrical side.

Air was a flagship of the 1970s avant-garde, but saxophonist Henry Threadgill, bassist Fred Hopkins and drummer Steve McCall first came together to play Scott Joplin's piano music. That and more are documented on a massive eight-CD box set of Threadgill's music.

The jazz saxophonist and flutist died Thursday at age 85. Fresh Air remembers the musician, whose 1949 improvisation over "I'm in the Mood for Love" became a jazz staple, with highlights from a 1996 interview.

Fresh Air jazz critic Kevin Whitehead picks CDs, books and a DVD for the jazz lover on your list this holiday season. His selections include a book of Sonny Rollins photographs and music from the first season of the HBO series Treme.

A jazz pianist and bandleader, Iyer is one of the most critically acclaimed musicians of the past decade. He also has a masters in physics. Here, he explains why he decided to switch to a full-time career as a jazz musician, and describes what influenced his latest album, Solo.

Joost Buis' tunes are clean and true, and still let weird details nibble at the edges on Zooming. That sort of despoiling playfulness typifies a lot of Hollands improvised music: Just because you're serious doesn't mean you have to be serious all the time.

As a composer, Coleman has been heavily influenced by James Brown's funk. You wouldn't mistake Coleman's band Five Elements for J.B.'s, but like the Godfather of Soul, he goes in for fast, jittery beats on Harvesting Semblances and Affinities.

Lincoln, the jazz legend who transformed herself from a supper-club singer into a powerful voice in the civil-rights movement, died Saturday. She was 80. Fresh Air revisits two interviews with the respected performer, actress and songwriter.

Portions of this interview were originally broadcast on March 25, 1986, and June 16, 1996.