Jazz

"The Empress of the Blues" gave voice the listeners' tribulations and yearnings of the 1920s and '30s. A new 10-CD box set collects the complete works of the colossus who straddled jazz and blues.

Yirga finds his way into Ethiopian standards, displays his flair for jazz over solo and ensemble pieces, and performs effortless homages to vintage soul. He holds everything together with voracious talent that helps him savor each musical flavor.

In the 1970s and '80s, Cables was the pianist of choice for saxophonists Dexter Gordon and Art Pepper; Pepper called him his favorite pianist. Critic Kevin Whitehead says Cables' new trio album, My Muse, is so unassumingly good, you could miss just how good it is.

For Miles, the better he knows how a tune works, the less he has to play to put it across

The freewheeling saxophonist and his small group from the 1970s came together for a live concert in 2007 -- their first together in more than two decades. Now, a recording has been posthumously released on CD, and critic Kevin Whitehead says it's like they never went away.

The Analog Players Society provides some of the best evidence since the rise of Vampire Weekend that formerly exotic international music -- particularly African rhythms and accents -- has become an everyday part of modern popular tunes.

Guaraldi had range, as well as an instrumental hit right when jazz was vanishing from AM radio.

The jazz trio returns to covering classic rock, folk and pop tunes on its latest album, Where Do You Start. Fresh Air critic Kevin Whitehead reviews the band's take on Elvis Costello, Nick Drake, Sonny Rollins and more.

Julio Cortazar's book Rayuela is expansive, smart, breezy, romantic and occasionally reminiscent of a disturbing dream. Jazz critic Kevin Whitehead says that Miguel Zenon and Laurent Coq's Rayuela-inspired album lands on all those squares.

Garbarek helped the ECM label find its emerging voice 40 years ago. A new box set of early albums captures the saxophonist's forming sound — austere and astringent.

Listen to an in-studio concert and conversation with the Canadian singer and her longtime guitarist, Jordan Officer.

Scholar and fan Ryan Truesdell has turned unheard Evans scores into richly textured works.

Davis' bluesy alto sax rasp is straight out of Charlie Parker's playbook, but he makes it his own in a new live recording from the Smalls Jazz Club.

The jazz musician didn't make his burden any lighter by choosing to play tenor and soprano saxophones -- the same instruments his father, John Coltrane, indelibly stamped. But critic Kevin Whitehead says he speaks in his own voice on the album Spirit Fiction.

Bassist Linda Oh's story is so compelling, everyone who write about her mentions it: how she was born in Malaysia to Chinese parents, who emigrated to western Australia when she was three. Oh's second album is out. Jazz critic Kevin Whitehead says her music also covers a lot of ground.

It's tricky making a little band sound this big, but trombonist Ray Anderson knows his tricks.

There have been a few groundbreaking harpists in jazz and improvised music, from Dorothy Ashby to Zeena Parkins. Now, Fresh Air's jazz critic says the Colombian phenomenon joins that list with Double Portion, his new album of solos and duets.

Drummer Mike Reed's quartet People, Places and Things was put together to spotlight music written in Chicago in a fertile period between 1954 and 1960. The group has since expanded its mission to include later works, which are included on a new album titled Clean on the Corner.

Masabumi Kikuchi's fully improvised album Sunrise features late, like-minded drummer Paul Motian.

Han Bennink hears sonic possibilities in many objects beyond the typical drum set. The Dutch drum maestro, one of the leaders in European free jazz and free improvisation, joined Fresh Air for an in-studio interview and concert. Before he left, he drummed on virtually everything in the office.