Jazz

A pioneering musician, and the mother of jazz singer Catherine Russell, Carline Ray died July 18. In the 1940s, Ray found a home in the all-female band The International Sweethearts of Rhythm as a guitarist and vocalist. In 2012, Fresh Air spoke with Russell about her mother.

Oregon saxophonist Rich Halley takes inspiration from the Wallowa mountain range on his new album Crossing the Passes. On Boss of the Plains, Chicago-based trio Wheelhouse makes music that evokes the Great Plains and wind chimes on a porch when the weather changes.

As a Japanese expatriate in Berlin, jazz pianist Aki Takase has an outsider's perspective on jazz and insder wisdom that comes from careful study. Her new album of Duke Ellington tunes reflects influences such as Thelonious Monk and Arnold Schoenberg, as well.

The 23-year-old jazz phoneme's debut album showcases her take on vintage jazz and blues numbers by Bessie Smith, Fats Waller and others.

Divine: The Jazz Albums, 1954-1958 packs four CDs with Vaughan's music, recorded live or in the studio with bands big and small. Two live albums from Chicago nightclubs are standouts, partly when a performance threatens to slide off the rails.

In a career that ran from the 1930s into the 1980s, and included work in big bands and rock 'n' roll, the clarinetist, saxophonist and bandleader changed to reflect the times. Herman would have turned 100 on May 16.

Mosaic Records has released Classic Earl Hines Sessions 1928-1945. a seven-disc showcase for the jazz pianist and bandleader. Hines' right hand played lines in bright, clear octaves -- and his left hand had a mind of its own.

On his new album, The 3dom Factor, Altschul is great at mixing opposites: abstract melodic concepts with parade beats, open improvising and percolating swing. The album is the sort of comeback that reminds you how much good music the artist made the first time around.

The saxophonist and his quartet cross-pollinate Indian classical music and vintage Captain Beefheart to creat complicated rhythms and solos reminiscent of jazz-rock fusion.

On her latest album, Claroscuro, the jazz clarinetist explores influences that range from Louis Armstrong to Brazilian music to that of her native Israel. It's the desire to adapt the instrument to so many musical traditions that has earned Cohen such acclaim.

A new four-CD set highlighting the music of the jazz keyboardist and drummer contains two discs that are gems and another two that have their moments.

An album recording of the guitarist from 1959 captures the thrilling sound of Midwestern jazz.

Jazz lost many great saxophonists in 2012, including David S. War, John Tchicai, Byard Lancaster, Faruq Z. Bey, Hal McKusick and Red Holloway. Critic Kevin Whitehead pays tribute to three more of his favorites.

In his new book, the guitarist, singer and songwriter shares stories from life growing up in a musical household and talks about collaborating and sharing the stage with the likes of Rosemary Clooney, Frank Sinatra and Paul McCartney.

Critic Kevin Whitehead reviews a new, seven-disc Charles Mingus box set chronicling the jazz legend's mid-'60s live performances. The records, Whitehead says, "can be a little raw, as if the explosive music caught the engineers by surprise."

The violinist attempts to mix jazz, classical and traditional Chinese music with his octet on Burning Bridge.

"The Empress of the Blues" gave voice the listeners' tribulations and yearnings of the 1920s and '30s. A new 10-CD box set collects the complete works of the colossus who straddled jazz and blues.

Yirga finds his way into Ethiopian standards, displays his flair for jazz over solo and ensemble pieces, and performs effortless homages to vintage soul. He holds everything together with voracious talent that helps him savor each musical flavor.

In the 1970s and '80s, Cables was the pianist of choice for saxophonists Dexter Gordon and Art Pepper; Pepper called him his favorite pianist. Critic Kevin Whitehead says Cables' new trio album, My Muse, is so unassumingly good, you could miss just how good it is.

For Miles, the better he knows how a tune works, the less he has to play to put it across