Film

Interview is an American remake of a film by Theo van Gogh, the outspoken Dutch director who was murdered in 2004 by an Islamic extremist. It's not politically incendiary, but it's dramatically charged. It's a psychological duel to the death. Steve Buscemi plays Pierre Peders, a war correspondent stuck doing puff pieces on celebrities; Sienna Miller is Katya, the gorgeous prime-time soap goddess and horror-film actress he's assigned to talk to. She shows up very late to the trendy restaurant, feigning ordinariness but radiating entitlement.

Paul Rudd, who co-starred in Knocked Up and The 40 Year Old Virgin, produced and stars in the new independent film The Ten — a series of irreverent vignettes that reinterpret the Ten Commandments for a modern audience.

Rudd also stars in the upcoming movie I Could Never Be Your Woman, with Michelle Pfeiffer. His other films include Clueless, Anchorman and The Cider House Rules, and he's been seen on TV's Friends and Reno 911!.

Film critic David Edelstein reviews “The Simpsons Movie.”

Nancy Cartwright's work is widely heard and well loved, but not many people know it's her. She's the voice of Bart Simpson on TV's The Simpsons — and in the long-awaited feature film that hits theaters this week.

Al Jean knows Marge, Homer, Bart and the gang better than almost anyone. He's executive producer and writer for The Simpsons, and he's been with the show since it began. The new Simpsons movie, he's been heard to say, is about "what happens when a man doesn't listen to his wife."

Before The Simpsons, Jean worked on TV's A.L.F. and It's Garry Shandling's Show.

German filmmaker Werner Herzog discusses his new film Rescue Dawn, a Hollywood adaptation of his 1997 documentary Little Dieter Needs to Fly. Both the movie and the documentary are based on the true story of Dieter Dengler, the only U.S. pilot to successfully escape from a North Vietnamese-controlled prison.

There's something about the journey of John Waters' Hairspray to its current incarnation as a candy-colored, big-budget movie musical that I can't quite believe.

John Waters' movie Hairspray, about a full-figured teen who bops her way to popularity (and fights for racial integration) on a TV dance show in '60s Baltimore, was a cult camp classic that became a hit Broadway musical. Now that stage musical has been re-adapted into a film — starring John Travolta, no less, in the role created by Waters' drag-queen muse Divine.

We talk with director and choreographer Adam Shankman, who directed The Wedding Planner and choreographed Boogie Nights — not to mention the legendary musical episode of Buffy, the Vampire Slayer.

Fresh Air's critic-at-large reviews a new DVD set featuring two masterpieces by French filmmaker Chris Marker: 1962's La Jetee and 1984's Sans Soleil.

The first is a science-fiction story set in a post-apocalyptic Paris; except for two seconds of motion, the entire story is told in still photographs.

The brilliantly perceptive Sans Soleil's narrator tells viewers about the letters she's received from a globetrotting friend; her monologue is accompanied by footage from around the world.

Kasi Lemmons' film Talk to Me, which opens this weekend, centers on the radio DJ, television personality and activist Ralph Waldo "Petey" Greene Jr. (played by Don Cheadle). Greene was a driving force in the black community of Washington D.C.; we talk with Lemmons and with Dewey Hughes, who first hired Greene at the D.C. radio station WOL-AM.

David Edelstein reviews "Harry Potter & The Order of the Phoenix."

Jonathan Oberlander, a political scientist with an expertise in health-care politics and policy, discusses problems with the U.S. health-care system and considers how other countries handle health care. He'll also give us a critique of Michael Moore's documentary Sicko. Oberlander is an associate professor at the University of North Carolina at Chapel Hill.

Rescue Dawn, the first Hollywood feature from German New Wave director Werner Herzog, is the true story of Dieter Dengler, the only U.S. pilot to sucessfully escape from a North Vietnamese-controlled prison. This dramatized version, starring Christian Bale as Dengler, marks the second time Herzog has told the story.

Comedian and actor Patton Oswalt stars in Ratatouille, the new animated feature from Pixar. He's also a writer and stand-up comic, who starred in his own comedy specials and appeared in the TV shows The King of Queens and Reno 911! He'll release a new comedy album, called Werewolves and Lollipops, on July 10.

Two momentous films open nationwide on the same day. Sicko radically challenges our perspective on health care. Ratatouille radically challenges our perspective on rats in kitchens. Cynics will say there's a better chance of a rodent becoming a chef than of universal health care for Americans. That underestimates the big fighting rat at the center of Sicko.

Director Brad Bird and actor Patton Oswalt talk about their film Ratatouille.

The new picture, from digital-animation powerhouse Pixar, opens nationwide tomorrow; it's a comedy about a foodie rat who becomes a chef in a top Paris kitchen.

Bird previously directed and wrote The Incredibles and The Iron Giant.

Oswalt, who provides the voice of the leading rat, Remy, is a writer and stand-up comedian. He's also something of a serious foodie himself — which is in part why Bird wanted him to play his furry hero.

A Mighty Heart tells the story of the hunt in Pakistan for kidnapped Wall Street Journal reporter Daniel Pearl through the eyes of his very pregnant wife, Mariane. The film is gripping: Apart from flashbacks that dramatize Mariane's idyllic memories of Daniel, it's clipped, blunt, and grimly realistic. It's almost a police procedural, with a focus on the nuts and bolts of the investigation. Our suspense is lessened, though, by our knowledge that it will end badly.

The Sergio Leone Anthology includes A Fistful of Dollars; For a Few Dollars More; The Good, the Bad and the Ugly and Duck, You Sucker.

The zombie comedy Fido offers satire along with splatter; Fresh Air's film critic says it's "the blood wedding of George Romero and SCTV, and it's a treat for those who don't mind gnawed-off limbs with their hijinks." It's set in a '50s-flavored, Fiestaware-colored retro society, which can be a bit tiresome, because the decade's father-knows-best archetypes have been picked clean. Still, Edelstein says, "director and co-writer Andrew Currie treats his characters with so much affection that even the stereotypes have a fresh life."

George Clooney and the gang return to Vegas and to the casino caper for this third installment in Steven Soderbergh's hit franchise.

While Ocean's Twelve was all over the place, this one's as elegant and streamlined as hero Danny Ocean. As the plotting gets knottier, Soderbergh's technique gets more fluid — the editing jazzier, the colors more luscious, the whip-pans more whiz-bang.