Film

Here's Mel Gibson as a Boston police detective, shambling onto the screen in Edge of Darkness for the first time in nearly a decade — and it's hard for us (and probably harder for him) to shake off that decade's effects.

One of writer-director Mike Judge's favorite themes is American stupidity. His popular animated series Beavis and Butt-Head featured two brainless 15 year-olds obsessed with MTV. His 2007 film, Idiocracy, envisions a not-so-utopian American future in which evolution has bred the intelligence out of humanity. Judge's latest comedy, Extract, now out on DVD, revisits a second favorite subject — the American workplace. Where his cult classic Office Space pitted disgruntled office employees against their incompetent bosses, Extract focuses Judge's satirical eye on management.

There's a basic tension in the true-ish docudrama Extraordinary Measures that lifts it above the formula disease-of-the-week picture. Brendan Fraser plays John Crowley, a Bristol-Myers Squibb executive with a daughter and son born with the rare Pompe disease, a cousin to muscular dystrophy that fatally weakens muscles — including the biggie, the heart.

Andrea Arnold had captured something volatile and splendid in Fish Tank

Director Kathryn Bigelow and screenwriter Mark Boal join Fresh Air to talk about their film The Hurt Locker. Set in Baghdad, the movie follows the story of three men who are part of the Army's bomb unit, charged with the task of disarming IEDs and other roadside bombs.

David Edelstein reviews "Youth in Revolt."

Stanley Tucci may be a star, but he's still got the protean gifts of a great character actor: He can transform himself for each new role he brings to the screen. You've seen him as a flamboyant art director in The Devil Wears Prada, a stereotypical Italian gangster in The Road To Perdition, a conniving politico in Swing Vote, the impish Puck in A Midsummer Night's Dream and a neurotic lover in Deconstructing Harry. And if a career like that suggests a certain versatility, Tucci's most recent films particularly highlight his ability to inhabit a range of personalities.

Movies you've heard plenty about (Avatar, Where the Wild Things Are) rub elbows with movies you may have missed (Summer Hours, Everlasting Moments) on our critic's list of the finest big-screen features of 2009. Edelstein joins Terry Gross to talk about the year in pictures.

Terry Gilliam's new film, The Imaginarium of Doctor Parnassus, is another entry into his long line of dream-like films. But it's also the final performance of the late Heath Ledger. Gilliam joins host Terry Gross to talk about the personal and professional challenges of creative filmmaking.

James Cameron's trademark blend of grandiosity, jaw-dropping technology and cornball populism is back — and mightier than ever — in Avatar, a vertigo-inducing sci-fi epic that's as predictable and tin-eared as it is savvy and technically adept.

Critic John Powers has a theory: The best movies to give are seldom the recent hits. Instead, a good gift DVD should transport you into a different world that you can immerse yourself in over and over. Check out his favorites for this holiday season.

Tom Ford has put his creative sensibilities to work in the service of a Christopher Isherwood tale: A Single Man, which marks Ford's big-screen directorial debut.

German tenor Max Lorenz had a voice that could move millions — though Lorenz will be most remembered as Hitler's (and Wagner's) favorite. A new documentary about The Life and Times of Max Lorenz, chronicles the conflict and triumph of his unlikely voice and paints an intimate portrait, according to critic Lloyd Schwartz.

Critic David Edelstein says the Lord of the Rings director has violated Alice Sebold's celebrated novel with an adaptation marked by tawdry sentimentality and cheap mysticism.

Invictus director Clint Eastwood and star Morgan Freeman — who was Nelson Mandela's pick to portray him — talk about telling the story of one pivotal public gesture the former South African president made shortly after his election, hoping to make a big statement that would help ease decades of racial bitterness and injustice in his nation.

Tobey Maguire and Jake Gyllenhaal are Sam and Tommy Cahill, one an upright Army captain on his way back to Afghanistan, the other a delinquent, newly paroled after a three-year sentence for robbery. But the real center of Jim Sheridan's movie isn't the brothers, but their whole teetering clan, which will collapse and rebuild itself in complicated new ways.

The Oscar-nominated 1979 film My Brilliant Career stars Judy Davis, as a young woman growing up in rural Australia at the end of the 19th century. Film critic John Powers gives Davis credit for creating the template for the Australian screen actress: bravery, incandescence, and occasional cussedness.

Director Jason Reitman likes to fill his movies with tricky characters, and then put them in situations that test their convictions. His latest project, Up in the Air, is no exception: George Clooney's character has made a career of firing people.