Film

Part one of the Fresh Air interview with Bob Balaban. He made his directorial debut with Parents, about a suburban family's dark secret. As an actor, he starred in Close Encounters of the Third Kind and Absence of Malice.

Part 2 of the Fresh Air interview. Crowe talks about how, at 22, he posed as a high school student to research his movie Fast Times at Ridgemont High. He says youth culture had already changed drastically in the four years since he had graduated, especially with rise of Reagan youth.

Film critic Stephen Schiff reviews Cameron Crowe's directorial debut, about a lovestruck high school graduate, the beautiful overachiever he desires, and her doting father. Schiff says the plot is remarkably similar to The Graduate -- only Say Anything is the better movie.

Part I of the Fresh Air interview with Cameron Crowe. His new movie, Say Anything, is about a young man coming to terms with adult love. The film is Crowe's directorial debut.

Ken Tucker reviews the home video release of I Wanna Hold Your Hand, about a group of teenage Beatles fans in New Jersey. The film, directed by Robert Zemeckis, was a commercial fop, but Tucker, who says it's insightful without indulging in cliches, hopes it will find a new audience on tape.

26-year-old Daniel Waters wrote the new black comedy Heathers, about high school cliques and teenage suicide. He joins Fresh Air to discuss the thinking behind his macabre satire.

Film critic Stephen Schiff says that Louis Malle's Murmur of the Heart was overshadowed by the string of exceptional movies also released in 1971. The film is shocking in its sexuality and subtlety.

Film mogul Samuel Goldwyn's son gave permission to A. Scott Berg to write the movie producer's biography. Berg says the elder Goldwyn entered the United States illegally, and later built himself by working at a glove factory before helping develop the studio system.

Critic Ken Tucker reviews the home video release of The Great Ziegfeld, a biopic about the famed impresario. The film won the Academy Award for Best Picture, an honor Tucker says was undeserved. Yet the film is fun, despite some slow moments, and paints a clear picture of a bygone era of of Hollywood.

Film critic Stephen Schiff admits he's instantly charmed by movies about unfamiliar worlds. He says the new road movie Powwow Highway, about two American Indians confronting the development of tribal lands, has promise, but is ineptly written and directed. But, somehow, Schiff didn't mind watching it.

Taylor has cast over fifty films to date. Early in her career, she formed a professional relationship with Woody Allen, and has worked on sixteen of his movies.

Film critic Stephen Schiff hoped that the age of the teen comedy was over -- but he was impressed by Heathers, which captures the emotional intensity of high school life.

Robert Kaplow and the Punsters return to Fresh Air with a satirical radio play about the Oscar-nominated film Dangerous Liaisons.

HBO will soon air the animated show Babar, about an elephant and his family. TV critic David Bianculli says the program joins the ranks of other recent, excellent children's programming like Shining Time Station and the Peter Pan musical. More importantly, his kids love it too.

Critic Ken Tucker reviews the Oscar-winning 1943 film, which was credited with galvanizing support for the Allies during World War II. Contrary to some contemporary attitudes toward the movie, critic Ken Tucker says Mrs. Miniver critiques, rather than celebrates, bourgeois life.

Stephen Schiff says that the sequel to Fletch is a bad movie that viewers can still enjoy once they acclimate to its pacing. Star Chevy Chase also delivers a better performance this time around, in part because he finally embraces his strengths as a character actor.

Film critic Stephen Schiff says the former Monty Python animator's latest movie, like his others, suffer from a mid-story slump. Yet it's also Gilliam's best to date, and can inspire awe in viewers of all ages.

Film critic David Bianculli says the drama China Beach and a special episode of Nightline deal with the lives of Vietnam veterans in respectful and powerful ways; both are worth watching.

Critic Stuart Klawans reviews the new Mike Leigh film, about working class people and their gentrifying London neighborhood. It's the director's first movie since the 1970s; Klawans says it was worth the wait.

Critic Ken Tucker reviews four home video releases of movies inspired by the antiwar movement. Three of them, about burgeoning romances amid student demonstrations, don't hold up. But Joe, a film that rejects hippy values, is worth watching, if only for star Peter Boyle's excellent performance.