Journalist James Traub writes about the Wedtech company in his new book, Too Good To Be True. The Bronx-based, minority-led defense firm bribed politicians in order to earn government contracts with the support of the Reagan administration.
The Sony Classical label has begun issuing 50 CDs of the works of composer and conductor Pierre Boulez. Classical music critic Lloyd Schwartz reviews three offerings, with Boulez conducting works by Varese, Ravel, and Schonberg.
Tucker wrote Brown's memoir, The Godfather of Soul, which was recently reprinted. He joins Fresh Air to talk about Brown's rise as a soul singer, the evolution of his stage persona, and his recent conviction and imprisonment, a punishment which Tucker believes is too severe based on the charges.
Book critic Maureen Corrigan reviews John McPhee's Looking for a Ship, about the U.S. Merchant Marines. McPhee joined the crew on one of the last remaining ships for a forty-two day voyage to South America.
Rather than shop around their works to established big bands, the New York Composers Orchestra founded their own ensemble. Jazz critic Kevin Whitehead is impressed by their self-titled debut.
Rather than spend minutes setting up elaborate jokes, Wright comedian delivers one-liners in a deadpan, stoic manner. He has a new HBO comedy special coming up, and also appears in movies. Wright won an Academy Award for the short the Appointments of Dennis Jennings.
Near gained national attention when she joined Jane Fonda in antiwar protests. She joins Fresh Air to talk about developing her skills as a performer, her early acting career, and how she defines her sexuality. Her new memoir is called Fire in the Rain--Singer in the Storm.
In the 1950s, Elvis Presley encouraged Jackson to sing rockabilly. She was notable for writing and performing her own independent and forceful songs, says rock historian Ed Ward. Her sexual persona matched Presley's, but proved to be a detriment to her career -- so she returned to country music.
Film critic Stephen Schiff says the adaptation of the Roald Dahl novel features exceptional performances and a plot that's just the right level of scary. It's also the best movie by director Nicolas Roeg since the Man Who Fell to Earth.
Rock critic Ken Tucker reviews two new country albums by women singers. Carlene Carter's I Fell in Love features her first hit song; Kelly Willis's Well Traveled Love showcases her rich voice. Both records are uneven but satisfying.
Book critic Maureen Corrigan says that, after reading the writer's first two autobiographies, it's shocking to confront Simon as an old woman. The third and final memoir, published after Simon's death from stomach cancer, is called Etchings in an Hourglass.
Cohen founded the organization Fairness and Accuracy in Reporting (FAIR). Contrary to the popular belief in a liberal media, Cohen's analysis of recent journalism reveals a conservative bias, especially in the selection of guests on television news programs.
Philadelphia Inquirer reporter Tim Weiner reports on national security issues. In 1988, he won a Pulitzer Prize for a series of articles on secret Pentagon spending on advanced weaponry and defense technology. Weiner argues that the lack of transparency is unconstitutional -- a point he argues in his new book, "Blank Check: The Pentagon's Black Budget."
Badalamenti composed the music for David Lynch's Twin Peaks, Blue Velvet, and Wild at Heart. Before writing film scores, he had a workaday musician's life, arranging and playing piano in bands.
Philadelphia Inquirer reporter Stephan Salisbury discusses the internal reforms that are redefining the mission of the National Endowment for the Arts, including an elimination of smaller grants and a reconsiderations of what topics and images are acceptable. In the long term, such changes may influence facts Congressional action.
Artists like Bonnie Raitt and Bob Dylan had hits with songs by John Hiatt. Despite Hiatt's success as a songwriter, he hasn't yet topped the charts as a performer. He joins Fresh Air to talk about his career, quitting drinking, and his new album, Stolen Moments.
Classical music critic reviews Creators' Records, which compiles historic recordings from 1877-1903 of legendary operas sung by the original performers.
While the Chinatown sequel The Two Jakes hasn't found much success, many agree that it's beautifully shot thanks to the work of Vilmos Zsigmond. He won an Academy Award for Close Encounters of the Third Kind, which was celebrated for balancing special effects with conventional, domestic scenes. Zsigmond fled Hungary in 1956 during the revolution.
Was is half of the rock group Was (Not Was). They have a new album called Are You Okay?. Was, who is white, has also become an in-demand producer who is heavily influenced by black music. He helped make Bonnie Raitt's comeback album, Nick of Time.
TV critic David Bianculli reviews Christian Blackwood's new documentary for the POV program on PBS. Bianculli says its unusual cast of characters makes him reconsider his nostalgia for overnight stays during family road trips.
