Pakula's new courtroom drama is based on the novel of the same name by Scott Turrow. His previous credits include All The President's Men, Sophie's Choice, and Klute.
Esteban "Steve" Jordan grew up partially blind in a poor family in Texas. Also known as El Parche, he became an accomplished accordionist playing conjunto and other regional styles. World music critic Milo Miles has this profile.
New Yorker staffer Tony Hiss has a new book compiling several of his articles for the magazine, called The Experience of Place. His writing concerns the emotional dimensions of city planning. Hiss is the son of Alger Hiss, who was charged with treason during the McCarthy era.
Critic Owen Gleiberman reviews the director's new movie, a violent tale about young love. Despite an excellent performance by female lead Laura Dern, the film fails to capture balance of innocence and weirdness found in Lynch's other work.
Blackwood was hired by a movie studio with no experience. That stroke of luck eventually led him to a career as a movie director. His newest documentary, inspired by his travels, is called Motel. Blackwood says his work is less concerned with narrative, and more on the emotions of the people he follows.
Rock critic Ken Tucker reviews two albums representative of the new, technology fueled variation on the classic Jamaican style. He says its accessibility may give reggae the larger audience it deserves.
Baldessari was a painter, but his recent work incorporates unusual materials like found photographs and video clips. His success has allowed him to resign from a long-running teaching position at CalArts.
Classical music critic Lloyd Schwartz reviews a new recording of "Flavio" on the Harmonia Mundi label. He says it's perhaps the best performance of the opera since Handel's own time.
Book critic Maureen Corrigan reviews Gone Primitive by Marianna Torgovnick. The book argues that images of so-called primitive people in art often reflect the fears that mainstream culture has of the Other.
Ruth Macklin is an ethicist who helped develop a new philosophical approach to patient-focused care. She advocates for the informed consent model of medical treatment, and advises doctors and medical professionals on the best way to help resolve difficult issues, especially when their desires conflict with those of the patient.
New York Times journalists Ralph Blumenthal and E.R. Shipp were part of a five-person team who investigated the supposed rape and murder of Tawana Brawley, a fifteen-year-old African American girl in Wappingers Falls, New York. A book about the public controversy, and how the reporters concluded the incident was a hoax, is called Outrage.
Commentator Patricia McLaughlin remembers how the tail end of summer left her listless; but, as a busy grown-up, she longs for such uninterrupted stretches of time to relax.
Rock historian Ed Ward talks about how the city's music scene in the late '70s and early '80s incorporated rockabilly with bands like X, and Mexican traditions with Los Lobos.
Ellroy grew up in Los Angeles; his mother was murdered when Ellroy was still a child. He credits these two experiences with leading him on his path toward becoming a crime writer. His latest novel is called L.A. Confidential.
Jazz critic Kevin Whitehead says that some of the soloists Duke Ellington featured in the bandleader's big band left a lasting impression -- even after their departure. Whitehead reviews two new CD anthologies which feature trumpeters Bubber Miley and Louis Armstrong's collaborations with the jazz composer.
Kent Nagano conducts the Berkeley Symphony Orchestra. He's known for performing lesser known, experimental works, including pieces by Olivier Messiaen and Frank Zappa. Contrary to many other musicians, he doesn't place much value in recordings, and believes the only way to fully appreciate a work is to witness it performed live.
Dispensing with the points-of-view of the usual power brokers like police and politicians, the new made-for-TV movie focuses on a young, black reporter. Television critic David Bianculli says the quiet parts are as effective as the moments of upheaval.
After a government decree that Indonesian musicians reject Western music and focus on local traditions, a new style emerged, called Jaipongan. It combines gamelan rhythms, a charismatic woman singer, and melancholy lyrics about jilted lovers. World music critic Milo Miles reviews two CDs featuring vocalist Euis Komariah.
