Sunday Times journalist James Adams reports on the increase of chemical weapons stores in Iraq -- which was fueled in part by the actions of wealthier, Western countries. He says dictators around the world are more likely to use their weapons stores, which poses a problem for developed countries. An expert on the arms business, Adams believes war between the United States and Iraq is inevitable.
Film critic Stephen Schiff says Streep is best in comedies -- including this dysfunctional tale about a mother and daughter in Hollywood, written by Carrie Fisher, and adapted by her book of the same name.
Classical music critic Lloyd Schwartz reviews a compact disc re-release of Pablo Casals' performance of Schubert's "String Quintet in C," which was recorded while the cellist was living in self-exile in Prades.
Filmmaker and writer Adrian Cowell spent much of the 1980s filming all the stakeholders affected by the deforestation of the Amazon -- including homesteaders, indigenous people, and government-supported ranchers. He's made a series of television documentaries and a new book about the experience, both called the Decade of Destruction.
Cherry played with Ornette Coleman's free jazz ensemble. After striking out on his own, he immersed himself in world music. Those influences have informed Cherry's new album, Multikulti.
Ellis Island reopens to the public soon. Commentator Maureen Corrigan shares her disappointment that she'll have to pay if she wants her grandparents' names inscribed on the new American Immigrant Wall of Honor.
Fisher wrote the screenplay for the film adaptation of her novel, Postcards From the Edge, directed by Mike Nichols, and starring Meryl Streep and Shirley McLaine. Best known for her role as Princess Leia in the Star Wars trilogy, Fisher also has a new novel called, Surrender the Pink. She is the daughter of Debbie Reynolds and Eddie Fisher.
Levy founded the new Citadel Underground press, which has been publishing new editions of books written by individuals from the 1960s counterculture. Levy was ten years old in 1968; witnessing radical social movements emerge as he grew up shaped the person he is today.
John Leonard reviews Geoffrey Wolff's new, semi-autobiographical novel, about a young man's education in Princeton and subsequent life as a privileged adult.
Critic David Bianculli says that networks are releasing more new programs than ever before. He reviews four upcoming sitcoms; only one -- The Fresh Prince of Bel Air -- really works.
The white anti-apartheid activist and African National Congress member survived a car bomb explosion, though the blast left him severely injured. Sachs later left South Africa for Mozambique, then England. His new memoir about the experience is called Running to Maputo.
Greg Ford and Hal Willner produced of a new album of live, orchestral performances of the composer's music, which helped defined the the classic Warner Bros. cartoons.
Rock historian Ed Ward is one of the privileged few who can vote for this year's inductees. He thinks the artists who really shaped rock and roll are underrepresented. Miles runs through the ballot, weighing each musician's merits, before choosing his top five.
Film critic Stephen Schiff has no taste for the high school movies that proliferated in the 1980s. But he likes films that celebrate youthful energy and rebellion against authority, like Pump Up the Volume. The movie, about a teenage radio DJ, features an excellent performance by star Christian Slater.
Kurt Vonnegut's new novel is set in 2001 in a radically reconfigured America. The complex, self-referential plot reveals unique insights into the United State's past, says book critic John Leonard. It's Vonnegut's best book in years.
Coyote was a member of the Digger, a San Francisco-based guerrilla theater collective. After a brief stint as a stockbroker, he's now a movie actor, appearing in Jagged Edge, E.T., and Outrageous Fortune. He wrote the introduction to a new edition of Emmett Grogan's autobiography, Ringolevio, about the 1960s counterculture.
Television critic David Bianculli reviews American Chronicles, a new documentary series produced by Mark Frost and David Lynch--the same team responsible for Twin Peaks. The show will focus on the history of notable places and people, and retains some of the weirdness of co-creators' supernatural drama.
Music journalist Charles Shaar Murray is the author of Crosstown Traffic, about how fans and critics have defined the groundbreaking African American guitarist in relation to white culture. The tension between black musicians and white audiences continues today, particularly with the rise of rap music.