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The Re-release of "Lawrence of Arabia"

Lawrence of Arabia has recently been remastered, and a new 70mm print has just been released theatrically. Film critic Stephen Schiff says watching the movie as a child inspired him to become a film critic; watching it again as an adult, he's impressed by its enduring, powerful themes.

03:59
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Other segments from the episode on February 2, 1989

Fresh Air with Terry Gross, February 2, 1989: Interview with Thomas Schatz; Review of five recent popular songs; Interview with Roger Black; Review of the film "Lawrence of Arabia."
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27:57

Remembering the Fraught "Genius" of the Studio System

Scholar and writer Thomas Schatz has a new book about the studio era of Hollywood. While efficient, the film industry during the first half of the century limited the roles available to actors and actresses, and tightly controlled the content and style of the movies it produced.

Interview
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06:45

Time Again for the Tucker Top Five

Rock critic Ken Tucker once more looks at the best and worst songs currently hitting the airwaves. Represented artists include Matthew Sweet, Bunny Wailer, Violent Femmes, Tone Loc, and Emmylou Harris.

Review
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09:28

How Good Magazine Design Serves Readers

Roger Black is a graphic designer who recently revamped the look of Newsweek magazine -- he even changed the logo. Black joins Fresh Air to explain how good layout can highlight text and enhance the reading experience.

Interview

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Transcripts are created on a rush deadline, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of Fresh Air interviews and reviews are the audio recordings of each segment.

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30:29

Stephen Schiff Discusses His Latest Adventures in Hollywood.

Screenwriter Stephen Schiff talks about writing the scripts for "True Crime" and "Deep End of the Ocean."He first established his reputation as a film critic for Vanity Fair and Fresh Air. He also wrote film essays and profiles for The New Yorker. He served an unprecedented three terms as chairman of the National Society of Film Critics. His first screenplay was for the most recent film adaptation of Lolita.

Interview

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