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Bob Dylan's 'Self Portrait,' Now In Vivid Color

A key to the ongoing allure of Dylan's music lies in its ability to stand apart from its time. A new collection of alternate takes and demos re-evaluates the critical flop that was 1970's Self Portrait.



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Other segments from the episode on September 10, 2013

Fresh Air with Terry Gross, September 10, 2013: Interview with A. Scott Berg; Review of Bob Dylan's album "Another Self-Portrait."


September 10, 2013

Guest: A. Scott Berg

TERRY GROSS, HOST: This is FRESH AIR. I'm Terry Gross.


GLENN BECK: Today is the happiest day of the years for me. Today is the day that in 1924 Woodrow Wilson died, that son of a bitch, and I'm happy.

GROSS: That was Glenn Beck, recorded in February of last year. It's hardly the only time he's railed against America's 28th president, Woodrow Wilson. It's just one example, a particularly colorful one, of how Wilson has remained a divisive figure, even though he left the White House back in 1921 after serving two terms.

Wilson signed into law a progressive income tax and oversaw the creation of the Federal Reserve Bank. He ran for re-election with the slogan: he kept us out of war - World War I - but in his second term he led the country into that war, saying we had to make the world safe for democracy. That ended America's isolationism and ushered in a new era of American military and foreign policy.

My guest, A. Scott Berg, has written a new biography of Wilson, and he's been thinking about Wilson as he's watched President Obama struggle over what to do about Syria. Berg is the first scholar to have access to two sets of papers: hundreds of Wilson's personal letters and the papers of Wilson's doctor and close friend, Cary Grayson. Berg is also the author of a Pulitzer Prize-winning biography of Charles Lindbergh. His biography of editor Maxwell Perkins won a National Book Critics Circle Award. A. Scott Berg, welcome to FRESH AIR.

A. SCOTT BERG: Thank you, very happy to be back with you.

GROSS: So since Woodrow Wilson remains so controversial, tell us what he represents to the right, or what you think he represents to the right.

BERG: Well, I'm not entirely clear, but I think here we are a century after Wilson's inauguration, and I think he still remains the most successful extremely progressive figure we've had in American politics. He certainly redefined the role of government, the federal government most particularly, in our daily lives, and I think this is - I think both those things, his success and that intervention, is what makes the right so crazy.

This is just a personal comment, but I think maybe there's just a little too much idealism to Woodrow Wilson as well, but I don't want to characterize the right as being un-idealistic.

GROSS: So you think that the progressive politics and his success at pushing through some of his progressive agenda is what he's admired for and what he's hated for?

BERG: I think that - I think yes on both counts, because it was a new way in which the government was functioning, and the government had greater latitude in our daily lives.

GROSS: So let's talk a little bit about some of the economic reforms that he pushed through. When he's elected, his priority is an economic agenda and what he describes as the new freedom. What were some of the things that he advocated and then got passed through Congress?

BERG: Yes, this new freedom we hear about, which was the moniker attached to his administration, was almost entirely an economic freedom that he was talking about, and largely, and this is a theme that runs throughout Woodrow Wilson's life, Wilson believed in leveling the playing field. He believed this when he was fighting the club system back when he was the president of Princeton University, but he was also fighting it throughout his administration.

He wasn't just a trust buster. He just, he didn't - he wasn't anti-big business. He was a man, however, who felt every American should have an equal shot at opportunity. So that being the case, the very first thing he came in with on his new freedom agenda, and this doesn't sound very sexy, but it had to do with tariff reform.

And he just felt that the tariffs, the way they were being operated, the way they were being manipulated by a lot of rich senators, in fact, the average American was paying more than he should be. And he wanted to lower those tariffs and ultimately get rid of a lot, if not most, of them and replace that with an income tax, a graduated income tax in which there would be, and this is another bugaboo for the right wing, I think, a redistribution of wealth.

So that was the first item on the bill.

GROSS: And I should say he thought the tariffs were protective tariffs, that they were there so that American manufacturers could charge higher prices because imports would be even higher priced.

BERG: That's exactly right, and yet there were commodities such as sugar, in which, you know, everybody used sugar but was paying something for it. And Wilson's idea was if we can lower the tariff on sugar, on cotton, on wool and so forth, then people can buy goods that they use and need regularly and not be taxed that way.

And doesn't it make more sense, in leveling the playing field, he thought, if indeed the richer people were paying more on their income? So that was the tariff reform. Perhaps the most important legacy from the new freedom was the Federal Reserve system, which Wilson felt very strongly about, and this was a kind of way in which the federal government could at least have some oversight.

You know, there had been a panic in 1907, and in fact a few millionaires really bailed out the United States of America. Banker J.P. Morgan had really more economic power than anybody in the world at that point. And this really seemed terrifying to Woodrow Wilson. And once again he wanted to redistribute some of the wealth. He wanted to take some of the importance that these few East Coast banks had and he wanted to give people in the South, farmers in the West and so forth, to have greater opportunity to borrow money and basically to have credit.

GROSS: And the Federal Reserve Bank is still controversial. There's a movement on the right to abolish the Federal Reserve.

BERG: Well, there you have. You know, we're 100 years later, the right is fighting Woodrow Wilson yet again.

GROSS: So the things that you mentioned he succeeds in getting passed by Congress - the end of the tariff, the start of a progressive income tax, the start of the Federal Reserve Bank.

BERG: He succeeds in a big way, and one of the interesting things also has to do with the way in which he did it. And Wilson really came in and redefined presidential power and the way it could and perhaps should be used. Wilson, you have to remember, was a student of government, of American government. He had written a dozen books, basically, on the way the American political system and governmental system worked.

In knowing that, he felt the presidency was largely undefined, and he thought it could be the most important position in the United States government, but at that point the Senate really was controlling things, along with the House. Wilson believed that the two branches of government - that is, the executive branch and the legislative branches - should cooperate, and I mean that quite literally, they should co-operate the government.

And as a result of that, Wilson brought a whole new style of being the executive to the United States. For example, whenever he had a really important measure to discuss, such as tariff or the Federal Reserve system, he would leave the White House, come down to the Congress, he would call a joint session of Congress.

I mean imagine, the president called 25 joint sessions of the Congress during his administration. And then he would hang around. He didn't just deliver a speech, which presidents had not done in person for over a century, not since John Adams had left office in 1801. So in these visits Wilson would pay, there is a room in the Congress called the President's Room. It's a room that nobody has ever used except Woodrow Wilson for ceremonial purposes.

Wilson used to come down to this President's Room, which is literally just feet off of the Senate floor, and he would sit there, sometimes four, five times a day after he had given an important speech, and he would twist arms. He would capture senators as they walked out. He would invite them in. He would have long conferences with them. He would horse-trade. He would do anything he conceivably could to pass this agenda.

GROSS: And speaking of his agenda, one more thing on his agenda I want to mention, because it again has such parallels to today, campaign finance reform. He wanted to prohibit any corporation from contributing to a campaign fund and wanted to limit personal campaign contributions. Did he succeed?

BERG: Well, not really. You know, to some extent he at least put the idea out there, and he stuck to it. But you know, here we are still fighting about this. But it makes the larger point, I think, however, which is that again Woodrow Wilson was really looking out for the average American.

Wilson didn't come into politics until he was in his mid-50s, and that was largely because he had a career as a college professor, which he got shunted into, he felt, because he didn't come from great wealth, and even though since he was a child he wanted to serve in the United States government, he just felt that you had to be a rich man to do that. And really, he walked into government through a back door and had the most meteoric rise in American history.

GROSS: Right, he was a professor at Princeton then the head of Princeton University, governor of New Jersey for less than two years when he's elected president.

BERG: That's correct. It's absolutely astonishing: 20 years at Princeton alone, another 10 year in academia before that.

GROSS: The new freedom, the economic agenda that Woodrow Wilson pushed through, was written with the help of Louis Brandeis, who then Wilson nominates to the Supreme Court, and Brandeis becomes the first Jewish Supreme Court justice.

So we have President Woodrow Wilson, who puts a Jew on the Supreme Court, really has economic policies that he wants to support the average person in America, but when it comes to African-Americans, very backwards. Let's start with Princeton. In Princeton, this is one of the only colleges, or Ivy League colleges, at that point that isn't admitting African-Americans when he's president.

BERG: Yes. Although I hasten to add that a lot of the Ivy League schools, and indeed a lot of schools in America, were not adding a lot of African-Americans, but at least the doors were open. I think we have to go back a little before that, though, well, in fact way back, which is one has to remember that Woodrow Wilson was born in 1856 in Virginia and grew up in four states of the Confederacy.

So this was a Southern boy from the Old South, before the Civil War, during the Civil War and during Reconstruction. So he grew up with a certain society. That being said, if you asked me if I think Woodrow Wilson is racist, I would say, yes, of course, I think he was. When I - if I were to ask that question of somebody 100 years ago, I think people would find him quite centrist, in a way.

Now Princeton University, when he became president, was an extremely Southern college in many ways. It had - half its student body was in fact from the South. And he was very mindful not of keeping blacks out for the sake of keeping them out, but really he just felt that society, the Princeton society, and indeed most of the country, was not yet ready for integration.

And that carries through into his presidency, as well. Wilson, I don't think, had any animosity toward African-Americans. And in fact when he ran for president in 1912, the African-American vote got behind Wilson because he said some very positive things. He made it sound as though a door was finally going to be open.

And a little like Richard Nixon - saying it required Nixon to open the door to China, a lot of the African-Americans felt, gee, it'll take our first Southerner in decades, really, to open the door for us. And Wilson did say a lot of good things, but he really didn't act on them. I think largely it was political, I should say, and I think it's related to his very ambitious new freedom agenda, for which he really needed the Southern bloc of Democrats to support him in a big way.

And they made it very clear that if he was going to start integrating everywhere, they were - he was not going to get anywhere with his agenda.

GROSS: Well, he allowed his Cabinet members to segregate their offices.

BERG: He did, and this is the start of the slippery slope.

GROSS: And by segregate, do we mean not hiring any African-Americans or keeping the African-Americans in a place separate from the white staff?

BERG: That's exactly what we mean. Wilson, Wilson truly did believe in advancing the African-American in this country. He just didn't believe the country was ready at that time. And he often said it will take another generation or probably two generations before these things can happen.

You know, it was still considered, especially in the South, just anathema for - that a white woman might have to work for a black man. I mean, this was - you just - it was unfathomable. And so Wilson's secretary of the treasury and Wilson's postmaster general did integrate the Treasury Departments and the post office. And that did mean that they hired people, but they had lesser jobs, generally, and they worked in different offices.

The sad part of this, and this is the real strike against Wilson and why the African-Americans justifiably turned on him, was that there had been a few inroads made in integration in those governmental offices already, and it was a shame to see that there had been some pullback.

But you know, again, this is, this is 50 years after the Civil War. There were still veterans alive who had fought in that war. And they, they just weren't ready to give in. I think they were still fighting the war.

GROSS: If you're just joining us, my guest is A. Scott Berg. He's written a new biography of Woodrow Wilson. Let's take a short break here, and then we'll talk some more about Wilson. This is FRESH AIR.


GROSS: If you're just joining us, my guest is A. Scott Berg, and after writing biographies of Charles Lindbergh and Samuel Goldwyn, Katherine Hepburn, now he's written a new biography of Woodrow Wilson.

Woodrow Wilson wins the presidency in 1912 running against Taft and Teddy Roosevelt, who ran on the Progressive Party. He pushes through some of his economic legislation that we talked about earlier, and then, you know, war is breaking out in Europe. Wilson does not want to be pulled into World War I. Why was he so adamant during his first term against being pulled into the war?

BERG: Well, I think this begins with his own childhood. Again, this was a boy who grew up in the South. He's the only president we've ever had, you see, who grew up basically in a nation that was defeated in a war. And that was the Confederate States of America.

He saw just - he saw cities burned down. I mean, he saw how society was completely ravaged. And, you know, he used to say nobody needs to explain anything about the South to me. It's the one part of the country I know. And part of what he knew was that devastation. And he never wanted to see that repeated again. I mean, he really is one of the few presidents who knew what war was going to wreak. So that was one factor, I think.

The second was, don't forget we had over a century, almost two centuries, of an isolationist tradition at that point. And he wanted to avoid foreign entanglements, and I think this was a great concern. And the question was: Is this an American war? And then the bigger question became: Is this a war that we have to get entangled in, or are we in fact already entangled because the world has shrunk in the last 10 years because of transportation, communication.

He's beginning to ask questions himself whether a country, any country, certainly a growing and mighty country like the United States, can avoid international crises anymore. We have economic entanglements everywhere. We did at that point. And above all, I think Wilson felt this was not a necessary war, not just for America but for the world.

He felt a lot of it was just a lot of European posturing of these autocracies of kings and emperors, most of whom were related. I often thought many of them were just fighting over who was grandma, Queen Victoria's, favorite grandson.

GROSS: He said he saw neutrality as a badge of splendid courage of reserve moral force. And he said there's such a thing as a man being too proud to fight. There is such a thing as a nation being so right that it does not to convince others by force that it is right. What was he talking about?

BERG: Well, I think that's pretty intense. You know, over the first few years of the war, we could stay out in the beginning, but then bit by bit, you know, the thing - Americans were losing their lives in non-combat, that is the Lusitania was sunk in 1915, and American lives went down. The Germans were involved in a very aggressive torpedo campaign, and boat by boat we would lose Americans.

The jingoists, such as Theodore Roosevelt, were pounding their fists to heaven and saying we've got to get into this war, and Wilson kept urging restraint. He kept saying we must remain neutral not just in our actions but even in our thoughts, he said.

Now a lot of this was just Wilson posturing in his own way because he believed so deeply in keeping us out of the war. But as he later admitted, he saw the inevitability of it quite early. He was just trying to do everything he could to stall our entrance, however.

GROSS: A. Scott Berg will be back in the second half of the show. His new book is called "Wilson." I'm Terry Gross, and this is FRESH AIR.


GROSS: At the end of World War I, when President Wilson couldn't get the Senate to ratify the Treaty of Versailles, creating the League of Nations, he went on a tour to enlist popular support. But he got sick, then had a stroke, which paralyzed half his body. Coming up, A. Scott Berg tells us how that stroke was kept secret. Also, Ken Tucker reveals the volume in the Bob Dylan Bootleg Series.


GROSS: This is FRESH AIR. I'm Terry Gross. We're talking about the new biography of Woodrow Wilson with its author, A. Scott Berg. Wilson was elected president in 1912 and served two terms. His priority when taking office was progressive economic reform - including the creation of the Federal Reserve Bank. World War I forced his agenda to change.

In his first term, he maintained America's neutrality. His campaign slogan - he kept us out of war- helped him get re-elected. But his position changed in his second term.

Eventually, Wilson figures we have - America has to get involved in the war. What changes in his mind that makes war, in Wilson's mind, now the correct thing to do after he avoided it, after he campaigned against getting involved?

BERG: Increasingly, of course, American lives were being lost, so that was definitely a factor.

GROSS: At sea, they were being lost?

BERG: Yes. They were being lost at sea in ships that were being torpedoed, and so innocent Americans were going down. During these years, Wilson is also building up the country through his oratory and he's starting to build up just American morale, getting us ready for the possibility of going to war. And I think in realizing the might of the nation, he began to think of the morality of things too, and this is the moment that really American foreign policy changes big time. And it is almost entirely Woodrow Wilson introducing - imposing, if you will - his own sense of morality. Such that on April 2nd, 1917 - that is just, you know, weeks after Wilson has taken his second presidential oath - he declares in a joint session of Congress that America has to go to war. And the central argument in that speech is: the world must be made safe for democracy.

And essentially, all American foreign policy to this day - and I mean literally today - goes back to that one sentence in that one speech. And I think this was just the growing morality within Wilson, something he always had but he finally brought it to a point where there was a world vision attached to it.

GROSS: So Congress votes to take America to war and you're right, after Wilson wins that vote he weeps.

BERG: He does. Wilson goes back to the White House, goes into his office and just puts his head on the table and just weeps. And his secretary, Joseph Tumulty, who was a witness to that, and he said he just wept like a little boy. Again, I think he knew he was basically signing the death warrants for thousands, hundreds of thousands, maybe millions of men.

GROSS: He gave his now famous 14 points of what America's aims in the war were to be. And the 14th point - the one that he cared most about - was the creation of a League of Nations. And this was basically the predecessor to the U.N. What was his vision for the League of Nations?

BERG: Well, the vision was and still is a mighty one I think, which is that there ought to be an almost Arthurian roundtable, a kind of international parliament at which every country could sit. And in fact, if there's some problem breaking out somewhere in the world they could discuss it preemptively and everyone would agree not to go to war until it has been discussed. And such - if the discussions did not work, there would be actually a notion of collective security. That is to say they would all contribute to a kind of army that would, in essence, police the world when necessary.

This was a real idealistic vision, no question about it. But Wilson said again on more than one occasion, had there been a League of Nations in place in 1914, all those posturing kings and emperors really would not ended up killing each other, going to war, having their nation's devastated. What would've happened is some delegates could have sorted out some bad boundaries that had been settled in 1870-1871.

GROSS: So Wilson becomes one of the main writers of the peace treaty that's approved in Paris, which incorporates his vision for the League of Nations. But in one of the greatest like ironies and heartbreaking scenarios of his life, the U.S. Congress never passes the treaty. We never become a signatory of the treaty; the U.S. never joins the League of Nations. Can you talk about the opposition that the treaty faced in the U.S. Senate?

BERG: It was fearsome. I mean we think partisan politics are bad today - and they are - I don't want to be glib to say they were twice as bad then, but they were pretty terrible. And there was the Republican leader of the Senate who is the dean of the Senate at that point, Henry Cabot Lodge of Massachusetts, I found doing my research that there were documents in which Lodge and a couple of other Republicans were talking about opposing any peace that Wilson brought back from Paris, no matter what it was. I think there was a great sentiment within the Republican Party at that point that basically Wilson, the Democrats, had fought and won the war. So now, by gum, the Republicans were going to win the peace, and so whatever Wilson had was simply not going to fly.

That being said, I think there were certainly a lot of people who in the Republican Party, and even a few in the Democratic Party, who did not wholeheartedly embrace the treaty. It was not a perfect treaty by any means as indeed it entailed 25 nations all contributing to this peace.

What is interesting to me is the United States was the only country that went over to that peace Congress - in the person of Wilson - that didn't have an agenda for itself, that is all the other countries were still fighting for territory, they were still fighting for treasure. Wilson had none of that. Wilson really had 14 points but there was just the one - as you pointed out, the 14th - which was the establishment of a League of Nations. He really did believe this could have been the war to end all wars that we had just fought if only the peace were negotiated correctly.

GROSS: So he decides to take the issue to the American people. And he embarks on a tour, trying to talk up the peace plan to the American people and he gets really sick. He basically has a stroke. He embarks on this tour against his doctor's orders and his doctor is a close friend as well as his doctor. What are the consequences of this stroke?

BERG: The consequences are grave and almost sent him to his grave, in fact. Indeed, everybody advised him against going on this tour, which was a way of, he thought, circumventing the Senate. I mean, he was obviously a student of the American Constitution, so he knew all treaties had to be ratified by the Senate. But he thought if he could get popular support behind him he could have his way. So he went on this 29 city tour and about two thirds of the way through - and this was the dead of summer, I mean the heat was terrible, he was traveling by train, these were the days of un-air-conditioned trains, when they were basically, you know, traveling ovens. And Wilson was just giving speech after speech, sometimes four a day, just to sell the country on his League of Nations, and on the treaty in general. And indeed, just outside of Pueblo, Colorado, after he had delivered a sort of faltering speech for one of the first times in his life, he literally just collapsed on the train and they decided, the doctor just stepped in and said there's no more discussion here, we have to take you back to Washington right away.

GROSS: Physically he's paralyzed on one side as a result of this stroke.

BERG: Yes. He didn't have the stroke on the train, but a few days after returning to Washington, he did have a stroke. It did paralyze his left side. He did not lose powers of speech and really, his mind didn't go. Although, you know, these are earlier days in medicine so it was hard to diagnose everything that was going on. A lot of doctors in the last century have looked at his records and seen first of all, that he had had a series of strokes leading up to this, going as far back as his university professor days. But they're also starting to diagnose other things that may have been going on.

I mean we know strokes, for example, have an effect on a man's emotional life. So if Wilson was having little strokes for years, does that explain some of his abnormal behavior in Paris, for example, when they are writing up the treaty - which is basically redrawing the map of Europe, and finally, one day Woodrow Wilson decides that all the furniture in the room has to be rearranged. He doesn't like the way the green furniture clashes with the purple furniture, and then the incident is all over. But it was really aberrant behavior. And so now here's Wilson suffering physically, emotionally - to some extent we have to presume mentally as well, because even in his extremely compromised physical state, I mean he can barely walk and for months he doesn't get out of bed, but he's already contemplating running for a third term.

GROSS: Yeah, which just struck me as just not only delusional, but unconscionable. I, you know...

BERG: Yeah.

GROSS: I mean when you're unable to function at a presidential level, to consider - or hardly any level, and to consider running for president just seems so unfair to your country. But, after he's incapacitated by this stroke, what you describe as a conspiracy takes over. His wife and his doctors basically agree that no one will know, no one's to know how sick he is, how incapacitated he is, the Cabinet doesn't know. Does his vice president even know?

BERG: For a long time the vice president did not know. And I do characterize it as a conspiracy. I think they considered it a benign conspiracy. It's not as if Mrs. Wilson was Lady Macbeth and was trying to seize power so that she could run the country. It was simply that she saw herself as Mrs. Woodrow Wilson, and the doctors said that any great emotional trauma is really going to affect the president's health. And she decided well, I must do everything to keep anything that might excite him away from him. And, of course, as she also said to one of the doctors, but everything the president does excites the president because that's part of the job is putting out fires all the time. And one of the doctors actually said, you know, he's been training you over the last few years. He's been teaching you a lot about how things work in government and in this White House in particular, and perhaps you could be the gatekeeper, perhaps you could determine who gets in to see the president and who doesn't - which nobody did for months, but you could also read every document that comes across his desk and decide which ones he even considers. So to some degree I'd say she was something between a chief of staff, and well, maybe she was the first female president of the United States. She was certainly - she would say not making decisions, but she was deciding in many ways what the president might decide.

GROSS: So how much of this capacity does Wilson ever get back?

BERG: Well, he was never physically back. He remained hemiplegic for the rest of his life. He walked with a stick. Again, he could still speak, which was quite remarkable, and he could think. But the truth of the matter is he never did bounce back.

GROSS: If you're just joining us, we're talking about Woodrow Wilson. My guest, A. Scott Berg is the author of a new biography of Wilson.

Let's take a short break and then we'll talk some more. This is FRESH AIR.


GROSS: My guest is A. Scott Berg. We're talking about his new biography of Woodrow Wilson.

So Wilson's term ends with him being, you know, kind of incapacitated. Harding gets elected as the next president and Wilson's popularity surges after he's out of office.

BERG: It does. Now part of this had to do with the fact that Harding immediately revealed not only his mediocrity, but a lot less than that. And he died in office a few years later and all sorts of corruption was then revealed. So Wilson, from the day Harding took office, was looking better and better, as Harding became so regressive in so many ways and did everything he possibly could do undo everything Woodrow Wilson had done both economically and internationally. And I think people began to realize, you know, we had just had eight years of Woodrow Wilson, completely incorruptible. There had never been a whiff of scandal. And people were beginning to embrace all these ideals that Wilson had been talking about. He becomes this great symbol of humanity and integrity.

GROSS: I'm wondering, you know, as you watch President Obama trying to convince Congress to approve a resolution to attack Syria because of its use of chemical weapons, do you find yourself thinking at all of Wilson and of Wilson's time? And, I mean, one of the connections is that Syria - Syria is basically created as a country in that Treaty of Versailles that America didn't sign after World War I.

BERG: It's quite amazing. I find myself thinking of Woodrow Wilson every day as I see Obama facing this conflict. It is Wilsonian in so many ways. First of all, as you say, Syria is literally invented as a modern nation at Woodrow Wilson's hand. But we're also dealing with - as Obama is dealing with - the essential Wilsonian question, which is: What does that mean, making the world safe for democracy?

Does that mean that the United States has an obligation to be the world's cop? Are we meant to intervene whenever we see something that we think is immoral? But at the same time, does the United States not have a moral obligation to do something?

GROSS: You took on the biography of Wilson as a great admirer of the man and the president. There are things in Wilson's political life that you find very unfortunate, including his views and policies on race. He was slow to endorse women's suffrage. During World War I, he instituted a lot of very harsh anti-sedition acts, censorship acts.

When he was incapacitated with his stroke, he participated in keeping that a secret from the public and the Congress, and even his vice president. So, now in taking stock of the man and the president, have your opinions changed about him? Do you feel like he's any more or less heroic to you?

BERG: Well, I would say he, in some ways, is more heroic to me, but in some ways he's - in many ways - he's much more flawed than I ever knew. Obviously, the deeper I got into that litany you just recited, the more I didn't like him, didn't approve of what he was doing. He was - became much more stubborn than I ever knew. He was more prudish than I knew.

But all that being said, he became ultimately more human to me. And I try to paint the portrait with all those colors to show this was a deeply flawed human being. That being said, I think his idealism still resonates.

GROSS: Well, Scott Berg, congratulations on the book. Thank you so much for talking with us.

BERG: Thank you very much.

GROSS: A. Scott Berg is the author of a new biography of Woodrow Wilson called "Wilson." You can read an excerpt on our website, Coming up, Ken Tucker reviews the new collection in the Bob Dylan bootleg series which includes demos and outtakes from 1969 to '71. This is FRESH AIR.

TERRY GROSS, HOST: This is FRESH AIR. Bob Dylan's history is being reopened again with the release of "Another Self-Portrait (1969-1971): the Bootleg Series Vol. 10" on Columbia Records. The collection features 35 tracks from the recording sessions for the albums "Self-Portrait," "New Morning" and "Nashville Skyline." Rock critic Ken Tucker says it's a fascinating collection that adds to our appreciation of Dylan's range and ambition.



BOB DYLAN: Let's just take this one. You ready? (Singing) I went out last night to take a little round. I met my little Sadie, and I brought her down. I run right home and I went to bed with a 44 smokeless under my head.

KEN TUCKER, BYLINE: In the late 1960s, it wasn't just that Bob Dylan's music was eagerly anticipated. It was music that millions of people pored over for pleasure, for confirmation of their own ideas, and for clues to the state of mind of its creator. In this context, the double-album called "Self-Portrait" arrived in 1970 with a resounding flop.

I don't mean that it was a commercial flop. It sold well. But with its diffident-sounding vocals and some mawkish string section arrangements, "Self-Portrait" just did not fit in with its era, with its moment in pop culture, and in Dylan history - which, in retrospect, seems to have been Dylan's intent.

Now, a new collection includes alternate takes, demos and songs that weren't included in the original double album. What emerges is a self-portrait with more vivid detail and brighter, sharper colors.


DYLAN: (Singing) Sylvie is a good ol' gal from Florida, so they say. She came up here last April to pass some time away. Now, won't you bring me a little water, Sylvie? Bring me a little water now. Bring me a little water, Sylvie, for my tired brow. Sylvie came...

TUCKER: With the passage of time, with the 2004 publication of Dylan's memoir "Chronicles," and from interviews with various musicians involved in the recordings, the material on "Another Self-Portrait" can be understood as deriving from a Dylan trying to slip free from his fame, from a cultish mystique that had only increased since his 1966 motorcycle accident. He retreated, sometimes literally, avoiding, for example, the Woodstock Festival in 1969 in favor of the Isle of Wight Festival a continent away from his home.

And he retreated figuratively, frequently into old songs in the public domain that sparked something in him. The original "Self-Portrait" contained two versions of the song "Alberta," a song made famous by Lead Belly, but it's this third, previously unreleased version of it that turns it into a rollicking blues shuffle. It is replete with, yes, trilling backup singers, yet it also makes a distinction. It conveys an intimacy with music, but not with not with a mass audience.

That was what Dylan was attempting during this period. He found escape, freedom in a performance like this.


DYLAN: (Singing) Alberta, let your hair hang low. Alberta, let your hair hang low. I'll give you more gold than your apron strings can hold if you'll only let your hair hang low.

TUCKER: This collection "Another Self-Portrait" serves a more prosaic function, to be sure, as a souvenir of its time. Thus, we get this genially shambling collaboration between Dylan and George Harrison, a moment of non-transcended meditation with some nice guitar work called "Working on a Guru."


DYLAN: (Singing) Rain all around, windshield wipers moving, water on the ground, sure don't feel like grooving. Working on a guru. Working on a guru. Working on a guru before the sun goes down.

TUCKER: A key to the ongoing allure of Dylan's music is its ability to stand apart from its time. Robbie Robertson is paraphrased in the liner notes here as saying that Dylan would come to the studio with songs that no one could know were his or not, originals or old obscurities from other musicians. Some of the best tunes here are stripped down tracks featuring just Dylan, Al Cooper on keyboards and the guitar work of David Bromberg, himself the creator of an excellent new album called "Only Slightly Mad" that I urge you to seek out.

In 1984, Dylan told Rolling Stone that his thinking at the time of "Self-Portrait" had been, quote, "I want to do something people can't possibly like, that they can't relate to." Well, turns out, he was wrong.

GROSS: Ken Tucker reviewed Dylan's "Another Self-Portrait (1969-1971): The Bootleg Series Vol. 10."


DYLAN: (Singing) Oh, the streets of Rome are filled with rubble. Aged footprints are everywhere. You can almost think that you're seeing double on a cold, dark night by the Spanish Stairs. Got to hurry on back to my hotel room, where I got me a date with a pretty little girl from Greece. She promised she'd be right there with me when I paint my masterpiece.

GROSS: You can download podcasts of our show on our website, You can follow us on Twitter @nprfreshair. Our blog is on Tumblr at

Transcripts are created on a rush deadline, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of Fresh Air interviews and reviews are the audio recordings of each segment.

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