Ken Tucker

From rap to rock to singer-songwriter pop, 2019 was a bountiful year for all kinds of music. Lil Nas X's hit "Old Town Road" defined the year with its massive, genre-crossing popularity and sheer catchiness. But when it came to the best albums of 2019, female artists reigned.

Singer Darius Rucker and his band have released their first new record in more than a decade. Imperfect Circle is a well-made and frequently thoughtful album, enhanced by Rucker's warm, buttery tones.

Few rappers have been as entertaining to listen to this year as DaBaby. In the often hyper-masculine context of hip-hop, his new album proves he's not afraid to be goofy.

Country music has take a turn towards pop of late, but Pardi's new album goes back to the genre's roots, with a collection of excellent honky-tonk songs — many of which are about booze.

The new album by the Alabama Shakes lead singer mixes autobiography with an exploration of different musical styles. Listening to Jaime is like discovering Howard as an artist all over again.

Music critic Ken Tucker reviews Ken Burn's new documentary series about the history of Country Music.

In the last decade, Del Rey released recordings that expanded our understanding of L.A. pop music. The singer/songwriter's new album is like a series of earthquakes, rendered with supreme confidence.

Cleaver, one of the leaders of Wussy, sings about joy, pain, sorrow and regret on Send Aid. The resulting album stands with the best of anything Cleaver has ever done.

A new screwball comedy by filmmaker Kirill Mikhanovsky follows the driver of a medical transport van and his passengers over the course of 24 busy hours in Milwaukee.

Alessia Cara's "Rooting for You," Megan Thee Stallion's "Hot Girl Summer," and Bon Iver's "U (Man Like)" offer three different takes on — and moods for — the summer.