Pop

British singer-songwriter John Wesley Harding. Born in the historical seaside town of Hastings, Harding has looked to the United States for his creative influences--from his Cambridge doctoral dissertation on the role of Jimmy Stewart in American films--to the songs of bluesman Robert Johnson, and folksingers John Prine and Jim Croce. His new album is called, "Here Comes the Groom."

Rock critic Ken Tucker reviews "Stolen Wishes," the new album by a band called Shoes, a little-known group from Zion, Illinois, who happen to write great, and we mean GREAT, pop songs. (The record's on Black Vinyl Records, 2269 Sheridan Road, Zion, IL, 60099).

Ken Tucker reviews "I Do Not Want What I Haven't Got," the new album from Irish singer/songwriter Sinead (shh-NAY) O'Connor. (It's on Chrysalis records).

World music commentator Milo Miles talks about compas (or kompa, or konpa), the popular music of Haiti. He shows how the roots of compas are in the eclectic musical influences Haiti has absorbed over the years.

Classical music critic Lloyd Schwartz examines some recordings in which the worlds of classical and popular music combine. The most recent example is "Anything Goes: Stephane Grappelli and Yo-Yo Ma play (mostly) Cole Porter." Schwartz looks at other recordings that bring together Jascha Heifetz and Bing Crosby; Paul McCartney and George Mason of the New Philharmonia Orchestra; and Frank Sinatra and the Hollywood String Quartet.

Rock historian Ed Ward profiles the Red Bird record label and its soul subsidiary Blue Cat. They were the creations of the 60s songwriting and producing team, Jerry Leiber and Mike Stoller. The labels' hits include "Going to the Chapel," and "Boy From New York City."

World music commentator Milo Miles explores the continuing influence of punk rock on Japanese music in the second of his two-part examination of Japanese pop music. Milo looks at two Japanese groups -- The Plastics and The Frank Chickens.

Rock musician Ben Vaughn. Vaughn's been a cult staple for years in the Philadelphia/New Jersey area, where he's become known for his tongue-in-cheek lyrics and tunes that draw from rocks early influences. Vaughn's just put out his fourth album, titled "Dressed In Black." (It's on Enigma records).

Rock musician and producer Nick Lowe. Lowe was a main figure of the British pub-rock scene in the early 70s, then in the late 70s Lowe joined forces with Dave Edmunds to form "Rockpile." At the same time, Lowe was producing albums for artists such as Elvis Costello and Grahm Parker. Lowe went solo in 78, and had hits with "I Love the Sound of Breaking Glass," and "Cruel to be Kind." His production credits during that period included The Pretenders, the Fabulous Thunderbirds, and John Hiatt.

World music commentator Milo Miles gives an overview of the Japanese pop scene, focusing on Ryuichi Sakamoto (ree-OO-chee sa-kuh-MO-to), who starred with David Bowie in the film, "Merry Christmas Mr. Lawrence," and composed the soundtrack. Milo says Sakamoto manages to combine many musical styles into a harmonious whole.

We debrief our rock historian Ed Ward about the music he heard during recent trips to Europe. He sat in on a recording session with an underground East Berlin band which is now making its first album, and he also brought back some Polish punk and dance music from Belgium.

On the 25th anniversary of the death of Nat King Cole, jazz critic Kevin Whitehead has an appreciation of the well-known singer, and he takes a look at Cole's often overlooked skills as a jazz pianist. (By the way, Nat King Cole actually died on February 15th, but we're running the piece today, a couple of days early).

World music critic Milo Miles reviews the work of Israeli singer Ofra Haza. Haza's the closest thing to a world music "Superstar," with several very successful albums to her credit.

Rock Critic Ken Tucker considers two New York acts who are known for their humor: folk-singer Christine Lavin, and the eclectic rock group, They Might Be Giants. Lavin's album, "Attainable Love" is on Rounder Records. They Might Be Giants' album is "Flood," and it's on Elektra.

World Music Commentator Milo Miles reviews the music of Yugoslavian Jova "Besir" Stojiljkovic (YO-va BEE-sheer stoya-KOL-vich) and his brass orchestra.

Rock critic Ken Tucker gives his picks for the best albums of 1989.

Rock historian Ed Ward look back ten years, to what was happening in music in 1980.

Milo Miles plays some international dance singles, and speculates on their chances to make it as hits in America.

Rock critic Ken Tucker reviews albums by women singers who sound like Joni Mitchell.

PART II: Rock guitarist Eric Clapton. His friends call him "Slowhand," his fans call him "God." Whatever name he goes by, Eric Clapton is at or near the top of any list of the greatest guitar players in rock history. In the 60's Clapton started playing the blues with the Yardbirds (For Your Love) and then played with John Mayall's Bluesbreakers before forming Cream, one of the 60's most influential bands (Crossroads, White Room).