Film

Five old high school friends reunite to finish a pub crawl they started 20 years earlier in the latest from Simon Pegg, Nick Frost and Edgar Wright — the creators of the zombie send-up Shaun of the Dead and action comedy Hot Fuzz.

The comedian co-wrote a film with Ira Glass, of public radio's This American Life, about his life and sleepwalking disorder. But making Sleepwalk With Me, based on Birbiglia's one-man show and comedic memoir, caused Birbiglia anxiety — which exacerbated his disorder.

Lake Bell's comedy In a World ... tracks a vocal coach's efforts to break into the male-dominated world of voice-overs. She and actor/voice-over artist Fred Melamed tell Terry Gross about what drew them to voice-over work, and the origins of the "sexy baby vocal virus" trend.

The writer-director of District 9 returns with Elysium, a dystopian sci-fi/action story with Matt Damon as the hardscrabble hero. Jodie Foster plays the severely chic Big Bad in a saga where the rich live a literally out-of-this-world life above a dying Planet Earth.

From the writers of 500 Days of Summer, The Spectacular Now examines the not-so-spectacular markers of teenhood: the awkwardness and anxiety that everyone must endure. Shailene Woodley and Miles Teller are the two lovers at the forefront of this story based on a novel by Tim Tharp.

Blue Jasmine finds the filmmaker stuck in old ruts; though his technique is as sound as ever, his worldview seems to have congealed decades ago. Cate Blanchett, Sally Hawkins and Alec Baldwin star in a story inspired by Bernie Madoff and Blanche DuBois.

For years, there were rumors that filmmaker Henry Jaglom had taped hours of his conversations with Orson Welles but that the tapes had been lost. They weren't. Now the transcripts have been released in a new book, edited and introduced by Peter Biskind.

Two new documentaries are making headlines. Gabriela Cowperthwaite's Blackfish centers on the whale that killed a trainer before an Orlando SeaWorld audience in 2010. The Act of Killing by human rights researcher Josh Oppenheimer, looks at the mass executions of communists in Indonesia in the 1960s.

David Edelstein reviews Fruitvale Station, a dramatization of the last day of a man shot by San Francisco transit police in the early morning hours of New Year's Day 2009.

Director Gore Verbinski and star Johnny Depp have turned in a busy, expensive take on the masked lawman of the Wild West. It's long, tone-deaf, and ultimately crushingly bad.

Director Kenneth Branagh has given us fresh Shakespeare and witty modern comedies of manners, and some years ago he turned to opera, with an adaptation of Mozart's classic set in World War I. It's finally available in the U.S., and critic Lloyd Schwartz says the results are disappointingly mixed.

The famed author and illustrator broke the rules of American children's literature in the '50s and '60s, but many Americans have never heard of him. A new documentary, Far Out Isn't Far Enough, looks at his life and work.

Pedro Almodovar's ensemble comedy I'm So Excited is set on an airplane with mechanical problems. Neil Jordan's Byzantium centers on a pair of itinerant English vampires. The two films couldn't be more different, but the two filmmakers are very much in command of their craft.

A new film from Sofia Coppola, who made Lost in Translation and Marie Antoinette, is based on the real-life story of a group of Southern California teens who, in 2008 and 2009, began breaking into the homes of celebrities and stealing everything from designer clothing to watches and jewelry.

Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy Much Ado About Nothing -- shot in black and white. Film critic David Edelstein says it's a delight.

A new documentary directed by Morgan Neville profiles backup singers whose voices you know but whose names you probably don't: Lisa Fischer, Darlene Love, Judith Hill and Merry Clayton.

Seth Rogen and Evan Goldberg met as adolescents on the Vancouver bar mitzvah circuit -- and soon after began writing the script for what would become the movie Superbad. Their project This Is the End, is a disaster-movie spoof in which the Rapture hits home in Hollywood.

The East is a romantic activist outlaw fantasy in which Brit Marling plays an agent who poses as a radical activist to catch an eco-terrorist group. It's one of those melodramas in which someone on the morally wrong side has a spasm of conscience and maybe crosses over. Maybe.

In Richard Linklater's third film about Jesse and Celine, the two have officially coupled up, but it's no fairy tale. The love is still there, but the daily grind is getting in the way of communication. Linklater, Ethan Hawke and Julie Delpy join Fresh Air's Terry Gross to talk about the new film.

Fresh Air's critic at large John Powers returns from the 2013 Cannes Film Festival with tales of the good, the bad, and the parties. He says Blue Is the Warmest Color was "the film of the festival" while Only God Forgives was the biggest disappointment.