Film

Director Michael Crichton's latest, a cop thriller called Physical Evidence, stars Burt Reynolds and Theresa Russell, who fail to breathe life into the film's clumsy script. Critic Stephen Schiff wonders if Crichton was having an out-of-body experience when he directed the movie.

Film critic Stephen Schiff says that the World War II-themed The Dressmaker masterfully follows in the European tradition of what he calls "intimate filmmaking" -- something no American director has yet been able to replicate.

Film critic Stephen Schiff says January isn't the best month for movies; screenwriter John Patrick Shanley's latest cop drama is no exception -- the January Man is so quirky that it's hard to take seriously.

Wayans wrote, directed, and starred in the new movie I'm Gonna Git You, Sucka, which is both a parody of and homage to the blaxploitation movies of the 1970s. He says those films were notable for creating more complex roles for African American men.

The Fresh Air critic reviews a new home video called Incredible Self-Confidence, which claims it can inspire viewers through hypnotism. Tucker says it doesn't quite succeed, but is relaxing nonetheless.

Lewitzky is based in Los Angeles where, early in her career, she danced in a number of motion pictures. Her choreography for the stage conveys simplicity of movement, divorced from any suggestion of narrative. Lewitzky performed until the age of 62.

Director Stephen Frears directed the adaptation of the play, Les Liaisons Dangereuses, about a contest of sexual conquest and infidelity. Film critic Stephen Schiff praises how it handles eroticism. Despite some casting missteps, he believes it's "a brilliant tarentella" of a movie.

Critic Ken Tucker lauds the VHS release of Letter from an Unknown Woman, a 1948 drama about a philandering pianist and the mother of his child. Tucker also recommends Floating Weeds, License to Drive, and Monkey Shines.

Oliver Stone directed a film adaptation of Bogosian's play Talk Show, about a radio shock jock. Bogosian stars; he acts regularly in theater and television.

Film critic Stephen Schiff talks with Terry Gross about this years movies. He says 1988 was an unusually good year for American films, though his favorite Women on the Verge of a Nervous Breakdown, by Spanish director Pedro Almodovar. His least favorite movie was Willow.

Film critic Stephen Schiff says that movies about the corporate world all seem to follow the same formula: an executive's failure coincides with a subordinate's rise. He says Working Girl, starring Melanie Griffith and Sigourney Weaver, is no different.

Rock critic Ken Tucker says that sales of movie soundtracks have become inextricably tied to the films they come from. He takes a look at three recent CDs featuring songs from Twins, Beaches, and I'm Gonna Git You Sucka.

Wade wrote the script for the new movie Working Girl, starring Melanie Griffith and Sigourney Weaver, and directed by Mike Nichols. Wade was originally a playwright; Working Girl is his first film.

Film critic Stephen Schiff reviews the movies Naked Gun and Dirty Rotten Scoundrels. He says both films have to teach viewers how to deal with their idiosyncratic pacing in order to fully appreciate the comedy.

Critic Ken Tucker recommends the religious comedy The Bishop's Wife for holiday viewing. The movie stars Cary Grant and Loretta Young. Tucker says it's an ideal choice if you're looking for something different and low-key.

Oz's new crime comedy, Dirty Rotten Scoundrels, stars Steve Martin and Michael Caine. Oz also worked with Jim Henson to create several Muppets, including Miss Piggy and Fozzy Bear.

The new Barry Levinson movie, also starring Tom Cruise, tells the story of two brothers, one of whom is severely autistic -- and the inheritor of three million dollars. Film critic Stephen Schiff says, despite Hoffman's masterful performance, Rain Man lacks focus.

Towne is widely considered to be the best screenwriter in Hollywood. His latest film -- his first since 1982 -- is called Tequila Sunrise, about cops, drug dealers, and betrayal. Towne talks about the tension between the intent of the screenwriter and the interpretation of a script by an actor or director.

Film critic Stephen Schiff says the movie turns the story of murdered civil rights workers into a stiff police procedural with a reductionist view of race relations.

Film critic Stephen Schiff praises Women on the Verge of a Nervous Breakdown, a wildly-stylized farce that he says is weirdly touching.