Film

Vito Russo, author of The Celluloid Closet analyzes how gays have been portrayed in films.

Novelist and screenwriter Richard Price is inspired by comedians, singers, television, and movies. He published his first novel, "The Wanderers," when he was 24 years old. He began writing screenplays after being disappointed by the film adaptations of his first two novels. His most recent novel was 1984's "The Breaks." Since then he has been writing the screenplay for Martin Scorsese's upcoming film sequel to "The Hustler," "The Color of Money."

Documentarian and filmmaker Frederick Wiseman's films often dissect institutions. He emphasizes that his films are biased and reflect his own point of view. He joins the show to discuss his career.

EMILE DE ANTONIO is regarded as one of the most important political filmmakers of the American Left.

Pauline Kael is one of the country's most preeminent film critics. She came to the profession in her mid 40s after working in radio and owning a movie theater. She has written for New York Magazine since 1968, and her reviews have been collected in published in book since 1965. Her latest book is "State of the Art."

Playwright, actor, and screenwriter Wallace Shawn wants his theater work to be shocking and confrontational, but he is best known for the 1981 film he wrote, "My Dinner with Andre." Shawn's latest play is "Aunt Dan and Lemon."

Spalding Gray was already famous in experimental theater for his funny and erotically-charged monologues when he made his film debut in "The Killing Fields," about the American involvement in Cambodia. His experiences as a novice making the movie in Thailand inspired his new monologue "Swimming to Cambodia." The monologue contains stories of the real fighting in Cambodia.

Writer and humorist Bruce J. Friedman has written novels, plays, and screenplays. His screen credits include "Splash" and "Stir Crazy." He joins the show to discuss his career.

Film director and writer John Waters is Hollywood's "leading exponent of bad taste," and Waters describes himself as making exploitation films for the arthouse. Waters is also interested in murderers and has taught film in prison. The Baltimore Museum of Art recently held a retrospective of Waters' work, and the mayor declared the opening day "John Waters Day."

Director, writer, and actor John Sayles is one of Hollywood's most prominent independent filmmakers. Sayles began his career writing B-movies for producer Roger Corman. His latest movie is "The Brother from Another Planet," about a black extraterrestrial who lands in Harlem.

Steadicam inventor Garrett Brown joins the show to share backstage Hollywood stories, discuss the use of the Steadicam, and his new invention Skycam.

The playwright's works include "The Zoo Story," "Who's Afraid of Virginia Woolf?," and the Pulitzer Prize winning "Delicate Balance" and "Seascape."

A collection of Roger Ebert's essays is called A Kiss is Just A Kiss. He co-hosts the television show At the Movies with fellow critic and professional rival Gene Siskel.

After years of making low-budget exploitation movies, John Waters has received major studio backing for his latest film, Polyester. His newfound, mainstream success includes the Mayor of Baltimore naming February 7th John Waters Day and the release of a documentary about him, Divine Waters. His most recent endeavor has been teaching prisoners about channeling their violent tendencies into art.

John Sayles has written, directed, and acted in several independent movies. His films run the gamut from horror to science fiction to serious takes on social issues.

Cinematographer Garrett Brown returns to Fresh Air to talk about his newest invention, the Skycam. He tells host Terry Gross about how his innovations changed movie directors' techniques and expectations while on set.

New York Times music critic John Rockwell wrote a book about Frank Sinatra's life in music and movies. He and Fresh Air host Terry Gross listen back to some of the singer's early recordings.

The writer has a new book called Take 22, which features interviews with notable filmmakers. She says her critical approach has become more populist in recent years. She has also grown more interested in learning about a director's intent, which she takes into consideration when gauging a film's success or failure.

Michael Ochs maintains an exhaustive collection of photographs and records documenting the history of rock music. His brother was political folk singer, Phil Ochs.

A new collection of Roger Ebert's writing, titled A Kiss is Just A Kiss, has just been published. His television program, co-hosted by fellow critic and professional rival Gene Siskel, is now syndicated on commercial stations.